A probably incomplete list of compositions and musical performances, in chronological order
2023, Ambisonics 4st order, for synthesizers, Weathered Piano and Disklavier
2023, Ambisonics 4st order, for the PingNoise modular synthesizer & friends
2022, Ambisonics 4st order rendered into binaural stereo
2021, Ambisonics 3rd order rendered into binaural stereo, for Applesauce Modular synthesizer
2020, Ambisonics 3rd order rendered into binaural stereo, creative collaboration with Michiko Theurer
2020, Ambisonics (5th/2nd order), creative collaboration with Michiko Theurer
2018, Ambisonics (5th/2nd order)
2018, Ambisonics (5th/2nd order), in collaboration with Ching-Wen Chao
Yung-Chih Hsueh, percussion
2017, Ambisonics (5th/2nd order), Séverine Ballon, cello
2017, Ambisonics (5th/2nd order)
2016, Sound Symposium, Harbor Symphony
2016, Chris Chafe, celletto, John Granzow, daxophone, Fernando Lopez-Lezcano, live electronics, Ambisonics (3rd order)
2015, for celletto (Chris Chafe) and electronics, Ambisonics (3rd order)
2015, Ambisonics (3rd order)
2014, 16 channel, two TX816 (16 x DX7), live performance
2015, Ambisonics (3rd order)
2013, Ambisonics (3rd order), 3D printer and realtime processing, live performance
2013, Ambisonics (3rd order), Ensemble AnaLocos, live performance
2013, Ambisonics (3rd order), live performance
2013, 24 channels or Ambisonics
co-composed with Chris Chafe for the Bing Concert Hall Opening Night concert
2013, 14 channels
composed and performed together with Kurt Werner
2012, 16 channels, live improvisation
2011, Ambisonics (3rd order), live performance
2010, 16-24 channels, live performance
2008-2010, Ambisonics (3rd order)
2009, stereo
2008-2010, 8 channel telematic performance
2008, stereo
2007, 8 channel
2005-2006, 24 channels 3D playback
2005, video and stereo sound
1998-2004-2008
1996-1997, for midi controlled instruments, soundfile playback and PadMaster (controlled by a Radio Drum).
1996, for midi controlled instruments and PadMaster (controlled by a Radio Drum).
1994, for quadraphonic tape.
1993, for quadraphonic tape.
1993-1995, for electronic cello (Chris Chafe playing his celleto), midi controlled synthesizers and PadMaster (controlled by a Radio Drum).
1991, for stereo tape.
1986, for stereo tape.
Composer, performer, lecturer and computer systems administrator at CCRMA, Stanford University
El Dinosaurio
Applesauce Modular Mark V
Planet CCRMA
Of Dinosaurs and Other Creatures
The Well Modulated Dinosaur
The Love Songs of Flying Dinosaurs
El PianoSaurio
Dinosaur He[a]rd!
Wings
Resurrections
Pia[NOT] Etude
The Miraculous Multiplication of Strings
Y Sonó Como Arpa Vieja
Un Esqueleto en la Cocina
The Hidden and Mysterious Machinery of Sound
Modulate me, please?
Space, S[acred|ecular]
Vox Voxel
Toast and Jam
Divertimento de Cocina
Velvet Skin, Heart of Steel
Fugue 1 (Fanfare)
Jurassic Modulations
Earth Songs
Dinosaur Skin
A Very Fractal Cat, Somewhat T[h]rilled
65 Second Bycicle
The Dinosaur At War
Exit Variations
El Dinosaurio Habla
Kitchen <-> Miniature(s)
Instant Knoll
iICEsCcRrEeAaMm
House of Mirrors
With Room to Grow
Knock knock, anybody there?
Three Dreams
Espresso Machine II
Hot'n Cold
Quest
(C)1993-2023 Fernando Lopez-Lezcano. All Rights Reserved.