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- 1
-
J. Abel, V. Välimäki, and J. O. Smith, ``Robust, efficient design of
allpass filters for dispersive string sound synthesis,'' IEEE Signal
Processing Letters, vol. 17, no. 4, pp. 406-409, 2010.
- 2
-
J. Abel and J. O. Smith, ``Robust design of very high-order allpass dispersion
filters,'' Proceedings of the Conference on Digital Audio Effects (DAFx-06),
Montréal, Canada, Sept. 2006,
http://www.dafx.de/.
- 3
-
J. S. Abel and D. P. Berners, Music 424 Handouts: Signal Processing
Techniques for Digital Audio Effects,
https://ccrma.stanford.edu/courses/424/,
Spring 2004.
- 4
-
S. Adachi and M. Sato, ``Trumpet sound simulation using a two-dimensional lip
vibration model,'' Journal of the Acoustical Society of America, vol. 99,
pp. 1200-1209, 1996.
- 5
-
J.-M. Adrien, ``The missing link: Modal synthesis,'' in Representations of
Musical Signals (G. De Poli, A. Picialli, and C. Roads, eds.),
pp. 269-297, Cambridge, MA: MIT Press, 1991.
- 6
-
J.-M. Adrien and J. Morrison, ``Mosaïc: A modular program for synthesis
by modal superposition,'' in Proceedings of the Colloquium on Physical Modeling,
(Grenoble, France), ACROE, 1990.
- 7
-
J. Agullo, A. Barjau, and J. Martinez, ``Alternatives to the impulse response
h(t) to describe the acoustical behavior of conical ducts,'' Journal of the Acoustical Society of America, vol. 84, pp. 1606-1612, Nov.
1988.
- 8
-
J. Agullo, A. Barjau, and J. Martinez, ``Conical bores. Part II:
Multiconvolution,'' Journal of the Acoustical Society of America, vol. 84,
pp. 1620-1627, Nov. 1988.
- 9
-
J. Agullo, A. Barjau, and J. Martinez, ``On the time-domain description of
conical bores,'' Journal of the Acoustical Society of America, vol. 91,
pp. 1099-1105, Feb. 1992.
- 10
-
J. B. Allen, ``private communication,'' 1983.
- 11
-
J. B. Allen and D. A. Berkley, ``Image method for efficiently simulating
small-room acoustics,'' Journal of the Acoustical Society of America,
vol. 65, pp. 943-950, 1979.
- 12
-
J. B. Allen and L. R. Rabiner, ``A unified approach to short-time Fourier
analysis and synthesis,'' Proc. IEEE, vol. 65, pp. 1558-1564, Nov.
1977.
- 13
-
N. Amir, V. Pagneux, and J. Kergomard, ``A study of wave propagation in varying
cross-section waveguides by modal decomposition. part 2. results,'' Journal of the Acoustical Society of America, vol. 101, no. (5), Part 1,
pp. 2504-2517, 1996.
- 14
-
N. Amir, G. Rosenhouse, and U. Shimony, ``Reconstructing the bore of brass
instruments: Theory and experiment,'' in Proceedings of the Stockholm Musical
Acoustics Conference (SMAC-93), (Stockholm), pp. 470-475, Royal Swedish
Academy of Music, July 1993.
- 15
-
N. Amir, G. Rosenhouse, and U. Shimony, ``Discrete model for tubular acoustic
systems with varying cross section--the direct and inverse problems. Part
1: Theory,'' Acta Acustica, vol. 81, pp. 450-462, 1995.
- 16
-
N. Amir, G. Rosenhouse, and U. Shimony, ``Discrete model for tubular acoustic
systems with varying cross section - the direct and inverse problems. Part
1: Theory, and Part 2: Experiment,'' Acta Acustica, vol. 81,
pp. 450-474, 1995.
- 17
-
C. Anderton, Digital Delay Handbook,
New York: Amsco Publications, 1985.
- 18
-
A. Askenfelt, ed., Five Lectures on the Acoustics of the Piano,
Stockholm: Royal Swedish Academy of Music, 1990,
lectures by H. A. Conklin, Anders Askenfelt and E. Jansson, D. E.
Hall, G. Weinreich, and K. Wogram. Sound example CD included. Publication
number 64.
http://www.speech.kth.se/music/5_lectures/.
- 19
-
K. J. Åstrom, Introduction to Stochastic Control Theory,
New York: Academic Press, 1970.
- 20
-
B. S. Atal and L. S. Hanauer, ``Speech analysis and synthesis by linear
prediction of the speech wave,'' Journal of the Acoustical Society of
America, vol. 50, pp. 637-655, 1971.
