2013-2014, soundfield
A LaunchPad controller, a computer and a custom set of SuperCollider classes control the music synthesis processes that use and transform raw kitchen utensil samples recorded a long time ago. The extremely simple rhythms at the beginning of the piece become progressively more complicated as they are layered together in increasingly thicker textures. While the performer walks through different soundscapes, rhythms form the backbone and guide for the rest of the piece. The array of buttons in the Launchpad controller manipulate multiple "virtual performers" which can be queued, started, paused or stopped asynchronously. The piece meanders through eight layers of materials arranged in 'scenes' through this very simple interface. The control program also dynamically spatializes all sounds under the control of the performer and the 3D soundscape can be diffused through an arbitrary number of speakers (the original soundstream is internally generated in Ambisonics, with at least 3rd order full periphonic resolution).
Composer, performer, lecturer and computer systems administrator at CCRMA, Stanford University
El Dinosaurio
Applesauce Modular Mark V
Planet CCRMA
Of Dinosaurs and Other Creatures
The Well Modulated Dinosaur
The Love Songs of Flying Dinosaurs
El PianoSaurio
Dinosaur He[a]rd!
Wings
Resurrections
Pia[NOT] Etude
The Miraculous Multiplication of Strings
Y SonĂ³ Como Arpa Vieja
Un Esqueleto en la Cocina
The Hidden and Mysterious Machinery of Sound
Modulate me, please?
Space, S[acred|ecular]
Vox Voxel
Toast and Jam
Divertimento de Cocina
Velvet Skin, Heart of Steel
Fugue 1 (Fanfare)
Jurassic Modulations
Earth Songs
Dinosaur Skin
A Very Fractal Cat, Somewhat T[h]rilled
65 Second Bycicle
The Dinosaur At War
Exit Variations
El Dinosaurio Habla
Kitchen <-> Miniature(s)
Instant Knoll
iICEsCcRrEeAaMm
House of Mirrors
With Room to Grow
Knock knock, anybody there?
Three Dreams
Espresso Machine II
Hot'n Cold
Quest
(C)1993-2023 Fernando Lopez-Lezcano. All Rights Reserved.