Bibliography

1

J. O. Smith and J. B. Allen,
``Variable bandwidth adaptive delta modulation'',
Bell System Technical Journal, vol. 60, no. 5, pp. 719-737, May-June 1981.

2

J. O. Smith and J. B. Angell,
``A constant-gain digital resonator tuned by a single coefficient'',
Computer Music Journal, vol. 6, no. 4, pp. 36-40, 1982.

3

M. Gutknecht, J. O. Smith, and L. N. Trefethen,
``The Caratheodory-Fejer (CF) method for recursive digital filter design'',
IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 31, no. 6, pp. 1417-1426, 1983.

4

J. O. Smith,
``Synthesis of bowed strings'',
in Proceedings of the 1982 International Computer Music Conference, Venice. 1982, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
Essentially fully contained in [5].

5

J. O. Smith,
Techniques for Digital Filter Design and System Identification with Application to the Violin,
PhD thesis, Elec. Engineering Dept., Stanford University (CCRMA), June 1983,
CCRMA Technical Report STAN-M-14, https://ccrma.stanford.edu/STANM/STANM/stanm14/.

6

J. O. Smith,
``Spectral pre-processing for audio digital filter design'',
in Proceedings of the 1983 International Computer Music Conference, Eastman School of Music. 1983, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
Essentially fully contained in [5].

7

J. O. Smith,
``An allpass approach to digital phasing and flanging'',
in Proceedings of the 1984 International Computer Music Conference, Paris. 1984, pp. 103-109, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
CCRMA Technical Report STAN-M-14, https://ccrma.stanford.edu/STANM/STANM/stanm14/.

8

J. O. Smith and P. Gossett,
``A flexible sampling-rate conversion method'',
in Proc. 1984 Int. Conf. Acoustics, Speech, and Signal Processing (ICASSP-84), San Diego, New York, Mar. 1984, vol. 2, pp. 19.4.1-19.4.2, IEEE Press,
expanded tutorial and associated free software available at the Digital Audio Resampling Home Page: https://ccrma.stanford.edu/~jos/resample/.

9

J. O. Smith and B. Friedlander,
``Estimation of multipath delay'',
in Proc. 1984 Int. Conf. Acoustics, Speech, and Signal Processing (ICASSP-84), San Diego, New York, Mar. 19-21 1984, pp. 15.9.1-15.9.4, IEEE Press.

10

J. O. Smith and B. Friedlander,
``Global convergence of the constant modulus algorithm'',
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tampa, Florida, pp. 30.5.1-30.5.4, 1985.

11

J. O. Smith and B. Friedlander,
``Extensions of the constant modulus algorithm'',
Asilomar-84, 1984.

12

J. O. Smith and B. Friedlander,
``Adaptive multipath delay estimation'',
IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 33, no. 4, pp. 812-822, Aug. 1985.

13

J. O. Smith and B. Friedlander,
``Adaptive interpolated time-delay estimation'',
IEEE Transactions on Aerospace and Electronic Systems, vol. 21, no. 2, pp. 180-199, Mar. 1985.

14

J. O. Smith,
``A new approach to digital reverberation using closed waveguide networks'',
in Proceedings of the 1985 International Computer Music Conference, Vancouver. 1985, pp. 47-53, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
also available in [19].

15

C. Chafe, D. Jaffe, K. Kashima, B. Mont-Reynaud, and J. O. Smith,
``Techniques for note identification in polyphonic music'',
in Proceedings of the 1985 International Computer Music Conference, Vancouver. 1985, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

16

J. O. Smith,
``Elimination of limit cycles and overflow oscillations in time-varying lattice and ladder digital filters'',
in Proceedings of the IEEE Symposium on Circuits and Systems, San Jose, May 1986,
conference version; full version available in [19].

17

J. O. Smith,
``Efficient simulation of the reed-bore and bow-string mechanisms'',
in Proceedings of the 1986 International Computer Music Conference, The Hague. 1986, pp. 275-280, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
also available in [19].

18

J. O. Smith,
``Waveguide filter tutorial'',
in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana. 1987, pp. 9-16, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

19

J. O. Smith,
``Music applications of digital waveguides'',
Tech. Rep. STAN-M-39, CCRMA, Music Department, Stanford University, 1987,
CCRMA Technical Report STAN-M-39, https://ccrma.stanford.edu/STANM/stanm39/.

20

J. O. Smith and J. S. Abel,
``Closed-form least-squares location estimation from range-difference measurements'',
IEEE Transactions on Acoustics, Speech, Signal Processing, vol. 35, no. 12, pp. 1661-1669, Dec. 1987.

21

J. O. Smith and X. Serra,
``PARSHL: A program for the analysis/synthesis of inharmonic sounds based on a sinusoidal representation'',
in Proceedings of the 1987 International Computer Music Conference, Champaign-Urbana. 1987, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
Also available as Stanford Music Department Technical Report STAN-M-43. Expanded version available on-line at https://ccrma.stanford.edu/~jos/parshl/.

22

J. O. Smith, D. A. Jaffe, and L. Boynton,
``Music system architecture on the NeXT computer'',
The Proceedings of the AES 7th International Conference: Audio in Digital Times, pp. 301-312, May 14-17 1989.

23

J. O. Smith,
``Computer music on the DSP56001'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1989, IEEE Press.

24

C. Roads, Ed.,
The Music Machine,
MIT Press, Cambridge, MA, 1989.

25

J. O. Smith,
``Unit-generator implementation on the NeXT DSP chip'',
in Proceedings of the 1989 International Computer Music Conference, Ohio. 1989, pp. 303-306, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

26

J. O. Smith,
``Rectangular, Hanning, and Hamming window transforms'', Winter 1992,
Mathematica notebook for Music 420 (EE 367A), URL:ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/GenHamming.ma.Z.

27

J. O. Smith,
``The Kaiser window'', Winter 1992,
Mathematica notebook for Music 420 (EE 367A), URL:ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/Kaiser.ma.Z.

28

J. O. Smith,
``The window method for digital filter design'', Winter 1992,
Mathematica notebook for Music 420 (EE 367A), URL:ftp://ccrma-ftp.stanford.edu/pub/DSP/Tutorials/Kaiser.ma.Z.

29

J. O. Smith,
``Efficient yet accurate models for strings and air columns using sparse lumping of distributed losses and dispersion'',
in Proceedings of the Colloquium on Physical Modeling, Grenoble, France, 1990, ACROE,
Essentially superceded by [34].

30

J. O. Smith,
``Viewpoints on the history of digital synthesis'',
in Proceedings of the 1991 International Computer Music Conference, Montréal. 1991, pp. 1-10, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~jos/kna/.

31

J. S. Abel and J. O. Smith,
``Restoring a clipped signal'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Toronto, New York, May 1991, IEEE Press.

32

J. O. Smith,
``Waveguide simulation of non-cylindrical acoustic tubes'',
in Proceedings of the 1991 International Computer Music Conference, Montréal. 1991, pp. 304-307, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

33

J. O. Smith and P. R. Cook,
``The second-order digital waveguide oscillator'',
in Proceedings of the 1992 International Computer Music Conference, San Jose. 1992, pp. 150-153, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~jos/wgo/.

34

J. O. Smith,
``Physical modeling using digital waveguides'',
Computer Music Journal, vol. 16, no. 4, pp. 74-91, 1992,
special issue: Physical Modeling of Musical Instruments, Part I. https://ccrma.stanford.edu/~jos/pmudw/.

35

J. O. Smith,
``Efficient synthesis of stringed musical instruments'',
in Proceedings of the 1993 International Computer Music Conference, Tokyo. 1993, pp. 64-71, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
incorporated into [328].

36

J. O. Smith,
``Use of commutativity in simplifying acoustic simulations'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1993, IEEE Press.

37

J. O. Smith and D. Rocchesso,
``Connections between feedback delay networks and waveguide networks for digital reverberation'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1995, pp. 376-377, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

38

J. O. Smith and S. A. Van Duyne,
``Commuted piano synthesis'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 319-326, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~jos/pdf/svd95.pdf.