- 21
-
F. Avanzini, S. Serafin, and D. Rocchesso, ``Modeling interactions between
rubbed dry surfaces using an elasto-plastic friction model,'' in Proceedings of the
COST-G6 Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany,
pp. 111-116, September 2002,
http://www.dafx.de/.
- 22
-
R. D. Ayers, L. J. Eliason, and D. Mahgerefteh, ``The conical bore in musical
acoustics,'' American Journal of Physics, vol. 53, pp. 528-537, June
1985.
- 23
-
B. Bank and L. Sujbert, ``Modeling the longitudinal vibration of piano
strings,'' in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03),
http://www.speech.kth.se/smac03/,
(Stockholm), pp. 143-146, Royal Swedish Academy of Music, Aug. 2003.
- 24
-
B. Bank, Physics-Based Sound Synthesis of String Instruments including
Geometric Nonlinearities,
PhD thesis, Budapest University of Technology and Economics,
Budapest, Department of Measurement and Information Systems, Hungary, Feb.
2006,
http://www.mit.bme.hu/~bank/phd.
- 25
-
B. Bank and M. Karjalainen, ``Passive admittance matrix modeling for guitar
synthesis,'' in Proceedings of the 13th International Conference on Digital Audio Effects
(DAFx-10), Graz, Austria, September 6-10, 2010.
- 26
-
B. Bank and H.-M. Lehtonen, ``Perception of longitudinal components in piano
string vibration,'' JASA Express Letters, vol. 128, Aug. 2010.
- 27
-
B. Bank and L. Sujbert, ``Efficient modeling strategies for the geometric
nonlinearities of musical instrument strings,'' in Proceedings of the
Forum Acusticum Meeting, Budapest, pp. 2268-2278, Apr. 2005.
- 28
-
B. Bank and L. Sujbert, ``Generation of longitudinal vibrations in piano
strings: From physics to sound synthesis,'' Journal of the Acoustical
Society of America, vol. 117, pp. 2268-2278, Apr. 2005.
- 29
-
B. Bank, F. Avanzini, G. Borin, G. D. Poli, F. Fontana, and D. Rocchesso,
``Physically informed signal processing methods for piano sound synthesis: A
research overview,'' EURASIP Journal on Applied Signal Processing,
vol. 2003, Sept. 2003,
http://www.mit.bme.hu/~bank/publist/jasp03.pdf.
- 30
-
B. Bank, S. Zambon, and F. Fontana, ``A modal-based real-time piano
synthesizer,'' IEEE Transactions on Audio, Speech, and Language Processing,
vol. 18, no. 4, pp. 809-821, 2010.
- 31
-
E. Barbour, ``The cool sound of tubes,'' IEEE Spectrum, pp. 24-35, Aug.
1998.
- 32
-
B. Bartlett, ``A scientific explanation of phasing (flanging),'' Journal of the Audio Engineering Society, vol. 18, pp. 674-675, Jun 1970.
- 33
-
M. J. Beeson and D. T. Murphy, ``RoomWeaver: A digital waveguide mesh based
room acoustics research tool,'' in Proceedings of the Conference on Digital Audio
Effects (DAFx-04), Naples, Italy, Oct. 2004,
http://www.dafx.de/.
- 34
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V. Belevitch, ``Summary of the history of circuit theory,'' Proceedings of the IRE,
vol. 50, pp. 848-855, May 1962.
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V. Belevitch, Classical Network Theory,
San Francisco: Holden Day, 1968.
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B. Beliczynski, I. Kale, and G. D. Cain, ``Approximation of FIR by IIR
digital filters: An algorithm based on balanced model reduction,'' IEEE
Transactions on Acoustics, Speech, Signal Processing, vol. 40, pp. 532-542, Mar.
1992.
- 37
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A. H. Benade, ``Equivalent circuits for conical waveguides,'' Journal of the Acoustical Society of America, vol. 83, pp. 1764-1769, May 1988.
- 38
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A. H. Benade, Fundamentals of Musical Acoustics,
New York: Dover, 1990.
- 39
-
A. H. Benade and E. V. Jansson, ``On plane and spherical waves in horns with
nonuniform flare. I. theory of radiation, resonance frequencies, and mode
conversion,'' Acustica, vol. 31, no. 2, pp. 80-98, 1974.
- 40
-
G. Bennett and X. Rodet, ``Synthesis of the singing voice,'' in Current
Directions in Computer Music Research (M. V. Mathews and J. R. Pierce,
eds.), pp. 19-44, Cambridge, MA: MIT Press, 1989.
