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Center for Computer Research in Music and Acoustics

Summer Workshops 2018 Announced!

Summer 2018 just got a whole lot cooler: our amazing lineup of computer music workshops has been announced! Check out the schedule here

Register for workshops here

There will be opportunities for financial assistance for some workshops - more to come on that.

Upcoming Events

Stanford Laptop Orchestra: SLOrktastic Chamber Music 2018

Date: 
Thu, 05/03/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
The Stanford Laptop Orchestra (SLOrk) presents new works for electronic chamber music, by members of the SLOrk ensemble and seminar. You are warmly invited to join us in exploring new instruments and musical spaces crafted for laptops, humans, and hemispherical speaker arrays! Featuring works and performances by: Doga Cavdir, Charles Foster, Elena Georgieva, Mark Hertensteiner, Kunwoo Kim, Juan Sierra, Ian Avery Bick, Kimberly Juarez-Rico, Tucker Leavitt, Kangrui Xue, Rodrigo Cadiz, Ge Wang, Matt Wright, Christopher Jette, Trijeet Mudhopadhyay.

For more info, visit: http://slork.stanford.edu/events/2018/slorktastic/

FREE
Open to the Public

Akiko Hatakeyama - Storytelling, memories... real-time computer-based interactivity

Date: 
Fri, 05/04/2018 - 3:00pm - 4:30pm
Location: 
CCRMA Seminar Room
Event Type: 
Guest Lecture
Akiko Hatakeyama is a composer/performer of electroacoustic music and intermedia. She explores the boundaries between written music, improvisation, electronics, real-time computer-based interactivity, and visual media. Storytelling, memories, and nature play an important role in Akiko's work, and she most often finds beauty in simplicity.  Akiko's practice focuses on realizing her ideas of relations between the body and mind into intermedia composition, often in conjunction with building customized instruments/interfaces. It is a form of nonverbal communication with her inner self and with the environment, including the audience. By somatically actuating perceptions with sound, light, and haptic objects, her ideas of relations between the body and mind become embraceable.
FREE
Open to the Public

Akiko Hatakeyama

Date: 
Sat, 05/05/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Akiko Hatakeyama is a composer/performer of electroacoustic music and intermedia. She explores the boundaries between written music, improvisation, electronics, real-time computer-based interactivity, and visual media. Storytelling, memories, and nature play an important role in Akiko's work, and she most often finds beauty in simplicity.  Akiko's practice focuses on realizing her ideas of relations between the body and mind into intermedia composition, often in conjunction with building customized instruments/interfaces. It is a form of nonverbal communication with her inner self and with the environment, including the audience. By somatically actuating perceptions with sound, light, and haptic objects, her ideas of relations between the body and mind become embraceable.
FREE
Open to the Public
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CCRMA's Online Classes

CCRMA currently offers several online courses:

Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"

Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"

Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"

Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"

Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"


Recent Events

Pump up the Bings - CCRMA in The Bing Studio

Date: 
Thu, 04/19/2018 - 7:30pm - 9:00pm
Date: 
Fri, 04/20/2018 - 7:30pm - 9:00pm
Location: 
Bing Concert Hall Studio Space
Event Type: 
Concert
Please join us for two concerts of 3D audio multichannel immersive music and soundscapes at the Bing Concert Hall Studio Space. We will deploy our the full CCRMA Grail sound system for a selection of pieces from CCRMA and around the world -

Thursday April 19th:

Ake Parmerud
Mark Applebaum
Fernando Lopez-Lezcano
Scott Wilson
Yukiko Yoden
Eoin Callery
Dan Peterson



Friday April 20th:

Jonty Harrison
Rodrigo Cadiz
Julie Herndon
Larry Smith
Anna Tskhovrebov
... and maybe something special







FREE
Open to the Public

scapegoat - new music for sax, percussion, and electronics

Date: 
Tue, 04/10/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
scapegoat is an experimental saxophone and percussion duo. Close creative collaboration and multi-media projects form the basis of their pursuit for artistic innovation and expression. Programmes are designed to broaden and challenge the musical experience of the audience, through original works featuring live electronics, performer-controlled sonic and visual amplification, video and lighting design, and improvisation. scapegoat's 2017/18 season features new commissions of composers Pierluigi Billone and Michelle Lou funded by the Ernst von Siemens Music Foundation, with residencies and performances as part of an Australian tour, a Californian tour, and at the Ultima Festival (Oslo) and Open Ears Festival (Kitchener).
FREE
Open to the Public

CEMEC 2018

Date: 
Sat, 04/07/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
The California Electronic Music Exchange Concerts (CEMEC) form a series of events designed to strengthen the connections between the various California educational institutions that maintain computer and electronic music programs. These events are run and curated by the graduate students and faculty of each participating institution. The 2018 series of California Electronic Music Exchange Concerts will be held at the campuses of UCSD, UCSB, Mills, CCRMA/Stanford, UC Santa Cruz, and CalArts throughout April 2018. The Stanford/CCRMA leg will be held on April 7th from 7.30PM
FREE
Open to the Public

Jaap Blonk

Date: 
Thu, 04/05/2018 - 7:30pm - 9:00pm
Location: 
CCRMA Stage
Event Type: 
Concert
Ahead of his Other Minds Festival performance in SF, Jaap Blonk presents “Songs of Little Sleep" and other recent works for voice and electronics. As a vocalist, Jaap is unique for his powerful stage presence and almost childlike freedom in improvisation, combined with a keen grasp of structure. He has performed around the world, on all continents. With the use of live-electronics the scope and range of his concerts has acquired a considerable extension. Besides working as a soloist, he collaborated with many musicians and ensembles in the field of contemporary and improvised music, like Maja Ratkje, Mats Gustafsson, Joan La Barbara, The Ex, the Netherlands Wind Ensemble and the Ebony Band.
Free
Open to the Public
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Recent News

CCRMA: Award-winning Faculty!

Please join us in contratulating Dr. Poppy Crum upon receiving two recent awards! Her work on tech industry standards, particularly focusing on improving hearing aid technology, and her leadership as a women in the tech world have been recognized by the Consumer Technology Association and the Advanced Imaging Society. Links to articles are below.

Way to go, Poppy!

CTA Honors Five for Outstanding Contributions to Tech Industry Initiatives and Standards

LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound



Science podcast featuring work by our fearless leader, Chris Chafe:

"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student

Oakum - Eoin Callery

Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.





File Attachment: 
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Jonathan Berger Première

Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!

"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.

The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.

CCRMA Adjunct Professor Pierre Divenyi - Spatial modulation: Hearing the environment - ICA 2016 Buenos Aires

File Attachment: 
application/pdf iconica-2016-paper.pdf
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2018 Spring Quarter Courses

Music 1A Music, Mind, and Human Behavior
Music 101 Introduction to Creating Electronic Sounds
Music 128 Composing, Coding, and Performance with SLOrk
Music 150P The Changing World of Popular Music
Music 153 Online Jamming & Concert Technology
Music 154F Eletroacoustic Music Analysis
Music 192C Session Recording
Music 220C Research Seminar in Computer-Generated Music
Music 220D Research in Computer-Generated Music
Music 251 Psychophysics and Music Cognition
Music 254 Music Query, Analysis, and Style Simulation (CS275B)
Music 257 Neuroplasticity and Musical Gaming
Music 318 Advanced Acoustics
Music 319 Research Seminar on Computational Models of Sound Perception
Music 421A Audio Applications of the Fast Fourier Transform
Music 424 Signal Processing Techniques for Digital Audio Effects

 

 

 

   

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Department of Music
Stanford University
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