39

D. P. Berners and J. O. Smith,
``On the use of Schrodinger's equation in the analytic determination of horn reflectance'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1994, pp. 419-422, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

40

D. P. Berners and J. O. Smith,
``Super-spherical wave simulation in flaring horns'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 112-113, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

41

B. Friedlander and J. O. Smith,
``Analysis and performance evaluation of an adaptive notch filter'',
IEEE Transactions on Information Theory, vol. 30, no. 2, pp. 283-295, Mar. 1984.

42

J. W. Gordon and J. O. Smith,
``A sine generation algorithm for VLSI applications'',
in Proceedings of the 1985 International Computer Music Conference, Vancouver. 1985, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~jos/pdf/GordonAndSmith86.pdf.

43

S. Hirschman, P. R. Cook, and J. O. Smith,
``Digital waveguide modelling of reed woodwinds: An interactive development environment on the NeXT computer'',
in Proceedings of the 1991 International Computer Music Conference, Montréal. 1991, pp. 300-303, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
available in ``CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference,'' Department of Music Technical Report STAN-M-73, Stanford University, October 1991.

44

D. A. Jaffe and J. O. Smith,
``Extensions of the Karplus-Strong plucked string algorithm'',
Computer Music Journal, vol. 7, no. 2, pp. 56-69, 1983,
Reprinted in [24, pp. 481-494].

45

D. A. Jaffe and J. O. Smith,
``Real time sound processing and synthesis on multiple DSPs using the Music Kit and the Ariel QuintProcessor'',
in Proceedings of the 1993 International Computer Music Conference, Tokyo. 1993, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

46

D. A. Jaffe and J. O. Smith,
``Performance expression in commuted waveguide synthesis of bowed strings'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 343-346, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

47

D. A. Jaffe, J. O. Smith, and N. Porcaro,
``The Music Kit on a PC'',
in Proceedings of the First Brazilian Symposium on Computer Music, XIV Congress of the Brazillian Society of Computation, Caxambu, Canela, Brazil, Aug. 1994, pp. 63-69, Informática UFRGS.

48

N. Porcaro, P. Scandalis, J. O. Smith, D. A. Jaffe, and T. Stilson,
``SynthBuilder--a graphical real-time synthesis, processing and performance system'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 61-62, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

49

D. Rocchesso and J. O. Smith,
``Circulant feedback delay networks for sound synthesis and processing'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1995, pp. 378-381, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

50

X. Serra and J. O. Smith,
``Spectral modeling synthesis: A sound analysis/synthesis system based on a deterministic plus stochastic decomposition'',
Computer Music Journal, vol. 14, no. 4, pp. 12-24, 1990,
Software and recent papers URL: //www.iua.upf.es/~xserra/.

51

X. Serra and J. O. Smith,
``Sound-sheet examples for a sound analysis/synthesis system based on a deterministic plus stochastic decomposition'',
Computer Music Journal, vol. 15, no. 1, pp. 86-87, Spring 1991.

52

S. A. Van Duyne and J. O. Smith,
``Implementation of a variable pick-up point on a waveguide string model with FM/AM applications'',
in Proceedings of the 1992 International Computer Music Conference, San Jose. 1992, pp. 154-157, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

53

S. A. Van Duyne and J. O. Smith,
``Physical modeling with the 2-D digital waveguide mesh'',
in Proceedings of the 1993 International Computer Music Conference, Tokyo. 1993, pp. 40-47, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~jos/pdf/mesh.pdf.

54

S. A. Van Duyne and J. O. Smith,
``The 2-D digital waveguide mesh'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1993, IEEE Press.

55

S. A. Van Duyne and J. O. Smith,
``A simplified approach to modeling dispersion caused by stiffness in strings and plates'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1994, pp. 407-410, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

56

S. A. Van Duyne, J. R. Pierce, and J. O. Smith,
``Traveling-wave implementation of a lossless mode-coupling filter and the wave digital hammer'',
in Proceedings of the 1994 International Computer Music Conference, Århus. 1994, pp. 411-418, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
Also presented at the conference of the Acoustical Society of America, Nov., 1994.

57

S. A. Van Duyne and J. O. Smith,
``Developments for the commuted piano'',
in Proceedings of the 1995 International Computer Music Conference, Banff. 1995, pp. 335-343, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~jos/pdf/vds95.pdf.

58

J. O. Smith,
``Discrete-time modeling of acoustic systems'',
CCRMA Associates Conference, May 1995,
Monograph in progress.

59

J. O. Smith,
``Digital waveguide models for sound synthesis based on musical acoustics'',
in Proceedings of the 15th International Conference on Acoustics (ICA-95), Trondheim, Norway, April 4-9, June 1995.

60

J. O. Smith,
``Music synthesis techniques based on musical acoustics research'',
in Proceedings of the International Meeting on Physical Modeling in Music, Physical Modeling of Ancient Instruments, and Applications of Physical Modeling in Psychoacoustics, Thessaloniki, Greece, July 10-12 1995.

61

J. O. Smith,
``Future developments in physical modeling'',
in Proceedings of the International Meeting on Physical Modeling in Music, Physical Modeling of Ancient Instruments, and Applications of Physical Modeling in Psychoacoustics, Thessaloniki, Greece, July 10-12 1995.

62

J. O. Smith and S. A. Van Duyne,
``Recent results in piano synthesis via physical modeling'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-95), Dourdan, France, France, July 1995, pp. 503-509, Société Français d'Acoustique.

63

J. O. Smith and J. S. Abel,
``The Bark bilinear transform'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1995, IEEE Press,
Session 8, paper 6, 4 pages. https://ccrma.stanford.edu/~jos/gz/bbtmh.tgz.

64

W. Putnam, D. Rocchesso, and J. O. Smith,
``A numerical investigation of the invertibility of room transfer functions'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1995, IEEE Press.

65

S. A. Van Duyne and J. O. Smith,
``The tetrahedral waveguide mesh: Multiply-free computation of wave propagation in free space'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1995, pp. 9a.6.1-4, IEEE Press.

66

J. O. Smith and S. A. V. Duyne,
``Overview of the commuted piano synthesis technique'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1995, pp. 9a.4.1-4, IEEE Press.

67

J. O. Smith,
``Physical modeling synthesis update'',
Computer Music Journal, vol. 20, no. 2, pp. 44-56, 1996,
https://ccrma.stanford.edu/~jos/pmupd/.

68

T. Stilson and J. O. Smith,
``Alias-free synthesis of classic analog waveforms'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. 1996, pp. 332-335, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~stilti/.

69

A. Igoudin and J. O. Smith, Eds.,
CCRMA Report, May 1996, Stanford University Department of Music Technical Report STAN-M-98, May 1996.

70

T. Stilson and J. O. Smith,
``Analyzing the Moog VCF with considerations for digital implementation'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. 1996, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~stilti/.

71

M. Karjalainen and J. O. Smith,
``Body modeling techniques for string instrument synthesis'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. Aug. 1996, pp. 232-239, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

72

S. A. Van Duyne and J. O. Smith,
``The 3D tetrahedral digital waveguide mesh with musical applications'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. 1996, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

73

N. Porcaro, P. Scandalis, D. Jaffe, and J. O. Smith,
``Using SynthBuilder for the creation of physical models'',
in Proceedings of the 1996 International Computer Music Conference, Hong Kong. 1996, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

74

J. O. Smith,
``Discrete-time modeling of acoustic systems with applications to sound synthesis of musical instruments'',
in Proceedings of the Nordic Acoustical Meeting, Helsinki, 1996, pp. 21-32,
(Plenary paper.).

75

J. O. Smith,
``Recent results in discrete-time models of musical instruments'',
in Proceedings of the Tempo Reale Workshop on Physical Model Synthesis of Sound, Florence, June 1996, pp. 1-6,
(Keynote paper).

76

J. O. Smith,
``Principles of digital waveguide models of musical instruments'',
in Applications of Digital Signal Processing to Audio and Acoustics, M. Kahrs and K. Brandenburg, Eds., pp. 417-466. Kluwer Academic Publishers, Boston/Dordrecht/London, 1998.