- 41
-
J. Bensa, ``Stiff piano string modeling: Computational comparison between
finite differences and digital waveguide,'' in Acoustical Society of America,
Program of the 148th Meeting (abstract and presentation), San Diego,
California, Nov. 15-19, (New York), Acoustical Society of America, Nov.
2004.
- 42
-
J. Bensa, Analysis and Synthesis of Piano Sounds using Physical and Signal
Models,
PhD thesis, Université de la Méditérranée, Marseille,
France, 2003,
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- 43
-
J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith, ``From the physics
of piano strings to digital waveguides,'' in Proceedings of the 2002 International
Computer Music Conference, Sweden, 2002.
- 44
-
J. Bensa, R. Kronland-Martinet, S. Bilbao, and J. O. Smith, ``A
power-normalized non-linear lossy piano hammer,'' in Proceedings of the Stockholm
Musical Acoustics Conference (SMAC-03),
http://www.speech.kth.se/smac03/,
(Stockholm), pp. 365-368, Royal Swedish Academy of Music, Aug. 2003.
- 45
-
J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith, ``The simulation of
piano string vibration: from physical models to finite difference schemes and
digital waveguides,'' Journal of the Acoustical Society of America,
vol. 114(2), pp. 1095-1107, 2003.
- 46
-
J. Bensa, S. Bilbao, R. Kronland-Martinet, J. O. Smith, and T. Voinier,
``Computational modeling of stiff piano strings using digital waveguides
and finite differences,'' Acta Acustica united with Acustica,
vol. 91(2), pp. 289-298, 2005.
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L. L. Beranek, Acoustics,
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L. Beranek, Concert Halls and Opera Houses: Music, Acoustics, and
Architecture,
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A. J. Berkhout, D. de Vries, and P. Vogel, ``Acoustic control by wave field
synthesis,'' Journal of the Acoustical Society of America, vol. 93, no. 5,
pp. 2764-2778, 1993.
- 50
-
D. P. Berners, Acoustics and Signal Processing Techniques for Physical
Modeling of Brass Instruments,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June
1999,
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- 51
-
D. P. Berners and J. O. Smith, ``On the use of Schrodinger's equation in the
analytic determination of horn reflectance,'' in Proceedings of the 1994 International
Computer Music Conference, Århus, pp. 419-422, Computer Music
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R. T. Beyer, Nonlinear Acoustics,
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- 53
-
S. Bilbao, Numerical Sound Synthesis: Finite Difference Schemes and
Simulation in Musical Acoustics,
Chichester, UK: John Wiley and Sons, 2009.
- 54
-
S. Bilbao, Wave and Scattering Methods for the Numerical Integration of
Partial Differential Equations,
PhD thesis, Stanford University, June 2001,
https://ccrma.stanford.edu/~bilbao/.
- 55
-
S. Bilbao, Wave and Scattering Methods for Numerical Simulation,
New York: John Wiley and Sons, Inc., July 2004.
- 56
-
S. Bilbao, J. O. Smith, J. Bensa, and R. Kronland-Martinet, ``A
power-normalized wave digital piano hammer,'' Journal of the Acoustical
Society of America, Program of the 144th Meeting, Cancun, Mexico, Dec. 2-6,
Dec. 2002,
see paper on the conference CD-ROM.
- 57
-
J. Blauert, Spatial Hearing. The Psychophysics of Human Sound
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Cambridge, MA, USA: MIT Press, 1997.
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B. Blesser, ``Interdisciplinary synthesis of reverberation viewpoint,'' Journal of the Audio Engineering Society, vol. 49, pp. 867-903, Oct. 2001.
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H. Bode, ``History of electronic sound modification,'' Journal of the
Audio Engineering Society, vol. 32, pp. 730-739, Oct. 1984.
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G. Borin, G. De Poli, and A. Sarti, ``A modular approach to
excitator-resonator interaction in physical models synthesis,'' in Proceedings of the 1989 International Computer Music Conference, Ohio, pp. 46-50, Computer
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J. Borish, Electronic Simulation of Auditorium Acoustics,
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M. Bosi and R. E. Goldberg, Introduction to Digital Audio Coding and
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Boston: Kluwer Academic Publishers, 2003.
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X. Boutillon, ``Model for piano hammers: Experimental determination and digital
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pp. 746-754, Feb. 1988.
