2008-2010
This is the latest version of a series of algorithmic performance pieces for pianos, computer and “cat” that I started working on at the end of 2008 (the proverbial cat walking on a piano keyboard). The performer connects through a keyboard controller, four pedals and two modulation wheels to four virtual pianos both directly and through algorithms. Through the piece different note and phrase generation algorithms are triggered by the performer's actions, including markov chains that the virtual cat uses to learn from the performer, fractal melodies, plain scales and trills and other simple algorithms. The sound of the pianos is heard directly, and is also processed using spectral, granular and other synthesis techniques at different points in the performance, creating spaces through which the performer moves. A surround environment is created with Ambisonics spatialization, and everything in the piece (algorithms, sound generation and processing and graphical user interface) was written in the SuperCollider language.
See this paper for more details on the piece and its software environment.
(photo by David Kerr, Modulations 2.1)
Stereo reduction of a performance recorded in the Stage at CCRMA on December 18th 2009: OGG, MP3, WAV. Or a reduction to 5.0 surround (compressed) AC3. The original is an Ambisonics 3rd order encoded audio stream.
An extended version of “A Very Fractal Cat” was performed as a 30 minute music set in the CCRMA Stage (program notes)
“A Very Fractal Cat, Somewhat T[h]rilled”, another performance of the “Fractal Cat” series of pieces for piano controller and computer algorithms. In this one the controller program was again extended with new algorithms and gestures. (program notes)
“A Very Fractal Cat”, performance piece for piano controller and computer processing and algorithms (program notes)
Short excerpts from the performance are currently part of the demonstration of the "Sala Bianca" in Casa del Suono, a Wave Field Synthesis room (Parma, Italy).
“Cat Walk”, this is the first performance of the series of pieces for piano controller and computer. At this time only a few algorithms were implemented in the software and the spatialization was done statically and through amplitude panning.
Composer, performer, lecturer and computer systems administrator at CCRMA, Stanford University
El Dinosaurio
Applesauce Modular Mark V
Planet CCRMA
Of Dinosaurs and Other Creatures
The Well Modulated Dinosaur
The Love Songs of Flying Dinosaurs
El PianoSaurio
Dinosaur He[a]rd!
Wings
Resurrections
Pia[NOT] Etude
The Miraculous Multiplication of Strings
Y Sonó Como Arpa Vieja
Un Esqueleto en la Cocina
The Hidden and Mysterious Machinery of Sound
Modulate me, please?
Space, S[acred|ecular]
Vox Voxel
Toast and Jam
Divertimento de Cocina
Velvet Skin, Heart of Steel
Fugue 1 (Fanfare)
Jurassic Modulations
Earth Songs
Dinosaur Skin
A Very Fractal Cat, Somewhat T[h]rilled
65 Second Bycicle
The Dinosaur At War
Exit Variations
El Dinosaurio Habla
Kitchen <-> Miniature(s)
Instant Knoll
iICEsCcRrEeAaMm
House of Mirrors
With Room to Grow
Knock knock, anybody there?
Three Dreams
Espresso Machine II
Hot'n Cold
Quest
(C)1993-2023 Fernando Lopez-Lezcano. All Rights Reserved.