77

D. Rocchesso and J. O. Smith,
``Circulant and elliptic feedback delay networks for artificial reverberation'',
IEEE Transactions on Speech and Audio Processing, vol. 5, no. 1, pp. 51-63, Jan. 1997,
preprint https://ccrma.stanford.edu/~jos/cfdn/.

78

A. Wang and J. O. Smith,
``On fast FIR filters implemented as tail-canceling IIR filters'',
IEEE Transactions on Signal Processing, vol. 45, no. 6, pp. 1415-1427, June 1997.

79

J. O. Smith,
``Acoustic modeling using digital waveguides'',
in Musical Signal Processing, C. Roads, S. T. Pope, A. Piccialli, and G. De Poli, Eds., pp. 221-263. Swets and Zietlinger, Netherlands, 1997.

80

G. Scavone and J. O. Smith,
``Digital waveguide modeling of woodwind toneholes'',
132nd meeting of the Acoustical Society of America, Honolulu, Dec. 1996.

81

N. Porcaro, W. Putnam, P. Scandalis, D. Jaffe, J. O. Smith, T. Stilson, and S. V. Duyne,
``SynthBuilder and Frankenstein, tools for the creation of musical physical models'',
in International Conference on Auditory Display, Palo Alto, G. Kramer, Ed. 1996, Santa Fe Institute and Xerox Parc,
http://www.santafe.edu/~icad/.

82

G. Scavone and J. O. Smith,
``Scattering parameters for the Keefe clarinet tonehole model'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-97), Edinburgh, Scotland, Aug. 1997, pp. 433-438.

83

J. O. Smith and G. Scavone,
``The one-filter Keefe clarinet tonehole'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1997, IEEE Press.

84

G. Scavone and J. O. Smith,
``Digital waveguide modeling of woodwind toneholes'',
in Proceedings of the 1997 International Computer Music Conference, Greece. 1997, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

85

J. O. Smith,
``Nonlinear commuted synthesis of bowed strings'',
in Proceedings of the 1997 International Computer Music Conference, Greece. 1997, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/,
https://ccrma.stanford.edu/~jos/ncbs/.

86

W. Putnam and J. O. Smith,
``Design of fractional delay filters using convex optimization'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1997, IEEE Press,
https://ccrma.stanford.edu/~jos/resample/optfir.pdf.

87

S. N. Levine, T. S. Verma, and J. O. Smith,
``Alias-free multiresolution sinusoidal modeling for polyphonic, wideband audio'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1997, IEEE Press,
https://ccrma.stanford.edu/~scottl/papers.html.

88

A. Wang and J. O. Smith,
``Some properties of tail-canceling IIR filters'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1997, IEEE Press.

89

J. O. Smith and D. Rocchesso,
``Aspects of digital waveguide networks for acoustic modeling applications'',
http: //ccrma.stanford.edu/~jos/wgj/, December 19, 1997.

90

S. N. Levine and J. O. Smith,
``A sines+transients+noise audio representation for data compression and time/pitch-scale modifications'',
Audio Engineering Society Convention, vol. Session on Analysis and Synthesis of Sound, no. preprint 4781, 1998,
https://ccrma.stanford.edu/~scottl/papers.html.

91

M. van Walstijn and J. O. Smith,
``Use of truncated infinite impulse response (TIIR) filters in implementing efficient digital waveguide models of flared horns and piecewise conical bores with unstable one-pole filters elements'',
in Proc. Int. Symp. Musical Acoustics (ISMA-98), Leavenworth, Washington. June 28 1998, pp. 309-314, Acoustical Society of America,
https://ccrma.stanford.edu/~jos/tiirts/.

92

J. O. Smith,
``Virtual musique concréte--algorithmic synthesis of natural sound'',
in Inventionen-98, Berlin, Sept. 1998, DAAD.

93

S. N. Levine, T. S. Verma, and J. O. Smith,
``Multiresolution sinusoidal modeling for wideband audio with modifications'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Seattle, New York, 1998, IEEE Press,
https://ccrma.stanford.edu/~scottl/papers.html.

94

J. Huopaniemi and J. O. Smith,
``Spectral and time-domain processing and the choice of modeling error criteria for binaural digital filters'',
in AES 16th International Conference on Spatial Sound Reproduction, Rovaniemi, Finland, Apr. 1999, pp. 301-312.

95

S. N. Levine and J. O. Smith,
``A switched parametric & transform audio coder'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Phoenix, New York, 1999, IEEE Press,
https://ccrma.stanford.edu/~scottl/papers.html.

96

S. N. Levine and J. O. Smith,
``Improvements to the switched parametric and transform audio coder'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1999, IEEE Press.

97

H.-L. Lu and J. O. Smith,
``Joint estimation of vocal tract filter and glottal source waveform via convex optimization'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1999, IEEE Press.

98

S. Serafin, J. O. Smith, and J. Woodhouse,
``An investigation of the impact of torsion waves and friction characteristics on the playability of virtual bowed strings'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1999, IEEE Press.

99

Y. Kim and J. O. Smith,
``A speech feature based on bark frequency warping - the non-uniform linear prediction (nlp) cepstrum'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 1999, IEEE Press.

100

J. O. Smith and J. S. Abel,
``Bark and ERB bilinear transforms'',
IEEE Transactions on Speech and Audio Processing, pp. 697-708, Nov. 1999.

101

J. O. Smith,
Music 420 (EE 367A) Lecture Overheads and Supplementary Readers,
Stanford Bookstore Custom Publishing, Jan. 2000.

102

C. Traube and J. O. Smith,
``Estimating the plucking point on a guitar string'',
in Proceedings of the International Conference on Digital Audio Effects (DAFx-00), Verona, Italy, Dec. 2000,
http://www.dafx.de/.

103

P. Huang, S. Serafin, and J. O. Smith,
``Modeling high-frequency modes of complex resonators using a waveguide mesh'',
in Proceedings of the International Conference on Digital Audio Effects (DAFx-00), Verona, Italy, Dec. 2000,
http://www.dafx.de/.

104

H.-L. Lu and J. O. Smith,
``Glottal source modeling for singing voice synthesis'',
in Proceedings of the 2000 International Computer Music Conference, Berlin, Aug. 2000,
https://ccrma.stanford.edu/~vickylu/research/glottalSource/glottal.htm.

105

P. Huang, S. Serafin, and J. O. Smith,
``A waveguide mesh model of high-frequency violin body resonances'',
in Proceedings of the 2000 International Computer Music Conference, Berlin, Aug. 2000.

106

C. C. Sile O'Modhrain, Stefania Serafin and J. O. Smith,
``Influence of attack parameters on the playability of a virtual bowed string instrument: Tuning the model'',
in Proceedings of the 2000 International Computer Music Conference, Berlin, Aug. 2000.

107

S. Serafin and J. O. Smith,
``Influence of attack parameters on the playability of a virtual bowed string instrument'',
in Proceedings of the 2000 International Computer Music Conference, Berlin, Aug. 2000.

108

J. O. Smith and S. Serafin,
``Tutorial lecture on virtual musical instruments (abstract)'',
Journal of the Acoustical Society of America, Program of the 140th Meeting, Newport Beach, CA, Dec. 3-8, vol. 108, no. 5, Pt. 2 of 2, pp. 2487, Nov. 2000,
Invited Tutorial (60-page hand-out).

109

T. Smyth and J. O. Smith,
``Applications of bioacoustics in physical modeling and the creation of new musical instruments'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-01), Perugia, Umbria, Italy, 2001.

110

S. Serafin, H. Thornburg, and J. O. Smith,
``A pattern recognition approach to invert a bowed string physical model'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-01), Perugia, Umbria, Italy, 2001.

111

P. de la Cuadra, T. Smyth, C. Chafe, and H. Baoqiang,
``Waveguide simulation of neolithic Chinese flutes'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-01), Perugia, Umbria, Italy, 2001.

112

T. Smyth and J. O. Smith,
``A musical instrument based on a bioacoustic model of a cicada'',
in Proceedings of the 2001 International Computer Music Conference, Havana, 2001.

113

H.-L. Lu and J. O. Smith,
``Estimating glottal aspiration noise via wavelet thresholding and best basis thresholding'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2001, IEEE Press.

114

C. Traube and J. O. Smith,
``Estimating the fingering and the plucking points on a guitar string from a recording'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2001, IEEE Press.