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S. Boyd and L. Vandenberghe, Convex Optimization,
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C. B. Boyer, A History of Mathematics,
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K. Bradley, M.-H. Cheng, and V. L. Stonick, ``Automated analysis and
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E. Brandt, ``Hard sync without aliasing,'' in Proceedings of the 2001 International
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C. Cadoz, A. Luciani, and J. L. Florens, ``CORDIS-ANIMA: A modeling and
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D. M. Campbell, ``Brass instruments as we know them today,'' in Proceedings of the
Stockholm Musical Acoustics Conference (SMAC-03),
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R. Caussé, J. Kergomard, and X. Lurton, ``Input impedance of brass musical
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C. Chafe, ``Pulsed noise in self-sustained oscillations of musical
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A. Chaigne, ``Viscoelastic properties of nylon guitar strings,'' Catgut
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A. Chaigne, ``On the use of finite differences for musical synthesis.
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A. Chaigne and A. Askenfelt, ``Numerical simulations of piano strings. I. A
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A. Chaigne and A. Askenfelt, ``Numerical simulations of piano strings. II.
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A. Chaigne and A. Askenfelt, ``Numerical simulations of piano strings, parts
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H. Chamberlin, Musical Applications of Microprocessors, Second Edition,
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J. M. Chowning, ``Frequency modulation synthesis of the singing voice,'' in
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L. Savioja, J. Backman, A. Järvinen, and T. Takala, ``Waveguide mesh
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pp. 637-640, June 1995.
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L. Savioja, ``Real-time 3d finite-difference time-domain simulation of low- and
mid-frequency room acoustics,'' in Proceedings of the 13th International Conference on Digital
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L. Savioja and V. Välimäki, ``Reduction of the dispersion error in
the interpolated digital waveguide mesh using frequency warping,'' in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Phoenix,
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digital waveguide mesh using interpolation and frequency-warping
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mesh with frequency warping,'' Proceedings of the IEEE International
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L. Savioja and V. Välimäki, ``Interpolated rectangular 3-d
digital waveguide mesh algorithms with frequency warping,'' IEEE
Transactions on Speech and Audio Processing, vol. 11, pp. 783-790, Nov. 2003.
- 405
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G. Scavone and J. O. Smith, ``Digital waveguide modeling of woodwind
toneholes,'' 132nd meeting of the Acoustical Society of America, Honolulu,
Dec. 1996.
- 406
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G. Scavone and J. O. Smith, ``Digital waveguide modeling of woodwind
toneholes,'' in Proceedings of the 1997 International Computer Music Conference, Greece,
Computer Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1997.
- 407
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G. Scavone and J. O. Smith, ``Scattering parameters for the Keefe clarinet
tonehole model,'' in Proceedings of the International Symposium on Musical Acoustics
(ISMA-97), Edinburgh, Scotland, pp. 433-438, Aug. 1997.
- 408
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G. P. Scavone and P. R. Cook, ``Real-time computer modeling of woodwind
instruments,'' in Proceedings of the International Symposium on Musical Acoustics (ISMA-98),
Leavenworth, Washington, pp. 197-202, July 1998,
https://ccrma.stanford.edu/~jos/tonehole/.
- 409
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G. P. Scavone, An Acoustic Analysis of Single-Reed Woodwind Instruments
with an Emphasis on Design and Performance Issues and Digital Waveguide
Modeling Techniques,
PhD thesis, CCRMA, Music Dept., Stanford University, Mar. 1997,
https://ccrma.stanford.edu/~gary/.
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R. W. Schafer and L. R. Rabiner, ``A digital signal processing approach to
interpolation,'' Proceedings of the IEEE, vol. 61, pp. 692-702, June 1973.
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R. W. Schafer and J. D. Markel, eds., Speech Analysis,
New York: IEEE Press, 1979.
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J. C. Schelleng, ``The violin as a circuit,'' Journal of the Acoustical
Society of America, vol. 35, pp. 326-338, 1963.
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J. C. Schelleng, ``The bowed string and the player,'' Journal of the
Acoustical Society of America, vol. 53, pp. 26-41, Jan. 1973.
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K. M. Schmidt, Prelude for Strings: The Origins of Spectral Theory,
Cardiff University: Cardiff School of Mathematics, 2004,
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- 415
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M. R. Schroeder, ``Natural-sounding artificial reverberation,'' Journal of the Audio Engineering Society, vol. 10, no. 3, pp. 219-223, 1962.
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M. R. Schroeder, ``New method for measuring reverberation time,'' Journal of the Acoustical Society of America, vol. 37, no. 5, pp. 232-235,
1965.
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M. R. Schroeder, ``Vocoders: Analysis and synthesis of speech (a review of 30
years of applied speech research),'' Proceedings of the IEEE, vol. 54,
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M. R. Schroeder, ``Digital simulation of sound transmission in reverberant
spaces (part i),'' Journal of the Acoustical Society of America, vol. 47,
no. 2, pp. 424-431, 1970.
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M. R. Schroeder, ``Diffuse sound reflection by maximum-length sequence,'' Journal of the Acoustical Society of America, vol. 57, no. 1, pp. 149-150, 1975.
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M. R. Schroeder and B. F. Logan, ``Colorless artificial reverberation,'' IRE Transactions on Audio, vol. AU-9, pp. 209-214, Nov-Dec 1961.
- 421
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M. R. Schroeder and B. F. Logan, ``Colorless artificial reverberation,'' Journal of the Audio Engineering Society, vol. 9, pp. 192-197, July 1961.
- 422
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C. Segoufin, B. Fabre, M. P. Verge, A. Hirschberg, and A. P. J. Wijnands,
``Experimental study of the influence of mouth geometry on sound production
in a recorder-like instrument: Windway length and chamfers,'' Acta
Acustica united with Acustica, vol. 86, pp. 649-661, 2000.
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S. Serafin, The sound of friction: real-time models, playability and
musical applications,
PhD thesis, Music Department, Stanford University, 2004.
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S. Serafin and D. Young, ``Bowed string physical model validation through use
of a bow controller and examination of bow strokes,'' in Proceedings of the
Stockholm Musical Acoustics Conference (SMAC-03),
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2003.
- 425
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S. Serafin, J. O. Smith, and J. Woodhouse, ``An investigation of the impact of
torsion waves and friction characteristics on the playability of virtual
bowed strings,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing
to Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1999.
- 426
-
S. Serafin, P. Huang, and J. O. Smith, ``The banded digital waveguide mesh,''
in Workshop on Current Research Directions in Computer Music,
(Audiovisual Institute, Pompeu Fabra University), Nov. 15-17, 2001.
- 427
-
S. Serafin, P. Huang, S. Ystad, C. Chafe, and J. O. Smith, ``Analysis and
synthesis of unusual friction-driven musical instruments,'' in Proceedings of the
2002 International Computer Music Conference, Sweden, 2002.
- 428
-
X. Serra and J. O. Smith, ``Spectral modeling synthesis: A sound
analysis/synthesis system based on a deterministic plus stochastic
decomposition,'' Computer Music Journal, vol. 14, no. 4,
pp. 12-24, 1990,
Software and recent papers
URL:
//www.iua.upf.es/~xserra/.
- 429
-
D. B. Sharp, Acoustic Pulse Reflectometry for the Measurement of Musical
Wind Instruments,
PhD thesis, Dept. of Physics and Astronomy, University of Edinburgh,
1996,
URL originally
http://acoustics.open.ac.uk/pdf/thesis.pdf.
- 430
-
J. H. Smith and J. Woodhouse, ``The tribology of rosin,'' Journal of
Mechanics and Physics of Solids, vol. 48, pp. 1633-1681, Aug. 2000.
- 431
-
J. Smith, J. Kuroda, J. Perng, K. V. Heusen, and J. Abel, ``Efficient
computational modeling of piano strings for real-time synthesis using
mass-spring chains, coupled finite differences, and digital waveguide
sections,'' Acoustical Society of America, Program of the 2nd
Pan-American/Iberian Meeting on Acoustics (abstract and presentation),
Cancun, Mexico, Nov. 15-19, 2010,
invited presentation. Presentation overheads:
https://ccrma.stanford.edu/~jos/pdf/ASA-2010-jos.pdf.
- 432
-
J. O. Smith, Techniques for Digital Filter Design and System
Identification with Application to the Violin,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June
1983,
CCRMA Technical Report
STAN-M-14,
https://ccrma.stanford.edu/STANM/STANM/stanm14/.
- 433
-
J. O. Smith, ``An allpass approach to digital phasing and flanging,'' in Proceedings of the 1984 International Computer Music Conference, Paris, pp. 103-109, Computer
Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1984,
CCRMA Technical Report
STAN-M-14,
https://ccrma.stanford.edu/STANM/STANM/stanm14/.
- 434
-
J. O. Smith, ``A new approach to digital reverberation using closed waveguide
networks,'' in Proceedings of the 1985 International Computer Music Conference,
Vancouver, pp. 47-53, Computer Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1985,
also available in [437].