115

S. Serafin and J. O. Smith,
``Impact of string stiffness on digital waveguide models of bowed strings'',
Catgut Acoustical Society Journal, Series II, vol. 4, no. 4, pp. 49-52, Nov. 2001.

116

J. O. Smith,
Music 320 Reader: Mathematics of the Discrete Fourier Transform (DFT),
https://ccrma.stanford.edu/~jos/mdft/, Oct. 1997.

117

S. Serafin, P. Huang, and J. O. Smith,
``The banded digital waveguide mesh'',
in Workshop on Current Research Directions in Computer Music, Audiovisual Institute, Pompeu Fabra University, Nov. 15-17, 2001.

118

J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith,
``From the physics of piano strings to digital waveguides'',
in Proceedings of the 2002 International Computer Music Conference, Sweden, 2002.

119

S. Serafin, P. Huang, S. Ystad, C. Chafe, and J. O. Smith,
``Analysis and synthesis of unusual friction-driven musical instruments'',
in Proceedings of the 2002 International Computer Music Conference, Sweden, 2002.

120

Y.-W. Liu and J. O. Smith,
``Perceptually similar orthogonal sounds and applictions to multichannel acoustic echo canceling'',
The Proceedings of the AES 22nd International Conference on Virtual, Synthetic, and Entertainment Audio, May 14-17 2002.

121

J. O. Smith, S. Serafin, J. Abel, and D. Berners,
``Doppler simulation and the leslie'',
in Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany, September 26 2002, pp. 13-20,
https://ccrma.stanford.edu/~jos/doppler/.

122

S. Serafin, C. Wilkerson, and J. O. Smith,
``Modeling bowl resonators using circular waveguide networks'',
in Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany, September 26 2002, pp. 117-121,
http://www.dafx.de/.

123

T. Smyth and J. O. Smith,
``Creating sustained tones with the cicada's rapid sequential buckling mechanism'',
in Proceedings of the 2002 Conference on New Instruments for Musical Expression (NIME-02), Dublin, Ireland, May 24-26, 2002, pp. 112-115.

124

T. Smyth and J. O. Smith,
``The sounds of the avian syrinx - are they really flute-like?'',
in Proceedings of the COST-G6 Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany, September 27 2002, pp. 199-202,
http://www.dafx.de/.

125

T. Smyth and J. O. Smith,
``The syrinx: Nature's hybrid wind intrument'',
in Journal of the Acoustical Society of America, Program of the 144th Meeting, Cancun, Mexico, Dec. 2-6, 2002.

126

S. Bilbao, J. O. Smith, J. Bensa, and R. Kronland-Martinet,
``A power-normalized wave digital piano hammer'',
Journal of the Acoustical Society of America, Program of the 144th Meeting, Cancun, Mexico, Dec. 2-6, Dec. 2002,
see paper on the conference CD-ROM.

127

J. O. Smith,
``Recent developments in musical sound synthesis based on a physical model'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, Stockholm, Aug. 2003, Royal Swedish Academy of Music.

128

T. Smyth, J. S. Abel, and J. O. Smith,
``The estimation of birdsong control parameters using maximum likelihood and minimum action'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, Stockholm, Aug. 2003, Royal Swedish Academy of Music.

129

T. Smyth, J. Abel, and J. O. Smith,
``Feathered collisions in beating reed simulation'',
Journal of the Acoustical Society of America, Program of the 146th Meeting, Austin, Texas, Nov. 10-14, vol. 114, pp. 2325, 2003,
Press: http://www.acoustics.org/press/146th/Smyth.htm.

130

J. Bensa, R. Kronland-Martinet, S. Bilbao, and J. O. Smith,
``A power-normalized non-linear lossy piano hammer'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, Stockholm, Aug. 2003, pp. 365-368, Royal Swedish Academy of Music.

131

J. Bensa, S. Bilbao, R. Kronland-Martinet, and J. O. Smith,
``A power normalized non-linear lossy piano hammer'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, 2003.

132

M. Mathews and J. O. Smith,
``Methods for synthesizing very high Q parametrically well behaved two pole filters'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-03), http://www.speech.kth.se/smac03/, Stockholm, Aug. 2003, Royal Swedish Academy of Music,
available online, with sound examples, at https://ccrma.stanford.edu/~jos/smac03maxjos/.

133

A. Krishnaswamy and J. O. Smith,
``Methods for simulating string collisions with rigid spatial objects'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2003, IEEE Press.

134

T. Smyth, J. Abel, and J. O. Smith,
``Discrete-time simulation of air-flow cut-off in pressure-controlled valves'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2003, pp. 229-232, IEEE Press.

135

A. Krishnaswamy and J. O. Smith,
``Inferring control inputs to an acoustic violin from audio spectra'',
in Proceedings of the International Conference on Multimedia Engineering, New York, 2003, IEEE Press.

136

Y.-W. Liu and J. O. Smith,
``Watermarking parametric representations for synthetic audio'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Hong Kong, Apr. 2003.

137

T. Smyth and J. O. Smith,
``A musical controller inspired by the cicada's efficient buckling mechanism'',
Journal of New Music Research, vol. 32, no. 4, pp. 361-368, Dec. 2003.

138

D. Rocchesso and J. O. Smith,
``Generalized digital waveguide networks'',
IEEE Transactions on Speech and Audio Processing, vol. 11, no. 3, pp. 242-254, May 2001.

139

S. Bilbao and J. O. Smith,
``Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion'',
IEEE Transactions on Speech and Audio Processing, vol. 11, no. 3, pp. 255-266, May 2001.

140

J. O. Smith,
``Virtual musical instruments'',
in McGraw-Hill 2003 Yearbook of Science and Technology. McGraw-Hill, New York, Jan. 2003.

141

J. Abel, T. Smyth, and J. O. Smith,
``A simple, accurate wall loss filter for acoustic tubes'',
Proceedings of the Conference on Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept. 2003,
http://www.dafx.de/.

142

G. Essl, S. Serafin, P. R. Cook, and J. O. Smith,
``Theory of banded waveguides'',
Computer Music Journal, vol. 28, no. 1, pp. 37-50, 2004.

143

G. Essl, S. Serafin, P. R. Cook, and J. O. Smith,
``Musical applications of banded waveguides'',
Computer Music Journal, vol. 28, no. 1, pp. 51-63, 2004.

144

Y.-W. Liu and J. O. Smith,
``Audio watermarking based on sinusoidal analysis and synthesis'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-02), Nara, Japan, 2004.

145

M. Wright, J. Berger, C. Burns, C. Chafe, F. Lopez-Lezcano, and J. O. Smith,
``CCRMA studio report'',
in Proceedings of the 2004 International Computer Music Conference, Miami, Florida. Nov. 2004, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

146

K. Lee and J. O. Smith,
``Implementation of a highly diffusing 2-D digital waveguide mesh with a quadratic residue diffuser'',
in Proceedings of the 2004 International Computer Music Conference, Miami, Florida. Nov. 2004, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

147

P. Huang and J. O. Smith,
``Loudness-based display and analysis applied to artificial reverberation'',
in Proceedings of the 2004 International Computer Music Conference, Miami, Florida. Nov. 2004, Computer Music Association, searchable at http://quod.lib.umich.edu/i/icmc/.

148

T. Smyth, J. S. Abel, and J. O. Smith,
``The feathered clarinet reed'',
in Proceedings of the Conference on Digital Audio Effects (DAFx-04), Naples, Italy, Oct. 2004.

149

Y.-W. Liu and J. O. Smith,
``Watermarking sinusoidal audio representations by quantization index modulation in multiple frequencies'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Montréal, May 2004, pp. V373-376.

150

Y.-W. Liu and J. O. Smith,
``Audio watermarking by modifying the host signal's frequency variation over time'', 2004,
invention disclosure prepared for the Stanford Office of Technology and Licensing.

151

Y.-W. Liu and J. O. Smith,
``Multiple watermarking: Is power sharing better than time sharing?'',
in ICME 2004, 2004, pp. 1939-1942.

152

J. O. Smith,
``On the equivalence of digital waveguide and finite difference time domain schemes'', July 21, 2004,
http://arxiv.org/abs/physics/0407032/.

153

J. O. Smith,
``Virtual acoustic musical instruments: Review and update'',
Journal of New Music Research, vol. 33, no. 3, pp. 283-304, 2004.

154

M. Abe and J. O. Smith,
``Design criteria for simple sinusoidal parameter estimation based on quadratic interpolation of FFT magnitude peaks'',
Audio Engineering Society Convention, San Francisco, 2004,
Preprint 6256.

155

H. Thornburg, R. Leistikow, J. Berger, and J. O. Smith,
``Bayesian identification of closely-spaced chords from single-frame STFT peaks'',
in Proceedings of the Conference on Digital Audio Effects (DAFx-04), Naples, Italy, 2004,
http://www.dafx.de/.

156

T. Smyth, J. Abel, and J. O. Smith,
``Musical effects of the digital pressure-controlled valve'',
Acoustical Society of America, Program of the 148th Meeting (abstract and presentation), San Diego, California, Nov. 15-19, vol. 116, pp. 2563, 2004,
(invited presentation).

157

R. J. Cassidy and J. O. Smith,
``An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals'',
in Proc. 38th Asilomar Conference on Signals, Systems and Computers, Nov. 2004.

158

J. Bensa, S. Bilbao, R. Kronland-Martinet, J. O. Smith, and T. Voinier,
``Computational modeling of stiff piano strings using digital waveguides and finite differences'',
Acta Acustica united with Acustica, vol. 91(2), pp. 289-298, 2005.

159

S. Bilbao and J. O. Smith,
``Energy-conserving finite difference schemes for nonlinear strings'',
Acta Acustica united with Acustica, vol. 91(2), pp. 299-311, 2005.

160

E. Berdahl, S. Backer, and J. O. Smith,
``If I had a hammer: Design and theory of an electromagnetically-prepared piano'',
in Proceedings of the 2005 International Computer Music Conference, Sept., Barcelona, Spain, Sept. 5-9 2005.

161

H. Terasawa, J. Berger, and J. O. Smith,
``Using a perceptually based timbre metric for parameter control estimation in physical modeling synthesis'',
in Proceedings of the 2005 International Computer Music Conference, Sept., Barcelona, Spain, Sept. 5-9 2005.

162

T. Smyth, J. Abel, and J. O. Smith,
``A generalized parametric reed model for virtual musical instruments'',
in Proceedings of the 2005 International Computer Music Conference, Sept., Barcelona, Spain, Sept. 5-9 2005, pp. 347-350.

163

M. Wright and J. O. Smith,
``Open-source matlab tools for interpolation of SDIF sinusoidal synthesis'',
in Proceedings of the 2005 International Computer Music Conference, Sept., Barcelona, Spain, Sept. 5-9 2005, pp. 632-635.

164

P. Jinachitra and J. O. Smith,
``Joint estimation of glottal source and vocal tract for vocal synthesis using Kalman smoothing and EM algorithm'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2005, IEEE Press.

165

J. O. Smith,
``A history of ideas leading to virtual acoustic musical instruments'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 2005, IEEE Press,
keynote paper.

166

J. O. Smith,
Virtual Acoustic Musical Instruments: Review of Models and Selected Research,
https://ccrma.stanford.edu/~jos/Mohonk05/, 2005.

167

M. Karjalainen, P. Huang, and J. O. Smith,
``Waveguide networks for room response modeling and synthesis'',
Audio Engineering Society Convention, May 2005,
preprint 6394.

168

J. O. Smith,
CCRMA Signal Processing Research Overview,
Center for Computer Research in Music and Acoustics (CCRMA), Jan. 2005,
https://ccrma.stanford.edu/~jos/EE201/.

169

J. O. Smith, Ed.,
CCRMA Overview, April 2005, Apr. 2005,
https://ccrma.stanford.edu/overview/.

170

J. O. Smith,
``Signal processing architectures for virtual musical instruments'',
in Handbook of Acoustics, section on Musical Acoustics, J. Beachamp, Ed. Springer-Verlag, New York, 2007,
(book chapter).

171

J. Abel and J. O. Smith,
``Robust design of very high-order allpass dispersion filters'',
Proceedings of the Conference on Digital Audio Effects (DAFx-06), Montréal, Canada, Sept. 2006,
http://www.dafx.de/.

172

E. Berdahl and J. O. Smith,
``Some physical audio effects'',
Proceedings of the Conference on Digital Audio Effects (DAFx-06), Montréal, Canada, Sept. 2006,
http://www.dafx.de/.

173

E. Berdahl and J. O. Smith,
``Active damping of a vibrating string'',
in Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18-20 2006.

174

G. Scavone and J. O. Smith,
``Modeling acoustic impedance with digital waveguides'',
Proceedings of the Conference on Digital Audio Effects (DAFx-06), Montréal, Canada, Sept. 2006,
http://www.dafx.de/.

175

D. Yeh and J. O. Smith III,
``Discretization of the '59 Fender Bassman tone stack'',
Proceedings of the Conference on Digital Audio Effects (DAFx-06), Montréal, Canada, Sept. 2006,
http://www.dafx.de/.

176

J. Abel, D. Berners, S. Costello, and J. O. Smith III,
``Spring reverb emulation using dispersive allpass filters in a waveguide structure'',
in Proceedings of the 121st Convention of the Audio Engineering Society, San Francisco, California, 2006, preprint 6954.

177

N. Lee and J. O. Smith,
``Use of the energy decay relief (EDR) to estimate partial-overtone decay-times in a freely vibrating string'',
Acoustical Society of America, Program of the 152nd Meeting (abstract and presentation), Honolulu, Hawaii, Nov. 28-Dec. 2 2006,
(abstract) -- associated laboratory exercises available online: https://ccrma.stanford.edu/realsimple/vguitar/.

178

N. Lee and J. O. Smith,
``An online virtual acoustic guitar laboratory'',
in Acoustical Society of America, Program of the 152nd Meeting (abstract and presentation), Honolulu, Hawaii. Nov. 28-Dec. 2 2006, Acoustical Society of America,
(abstract) -- associated laboratory exercises available online: https://ccrma.stanford.edu/realsimple/vguitar/.

179

G. J. Mysore, R. J. Cassidy, and J. O. Smith,
``Singer-dependent falsetto detection for live vocal processing based on support vector classification'',
in Fortieth Asilomar Conference on Signals, Systems and Computers, Oct. 2006, pp. 1139-1142.

180

S. N. Levine and J. O. Smith,
``A compact and malleable sines+transients+noise model for sound'',
in Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music, J. Beauchamp, Ed. Springer-Verlag, Berlin, 2006.

181

S. Bilbao, L. Savioja, and J. O. Smith,
``Parametrized finite difference schemes for plates: Stability, the reduction of directional dispersion, and frequency warping'',
IEEE Transactions on Speech and Audio Processing, vol. 15, no. 4, pp. 1488-1495, 2007.

182

E. Berdahl and J. O. Smith III,
``Inducing unusual dynamics in acoustic musical instruments'',
in Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1-3, 2007, pp. 1336-1341.

183

J. O. Smith,
``Signal processing in FAUST and Pd'', Nov. 2007,
https://ccrma.stanford.edu/~jos/faust/.

184

J. O. Smith,
``Making virtual electric guitars and associated effects using FAUST '', Dec. 2007,
https://ccrma.stanford.edu/realsimple/faust_strings/.

185

E. J. Berdahl and J. O. Smith,
``Transfer function measurement toolbox'', June 2007,
https://ccrma.stanford.edu/realsimple/imp_meas/.

186

E. Berdahl, B. Verplank, J. O. Smith III, and G. Niemeyer,
``A physically intuitive haptic drumstick'',
in Proceedings of the 2007 International Computer Music Conference, Aug. 27-31, Copenhagen, Denmark, Aug. 2007, pp. 363-6.

187

N. Lee and J. O. Smith,
``Virtual stringed instruments'', Dec. 2007,
https://ccrma.stanford.edu/realsimple/phys_mod_overview/.