- 435
-
J. O. Smith, ``Efficient simulation of the reed-bore and bow-string
mechanisms,'' in Proceedings of the 1986 International Computer Music Conference, The
Hague, pp. 275-280, Computer Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1986,
also available in [437].
- 436
-
J. O. Smith, ``Elimination of limit cycles and overflow oscillations in
time-varying lattice and ladder digital filters,'' in Proceedings of the IEEE
Symposium on Circuits and Systems, San Jose, May 1986,
conference version; full version available in [437].
- 437
-
J. O. Smith, ``Music applications of digital waveguides,'' Tech. Rep.
STAN-M-39,
CCRMA, Music Department, Stanford University, 1987,
CCRMA Technical Report
STAN-M-39,
https://ccrma.stanford.edu/STANM/stanm39/.
- 438
-
J. O. Smith, ``Waveguide filter tutorial,'' in Proceedings of the 1987 International
Computer Music Conference, Champaign-Urbana, pp. 9-16, Computer Music
Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1987.
- 439
-
J. O. Smith, ``Viewpoints on the history of digital synthesis,'' in Proceedings of the 1991 International Computer Music Conference, Montréal, pp. 1-10,
Computer Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1991,
https://ccrma.stanford.edu/~jos/kna/.
- 440
-
J. O. Smith, ``Waveguide simulation of non-cylindrical acoustic tubes,'' in
Proceedings of the 1991 International Computer Music Conference, Montréal, pp. 304-307,
Computer Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1991.
- 441
-
J. O. Smith, ``Physical modeling using digital waveguides,'' Computer Music Journal, vol. 16, no. 4, pp. 74-91, 1992,
special issue: Physical Modeling of Musical Instruments, Part I.
https://ccrma.stanford.edu/~jos/pmudw/.
- 442
-
J. O. Smith, ``The window method for digital filter design,'' Winter 1992,
Mathematica notebook for Music 420 (EE 367A),
URL:ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/Kaiser.ma.Z.
- 443
-
J. O. Smith, ``Efficient synthesis of stringed musical instruments,'' in Proceedings of the 1993 International Computer Music Conference, Tokyo, pp. 64-71, Computer
Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1993,
incorporated into this book.
- 444
-
J. O. Smith, ``Physical modeling synthesis update,'' Computer Music
Journal, vol. 20, no. 2, pp. 44-56, 1996,
https://ccrma.stanford.edu/~jos/pmupd/.
- 445
-
J. O. Smith, ``Principles of digital waveguide models of musical
instruments,'' in Applications of Digital Signal Processing to Audio and
Acoustics (M. Kahrs and K. Brandenburg, eds.), pp. 417-466,
Boston/Dordrecht/London: Kluwer Academic Publishers, 1998.
- 446
-
J. O. Smith, Introduction to Matlab and Octave,
https://ccrma.stanford.edu/~jos/matlab/,
2003.
- 447
-
J. O. Smith, ``On the equivalence of digital waveguide and finite difference
time domain schemes,'' July 21, 2004,
http://arxiv.org/abs/physics/0407032/.
- 448
-
J. O. Smith, ``Virtual acoustic musical instruments: Review and update,'' Journal of New Music Research, vol. 33, no. 3, pp. 283-304, 2004.
- 449
-
J. O. Smith, ``A history of ideas leading to virtual acoustic musical
instruments,'' in Proceedings of the IEEE Workshop on Applications of Signal Processing to
Audio and Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 2005,
keynote paper.
- 450
-
J. O. Smith, Physical Audio Signal Processing: Digital Waveguide Modeling
of Musical Instruments and Audio Effects,
https://ccrma.stanford.edu/~jos/pasp/,
Dec. 2005.
- 451
-
J. O. Smith, Virtual Acoustic Musical Instruments: Review of Models and
Selected Research,
https://ccrma.stanford.edu/~jos/Mohonk05/,
2005.
- 452
-
J. O. Smith, Introduction to Digital Filters with Audio Applications,
https://ccrma.stanford.edu/~jos/filters/,
Sept. 2007,
online book.
- 453
-
J. O. Smith, ``Making virtual electric guitars and associated effects using
FAUST ,'' Dec. 2007,
https://ccrma.stanford.edu/realsimple/faust_strings/.
- 454
-
J. O. Smith, Mathematics of the Discrete Fourier Transform (DFT), with
Audio Applications, Second Edition,
https://ccrma.stanford.edu/~jos/mdft/,
Apr. 2007,
online book.
- 455
-
J. O. Smith, ``Signal processing in FAUST and Pd,'' Nov. 2007,
https://ccrma.stanford.edu/~jos/faust/.