188

D. T. Yeh, J. Nolting, and J. O. Smith,
``Physical and behavioral circuit modeling of the SP-12 sampler'',
in Proceedings of the 2007 International Computer Music Conference, Aug. 27-31, Copenhagen, Denmark, 2007,
https://ccrma.stanford.edu/~dtyeh/papers/yeh07_icmc_sp12.pdf.

189

Y.-W. Liu and J. O. Smith,
``Audio watermarking through deterministic plus stochastic signal decomposition'',
EURASIP Journal on Information Security, p. 12, Oct. 2007,
Article ID 75961.

190

N. Lee, Z. Duan, and J. O. Smith III,
``Excitation signal extraction for guitar tones'',
in Proceedings of the 2007 International Computer Music Conference, Aug. 27-31, Copenhagen, Denmark, Aug. 27-31 2007.

191

N. Lee, A. Chaigne, J. O. Smith III, and K. Arcas,
``Measuring and understanding the gypsy guitar'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-07), Barcelona, Spain, Sept. 9-12 2007.

192

R. J. Cassidy and J. O. Smith III,
``Efficient time-varying loudness estimation via the hopping Goertzel DFT'',
in Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), Aug. 2007.

193

R. J. Cassidy and J. O. Smith III,
``Simulation of recruiting hearing impairment using a tree-structured allpass-complementary ERB-band filter bank'',
in IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, Oct. 2007, pp. [TD1-8].

194

S. Y. Won, D.-I. Lee, and J. Smith,
``Humming control interface for hand-held devices'',
in Proceedings of the 9th International ACM SIGACCESS Conference on Computers and Accessibility (Assets '07), Tempe Arizona, USA, 2007, pp. 259-260.

195

J. Abel, P. Huang, and J. O. Smith III,
``Waveguide mesh reverberator with internal decay and diffusion structures'',
in Proceedings of the 123rd Convention of the Audio Engineering Society, New York, Oct. 2007, preprint 7194.

196

D. Yeh, J. S. Abel, and J. O. Smith,
``Simplified, physically informed models of distortion and overdrive guitar effects pedals'',
Proceedings of the Conference on Digital Audio Effects (DAFx-07), Bordeaux, France, pp. 189-196, Sept. 10-15 2007,
http://www.dafx.de/.

197

D. Yeh, J. S. Abel, and J. O. Smith,
``Simulation of the diode limiter in guitar distortion circuits by numerical solution of ordinary differential equations'',
Proceedings of the Conference on Digital Audio Effects (DAFx-07), Bordeaux, France, pp. 197-204, Sept. 10-15 2007,
`Best Paper of DAFx-07' award, http://www.dafx.de/.

198

P. Jinachitra and J. O. Smith,
``Generative model of voice in noise for structured coding applications'',
in Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Honolulu, USA, New York, 2007, IEEE Press.

199

N. Lee and J. O. Smith,
``Virtual stringed instruments'',
in Science of String Instruments, T. Rossing, Ed. Springer-Verlag, Berlin, 2008,
in preparation.

200

D. Yeh, J. S. Abel, A. Vladimirescu, and J. O. Smith,
``Numerical methods for simulation of guitar distortion circuits'',
Computer Music Journal, 2008,
http://www.mitpressjournals.org/toc/comj/32/2.

201

D. T. Yeh and J. O. Smith,
``Simulating guitar distortion circuits using wave digital and nonlinear state-space formulations'',
Proceedings of the Conference on Digital Audio Effects (DAFx-08), Helsinki University of Technology, Espoo, Finland, Sept. 1-4 2008,
http://www.dafx.de/.

202

E. Berdahl and J. O. Smith,
``A tangible virtual string'',
in Proceedings of the 2008 Conference on New Instruments for Musical Expression (NIME-08), Geneva, Italy, 2008.

203

E. Berdahl, G. Niemeyer, and J. O. Smith III,
``Feedback control of acoustic musical instruments'',
Technical report STAN-M-120, CCRMA, Department of Music, Stanford University, June 2008,
available as CCRMA Technical Report STAN-M-120, Music Dept., Stanford University.

204

E. J. Berdahl and J. O. Smith,
``Impulse response measurement toolbox'',
Tech. Rep., Connexions, Mar. 2008,
http:cnx.org/content/col10519/latest/.

205

E. Berdahl and J. Smith,
``Swept sine impulse response measurement'',
Tech. Rep., Connexions, Aug. 2008,
http:cnx.org/content/m15945/latest/.

206

J. Nam, J. S. Abel, and J. O. Smith III,
``A method for estimating interaural time difference for binaural synthesis'',
in Audio Engineering Society Convention 125, 10 2008,
paper number 7612.

207

J. O. Smith,
``Music/audio signal processing'', Sept. 2008,
DSPRelated Web Blog: http://www.dsprelated.com/showarticle/65.php.

208

V. Välimäki, J. S. Abel, and J. O. Smith,
``Spectral delay filters'',
Journal of the Audio Engineering Society, vol. 57, no. 7/8, pp. 521-531, Jul/Aug 2009.

209

J. O. Smith,
``Audio FFT filter banks'',
in Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09), Como, Italy, September 1-4, Sept. 2009,
https://ccrma.stanford.edu/~jos/pdf/DAFx09-jos.pdf.

210

N. Lee and J. O. Smith,
``Low-order allpass interpolated delay loops'',
in Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09), Como, Italy, September 1-4, 2009.

211

N. Lee, J. O. Smith, J. Abel, and D. Berners,
``Pitch glide analysis and synthesis from recorded tones'',
in Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09), Como, Italy, September 1-4, 2009.

212

J. Nam, V. Välimäki, J. S. Abel, and J. O. Smith,
``Alias-free oscillators using a feedback delay loop'',
in Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09), Como, Italy, September 1-4, 2009.

213

J. Pekonen, V. Välimäki, J. S. Abel, and J. O. Smith,
``Spectral delay filters with feedback and time-varying coefficients'',
in Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09), Como, Italy, September 1-4, 2009.

214

J. S. Abel, N. Bryan, T. Skare, M. Kolar, P. P. Huang, D. Mostowfi, and J. O. Smith III,
``A configurable microphone array with acoustically transparent omnidirectional elements'',
Audio Engineering Society Convention, Oct. 2009,
Paper 143.

215

J. Abel, J. Rick, P. Huang, M. Kolar, J. O. Smith, and J. Chowning,
``Chavín de Huántar archaeological acoustics project'', 2009,
publications to date listed at https://ccrma.stanford.edu/groups/chavin/publications.html.

216

E. Berdahl, G. Niemeyer, and J. O. Smith,
``HSP: A simple and effective open-source platform for implementing haptic musical instruments'',
in Proceedings of the 2009 Conference on New Instruments for Musical Expression (NIME-09), Pittsburgh, PA, 2009.

217

E. Berdahl, G. Niemeyer, and J. O. Smith,
``Using haptics to assist performers in making gestures to a musical instrument'',
in Proceedings of the 2009 Conference on New Instruments for Musical Expression (NIME-09), Pittsburgh, PA, June 4-6 2009, pp. 177-182.

218

E. Berdahl, G. Niemeyer, and J. O. Smith,
``Using haptic devices to interface directly with digital waveguide-based musical instruments'',
in Proceedings of the 2009 Conference on New Instruments for Musical Expression (NIME-09), Pittsburgh, PA, June 4-6 2009, pp. 183-186.

219

E. Berdahl, D. Harris, G. Niemeyer, and J. O. Smith III,
``An electroacoustic sound transmission system that is stable in any (passive) acoustic environment -- an application of sound portholes'',
in NOISE-CON 2010, Baltimore, MD, April 19-21 2010.

220

E. Berdahl, G. Niemeyer, and J. O. Smith III,
``A physically motivated room reverberation enhancement system that is stable in any (passive) room -- an application of sound portholes'',
in NOISE-CON 2010, Baltimore, MD, April 19-21 2010.

221

J. Nam, V. Välimäki, J. S. Abel, and J. O. Smith,
``Efficient antialiasing oscillator algorithms using low-order fractional delay filters'',
IEEE Transactions on Audio, Speech, and Language Processing, vol. 18, no. 4, pp. 773-785, 2010.