- 456
-
J. O. Smith, ``Virtual electric guitars and effects using FAUST and
Octave,'' in Proceedings of the 6th International Linux Audio Conference (LAC-08),
http://lac.linuxaudio.org/,
2008,
paper:
https://ccrma.stanford.edu/realsimple/faust_strings/faust_strings.pdf,
presentation overheads:
https://ccrma.stanford.edu/~jos/pdf/LAC2008-jos.pdf,
supporting website:
https://ccrma.stanford.edu/realsimple/faust_strings/.
- 457
-
J. O. Smith, ``Audio FFT filter banks,'' in Proceedings of the 12th International
Conference on Digital Audio Effects (DAFx-09), Como, Italy, September 1-4,
Sept. 2009,
https://ccrma.stanford.edu/~jos/pdf/DAFx09-jos.pdf.
- 458
-
J. O. Smith, ``prime_power_delays(),'' Nov. 2010,
function checked into the FAUST master git repository, file
effect.lib.
- 459
-
J. O. Smith, Spectral Audio Signal Processing,
https://ccrma.stanford.edu/~jos/sasp/,
Dec. 2011,
online book.
- 460
-
J. O. Smith and J. S. Abel, ``The Bark bilinear transform,'' in Proceedings of the
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz,
NY, (New York), IEEE Press, Oct. 1995,
Session 8, paper 6, 4 pages.
https://ccrma.stanford.edu/~jos/gz/bbtmh.tgz.
- 461
-
J. O. Smith and J. S. Abel, ``Bark and ERB bilinear transforms,'' IEEE
Transactions on Speech and Audio Processing, pp. 697-708, Nov. 1999.
- 462
-
J. O. Smith and P. R. Cook, ``The second-order digital waveguide
oscillator,'' in Proceedings of the 1992 International Computer Music Conference, San
Jose, pp. 150-153, Computer Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1992,
https://ccrma.stanford.edu/~jos/wgo/.
- 463
-
J. O. Smith and B. Friedlander, ``Adaptive interpolated time-delay
estimation,'' IEEE Transactions on Aerospace and Electronic Systems, vol. 21,
pp. 180-199, Mar. 1985.
- 464
-
J. O. Smith and P. Gossett, ``A flexible sampling-rate conversion method,'' in
Proc. 1984 Int. Conf. Acoustics, Speech, and Signal Processing
(ICASSP-84), San Diego, vol. 2, (New York), pp. 19.4.1-19.4.2, IEEE
Press, Mar. 1984,
expanded tutorial and associated free software available at the
Digital Audio Resampling Home Page:
https://ccrma.stanford.edu/~jos/resample/.
- 465
-
J. O. Smith and D. Rocchesso, ``Connections between feedback delay networks and
waveguide networks for digital reverberation,'' in Proceedings of the 1994 International
Computer Music Conference, Århus, pp. 376-377, Computer Music
Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1995.
- 466
-
J. O. Smith and D. Rocchesso, ``Aspects of digital waveguide networks for
acoustic modeling applications,'' http: //ccrma.stanford.edu/~jos/wgj/,
December 19, 1997.
- 467
-
J. O. Smith and G. Scavone, ``The one-filter Keefe clarinet tonehole,'' in
Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and
Acoustics, New Paltz, NY, (New York), IEEE Press, Oct. 1997.
- 468
-
J. O. Smith and X. Serra, ``PARSHL: A program for the analysis/synthesis of
inharmonic sounds based on a sinusoidal representation,'' in Proceedings of the
1987 International Computer Music Conference, Champaign-Urbana, Computer Music
Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1987,
Also available as Stanford Music Department Technical Report
STAN-M-43.
Expanded version available on-line at
https://ccrma.stanford.edu/~jos/parshl/.
- 469
-
J. O. Smith and S. A. Van Duyne, ``Commuted piano synthesis,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 319-326, Computer
Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1995,
https://ccrma.stanford.edu/~jos/pdf/svd95.pdf.
- 470
-
J. O. Smith, S. Serafin, J. Abel, and D. Berners, ``Doppler simulation and the
leslie,'' in Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx-02),
Hamburg, Germany, pp. 13-20, September 26 2002,
https://ccrma.stanford.edu/~jos/doppler/.
- 471
-
J. O. Smith III, ``Audio signal processing in FAUST,'' 2012-2023,
https://ccrma.stanford.edu/~jos/aspf/.
- 472
-
T. Smyth, J. S. Abel, and J. O. Smith, ``The estimation of birdsong control
parameters using maximum likelihood and minimum action,'' in Proceedings of the
Stockholm Musical Acoustics Conference (SMAC-03),
http://www.speech.kth.se/smac03/,
(Stockholm), Royal Swedish Academy of Music, Aug. 2003.
- 473
-
T. Smyth, J. S. Abel, and J. O. Smith, ``The feathered clarinet reed,'' in Proceedings of the Conference on Digital Audio Effects (DAFx-04), Naples, Italy, Oct. 2004.
- 474
-
Sondius Development Team, ``Sondius sound examples,'' 1993-1996,
http://ccrma.stanford.edu/~jos/pasp/Sound_Examples.html.
- 475
-
A. Spanias, T. Painter, and V. Atti, Audio Signal Processing and Coding,
New York: John Wiley and Sons, Inc., 2007.
- 476
-
J. Stautner and M. Puckette, ``Designing multichannel reverberators,'' Computer Music Journal, vol. 6, no. 1, pp. 52-65, 1982.
- 477
-
K. Steiglitz, A Digital Signal Processing Primer with Applications to
Audio and Computer Music,
Reading MA: Addison-Wesley, 1996.
- 478
-
S. S. Stevens and H. Davis, Hearing: Its Psychology and Physiology,
American Inst. of Physics, for the Acoustical Society of America, 1983,
copy of original 1938 edition,
http://asa.aip.org/publications.html.
- 479
-
T. Stilson, ``Forward-going wave extraction in acoustic tubes,'' in Proceedings of the 1995 International Computer Music Conference, Banff, pp. 517-520, Computer
Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1995.
- 480
-
T. Stilson, Efficiently Variable Algorithms in Virtual-Analog Music
Synthesis--A Root-Locus Perspective,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June
2006,
https://ccrma.stanford.edu/~stilti/,
https://www.amazon.com/dp/B0BZFPFW1W.
- 481
-
T. Stilson and J. O. Smith, ``Alias-free synthesis of classic analog
waveforms,'' in Proceedings of the 1996 International Computer Music Conference, Hong
Kong, pp. 332-335, Computer Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1996,
https://ccrma.stanford.edu/~stilti/.
- 482
-
T. Stilson and J. O. Smith, ``Analyzing the Moog VCF with considerations for
digital implementation,'' in Proceedings of the 1996 International Computer Music
Conference, Hong Kong, Computer Music Association, searchable at
http://quod.lib.umich.edu/i/icmc/,
1996,
https://ccrma.stanford.edu/~stilti/.
- 483
-
G. Strang and G. J. Fix, An Analysis of the Finite Element Method,
Englewood Cliffs, NJ: Prentice-Hall, 1973.
- 484
-
J. C. Strikwerda, Finite Difference Schemes and Partial Differential
Equations,
Pacific Grove, CA: Wadsworth and Brooks, 1989.
- 485
-
H. W. Strube, ``Linear prediction on a warped frequency scale,'' Journal of the Acoustical Society of America, vol. 68, no. 4, pp. 1071-1076,
1980.
- 486
-
H. W. Strube, ``How to make an all-pass filter with a desired impulse
response,'' IEEE Transactions on Acoustics, Speech, Signal Processing,
vol. 30, no. 2, pp. 326-327, 1982.
- 487
-
H. W. Strube, ``Time-varying wave digital filters for modeling analog
systems,'' IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 30,
no. 6, pp. 864-868, 1982.
- 488
-
R. D. Strum and D. E. Kirk, First Principles of Discrete Systems and
Digital Signal Processing,
Reading MA: Addison-Wesley, 1988.
- 489
-
A. Stulov, ``Hysteretic model of the grand piano hammer felt,'' Journal of the Acoustical Society of America, vol. 97, pp. 2577-2585, Apr.
1995.
- 490
-
A. Stulov, ``Experimental and theoretical studies of piano hammer,'' in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03),
http://www.speech.kth.se/smac03/,
vol. I, pp. 175-178, 2003.
- 491
-
A. Stulov, ``Experimental and computational studies of piano hammers,'' Acta Acustica united with Acustica, vol. 91(6), pp. 1086-1097, 2005.
- 492
-
C. R. Sullivan, ``Extending the Karplus-Strong algorithm to synthesize
electric guitar timbres with distortion and feedback,'' Computer
Music Journal, vol. 14, no. 3, pp. 26-37, 1990.
- 493
-
J. Sundberg, ``Synthesis of singing by rule,'' in Current Directions in
Computer Music Research (M. V. Mathews and J. R. Pierce, eds.), pp. 45-55,
Cambridge, MA: MIT Press, 1989.
- 494
-
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