222

D. Yeh, J. Abel, and J. Smith,
``Automated physical modeling of nonlinear audio circuits for real-time audio effects--part i: Theoretical development'',
Audio, Speech, and Language Processing, IEEE Transactions on, vol. 18, no. 4, pp. 728 -737, may 2010.

223

J. S. Abel, D. P. Berners, K. Spratt, and J. O. Smith,
``A spring reverb model employing coupled torsional and longitudinal modes'', 2009,
in review.

224

J. S. Abel, V. Välimäki, and J. O. Smith,
``Robust, efficient design of allpass filters for dispersive string sound synthesis'',
IEEE Signal Processing Letters, vol. 17, no. 4, pp. 406-409, 2010.

225

L. Savioja, V. Välimäki, and J. O. Smith III,
``Real-time additive synthesis with one million sinusoids using a GPU'',
Audio Engineering Society Convention, May 2010.

226

V. Välimäki, J. Nam, J. O. Smith, and J. S. Abel,
``Alias-suppressed oscillators based on differentiated polynomial waveforms'',
IEEE Transactions on Audio, Speech, and Language Processing, vol. 18, no. 5, pp. 786-798, May 2010.

227

G. Evangelista and J. O. Smith,
``Structurally passive scattering element for modeling guitar pluck action'',
in Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10), Graz, Austria, September 6-10, 2010.

228

C. Raffel and J. Smith,
``Practical modeling of bucket-brigade device circuits'',
in Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10), Graz, Austria, September 6-10, 2010.

229

J. Pekonen, J. Nam, J. S. Abel, J. O. Smith, and V. Välimäki,
``On minimizing the look-up table size in quasi-bandlimited classical waveform oscillators'',
in Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10), Graz, Austria, September 6-10, 2010.

230

C.-Y. J. Perng, J. Smith, and T. Rossing,
``Physical modeling of the harpsichord plectrum-string interaction'',
in Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10), Graz, Austria, September 6-10, 2010.

231

E. Berdahl, J. Smith III, and G. Niemeyer,
``Mechanical sound synthesis: And the new application of force-feedback teleoperation of acoustic musical instruments'',
in Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10), Graz, Austria, September 6-10, 2010.

232

J. Smith, J. Kuroda, J. Perng, K. V. Heusen, and J. Abel,
``Efficient computational modeling of piano strings for real-time synthesis using mass-spring chains, coupled finite differences, and digital waveguide sections'',
Acoustical Society of America, Program of the 2nd Pan-American/Iberian Meeting on Acoustics (abstract and presentation), Cancun, Mexico, Nov. 15-19, 2010,
invited presentation. Presentation overheads: https://ccrma.stanford.edu/~jos/pdf/ASA-2010-jos.pdf.

233

J. Kuroda, J. Smith, and J. Perng,
``Modeling the piano string as a mass-spring chain'',
Acoustical Society of America, Program of the 2nd Pan-American/Iberian Meeting on Acoustics (abstract and presentation), Cancun, Mexico, Nov. 15-19, 2010,
(abstract only).

234

J. Kuroda, J. Smith, K. V. Heusen, and J. Perng,
``A stiff mass-spring-chain model for piano strings'',
Acoustical Society of America, Program of the 2nd Pan-American/Iberian Meeting on Acoustics (abstract and presentation), Cancun, Mexico, Nov. 15-19, 2010,
(abstract only).

235

L. Savioja, V. Välimäki, and J. O. Smith,
``Audio signal processing using graphics processing units'',
Journal of the Audio Engineering Society, vol. 59, no. 1/2, pp. 3-19, Jan/Feb 2011.

236

V. Valimaki, F. Fontana, J. O. Smith, and U. Zolzer,
``Introduction to the special issue on virtual analog audio effects and musical instruments'',
Audio, Speech, and Language Processing, IEEE Transactions on, vol. 18, no. 4, pp. 713-714, May 2010.

237

J. O. Smith,
``Fitting filters to measured amplitude response data using invfreqz in matlab'', Oct. 2010,
DSPRelated Web Blog: http://www.dsprelated.com/showcode/20.php.

238

E. Maestre, G. P. Scavone, and J. O. Smith,
``Modeling of a violin input admittance by direct positioning of second-order resonators'',
Acoustical Society of America Journal, vol. 130, pp. 2364, 2011.

239

C.-Y. J. Perng, J. Smith, and T. Rossing,
``Harpsichord sound synthesis using a physical plectrum model interfaced with the digital waveguide'',
in Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011.

240

J. Smith and R. Michon,
``Nonlinear allpass ladder filters in FAUST'',
in Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011.

241

R. Michon and J. O. Smith,
``FAUST-STK: A set of linear and nonlinear physical models for the FAUST programming language'',
in Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011.

242

J. O. Smith III,
``Audio signal processing in FAUST'', 2012-2021,
https://ccrma.stanford.edu/~jos/aspf/.

243

J. Pekonen, J. Nam, J. O. Smith, and V. Valimaki,
``Optimized polynomial spline basis function design for quasi-bandlimited classical waveform synthesis'',
Signal Processing Letters, IEEE, vol. 19, no. 3, pp. 159-162, Mar. 2012.

244

E. Berdahl, J. O. Smith III, and G. Niemeyer,
``Feedback control of acoustic musical instruments: Collocated control using physical analogs'',
Journal of the Acoustical Society of America, vol. 131, no. 1, pp. 963-973, 2012.

245

J. Nam, J. Herrera, M. Slaney, and J. O. Smith,
``Learning sparse feature representations for music annotation and retrieval'',
in Proceedings of the International Symposium on Music Information Retrieval (ISMIR-12), Porto, Portugal, 2012,
http://ccrma.stanford.edu/~jorgeh/assets/publications/featureLearning-ismir2012.pdf.

246

E. Cho, J. Smith, and B. Widrow,
``Exploiting the harmonic structure for speech enhancement'',
in Acoustics, Speech and Signal Processing (ICASSP), 2012 IEEE International Conference on, march 2012, pp. 4569 -4572.

247

E. Berdahl and J. O. Smith,
``An introduction to the synth-a-modeler compiler: Modular and open-source sound synthesis using physical models'',
in Proceedings of the 10th International Linux Audio Conference (LAC-12), CCRMA, Stanford, http://lac.linuxaudio.org/, 2012,
paper: http://lac.linuxaudio.org/2012/papers/34.pdf, software: http://github.com/eberdahl/SaM.git.

248

H.-S. Kim and J. O. Smith,
``FAUSTPAD: A free open-source mobile app for multi-touch interaction with FAUST-generated modules'',
in Proceedings of the 10th International Linux Audio Conference (LAC-12), CCRMA, Stanford, http://lac.linuxaudio.org/, 2012.

249

J. O. Smith,
``Signal processing libraries for FAUST'',
in Proceedings of the 10th International Linux Audio Conference (LAC-12), CCRMA, Stanford, http://lac.linuxaudio.org/, 2012,
http://lac.linuxaudio.org/2012/speakers?uid=25.

250

V. Välimäki, J. Parker, L. Savioja, J. O. Smith, and J. Abel,
``Fifty years of artificial reverberation'',
IEEE Tr. Audio, Speech, and Language Processing, vol. 20, no. 5, pp. 1421-1448, July 2012.

251

D. Sun and J. O. Smith,
``Estimating a signal from a magnitude spectrogram via convex optimization'',
Proc. AES 133rd Convention, Oct. 2012,
http://arxiv.org/pdf/1209.2076v1.pdf.

252

H. Xia and J. O. Smith III,
``Drum synthesis via low-frequency parametric modes and altered residuals'',
Proc. AES 133rd Convention, Oct. 2012,
paper number 8762, http://arxiv.org/pdf/1209.2076v1.pdf?elib=16504.

253

E. Maestre, G. P. Scavone, and J. O. Smith III,
``Digital modeling of bridge driving-point admittances from measurements on violin-family instruments'',
in Proceedings of the Stockholm Musical Acoustics Conference (SMAC-13), http://www.speech.kth.se/smac-smc-2013/, 2013.

254

E. Maestre, C. Spa, and J. Smith,
``Bowed string simulation combining digital waveguide and finite-difference time-domain frameworks'',
The Journal of the Acoustical Society of America, vol. 134, no. 5, pp. 4219-4219, 2013.

255

P. Shekar and J. O. Smith III,
``Modeling the harmonic exciter'',
in Audio Engineering Society Convention 135, Oct. 2013.

256

P. Castellanos Macin and J. O. Smith,
``Towards a physical model of the berimbau: Obtaining the modal synthesis of the cabaza'',
The Journal of the Acoustical Society of America, vol. 134, no. 5, pp. 4243-4243, 2013.

257

J. O. Smith,
``Hot topics in musical acoustics applied to real-time sound synthesis'',
The Journal of the Acoustical Society of America, vol. 134, no. 5, pp. 4125-4125, 2013.

258

E. Berdahl, J. O. Smith III, S. Weinzierl, and G. Niemeyer,
``Force-sensitive detents improve user performance for linear selection tasks'',
IEEE Transactions on Haptics, vol. 6, no. 2, pp. 206-216, Apr. 2013.

259

B. Balázs and J. O. Smith III,
``A delayed parallel filter structure with an FIR part having improved numerical properties'',
in Audio Engineering Society Convention 136, London, UK, Apr. 2014.

260

Y. Michalevsky, J. Smith, and A. Best,
``Extending the FAUST VST architecture with polyphony, portamento and pitch bend'',
in Proceedings of the 12th International Linux Audio Conference (LAC-14), May 1-4, ZKM, Karlsruhe, Germany, http://lac.linuxaudio.org/, 2014.

261

E. Maestre, C. Spa, and J. O. Smith III,
``A bowed string physical model including finite-width thermal friction and hair dynamics'',
in Proceedings of the 2014 International Computer Music Conference, Sep. 14-20, Athens, Greece, 2014.

262

H.-S. Kim and J. O. Smith,
``Short-time time-reversal on audio signals'',
in Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, September 1-5, 2014.

263

K. J. Werner, J. S. Abel, and J. O. Smith,
``A physically informed, circuit-bendable, digital model of the Roland TR-808 bass drum circuit'',
in Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, September 1-5, 2014.

264

K. J. Werner, J. S. Abel, and J. O. Smith,
``The TR-808 cymbal: a physically-informed, circuit-bendable, digital model'',
in Proceedings of the 2014 International Computer Music Conference, Sep. 14-20, Athens, Greece, 2014.

265

R. E. Collecchia, J. S. Abel, S. Coffin, E. Callery, Y. H. Yeh, K. Spratt, and J. O. Smith, III,
``On the acoustics of alleyways'',
in Audio Engineering Society Convention 137, Oct. 2014.

266

E. De Sena, H. Haciihabiboglu, Z. Cvetkovic, and J. Smith,
``Efficient synthesis of room acoustics via scattering delay networks'',
Audio, Speech, and Language Processing, IEEE/ACM Transactions on, vol. 23, no. 9, pp. 1478-1492, Sept 2015,
arXiv.org preprint: http://arxiv.org/abs/1502.05751.

267

J. O. Smith and K. J. Werner,
``Recent developments in signal processing for audio and music (invited plenary presentation)'',
in International Workshop on Recent Trends in Signal Processing (RTSP-15), Cluj-Napoca, Romania, July 6-7, 2015,
http://sp.utcluj.ro/RTSP2015/Presentations/RTSP2015_Smith.pdf.

268

K. Werner and J. Smith,
``An energetic interpretation of nonlinear wave digital filter lookup table error (invited paper)'',
in Signals, Circuits and Systems (ISSCS), 2015 International Symposium on, July 2015, pp. 1-4.

269

A. Bernardini, K. J. Werner, A. Sarti, and J. O. Smith,
``Multi-port nonlinearities in wave digital structures'',
in Signals, Circuits and Systems (ISSCS), 2015 International Symposium on, July 2015, pp. 1-4.

270

K. Werner, V. Nangia, J. Smith, and J. Abel,
``Resolving wave digital filters with multiple/multiport nonlinearities'',
in Proceedings of the 18th International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, 11/30-12/3, 2015.

271

K. J. Werner, V. Nangia, J. O. Smith III, and J. S. Abel,
``A general and explicit formulation for wave digital filters with multiple/multiport nonlinearities and complicated topologies'',
in Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, New Paltz, NY, New York, Oct. 18-21 2015, IEEE Press.

272

K. J. Werner, V. Nangia, A. Bernardini, J. O. Smith, III, and A. Sarti,
``An improved and generalized diode clipper model for wave digital filters'',
in Audio Engineering Society Convention 139, Oct 2015.

273

A. Bernardini, K. J. Werner, A. Sarti, and J. O. Smith,
``Modeling a class of multi-port nonlinearities in wave digital structures'',
in Signal Processing Conference (EUSIPCO), 2015 23rd European, Aug 2015, pp. 664-668.

274

E. Maestre, C. Spa, Q. Llimona, G. P. Scavone, and J. O. Smith,
``Playability of a bowed string physical model including finite-width thermal friction and hair dynamics'',
The Journal of the Acoustical Society of America, vol. 138, no. 3, pp. 1887-1887, 2015.

275

V. Välimäki, J. Parker, L. Savioja, J. O. Smith, and J. Abel,
``More than 50 years of artificial reverberation'',
in Keynote 1: Audio Engineering Society Conference: 60th International Conference: DREAMS (Dereverberation and Reverberation of Audio, Music, and Speech), Jan 27 2016,
Paper K-1. Permalink: http://www.aes.org/e-lib/browse.cfm?elib=18061.

276

J. O. Smith and H. F. Smith,
``Closed form fractional integration and differentiation via real exponentially spaced pole-zero pairs'', June 7, 2016,
https://ccrma.stanford.edu/~jos/spectilt/, http://arxiv.org/abs/1606.06154.

277

J. O. Smith and H. F. Smith,
``Spectral tilt filters'',
arXiv.org publication arXiv:1606.06154 [cs.CE], June 7, 2016,
https://ccrma.stanford.edu/~jos/spectilt/.

278

E. Maestre, G. P. Scavone, and J. O. Smith,
``Design of recursive digital filters in parallel form by linearly constrained pole optimization'',
IEEE Signal Processing Letters, vol. 23, no. 11, pp. 1547-1550, Nov 2016.

279

A. Meacham, L. Savioja, S. R. Martín, and J. O. Smith, III,
``Digital waveguide network reverberation in non-convex rectilinear spaces'',
in Audio Engineering Society Convention 141, Sep 2016.

280

S. R. Martín Román, U. P. Svensson, J. Šlechta, and J. O. Smith,
``A hybrid method combining the edge source integral equation and the boundary element method for scattering problems'',
The Journal of the Acoustical Society of America, vol. 139, no. 4, pp. 2202-2202, 2016.

281

W. R. Dunkel, M. Rest, K. J. Werner, M. J. Olsen, and J. O. Smith III,
``The Fender Bassman 5F6-A family of preamplifier circuits--a wave digital filter case study'',
in Proc. 19th International Conference on Digital Audio Effects (DAFx-16), Brno, CZ, Sept. 2016.

282

K. J. Werner, W. R. Dunkel, and F. G. Germain,
``A computational model of the hammond organ vibrato/chorus using wave digital filters'',
in Proc. 19th International Conference on Digital Audio Effects (DAFx-16), Brno, Czech, 2016, pp. 5-9.

283

K. J. Werner, W. R. Dunkel, M. Rest, M. J. Olsen, and J. O. Smith,
``Wave digital filter modeling of circuits with operational amplifiers'',
in Proc. 2016 24th European Signal Processing Conference (EUSIPCO), Aug 2016, pp. 1033-1037.

284

M. J. Olsen, K. J. Werner, and J. O. Smith III,
``Resolving grouped nonlinearities in wave digital filters using iterative techniques'',
in Proc. International Conference on Digital Audio Effects.(DAFx-16), Brno, CZ, Sep, 2016.

285

M. J. Olsen, J. O. S. III, and J. S. Abel,
``A hybrid filter–wavetable oscillator technique for formant-wave-function synthesis'',
in Proc. 13th Sound and Music Computing Conference (SMC-2016), Hamburg, Germany, 2016.

286

R. Michon, J. O. Smith III, C. Chafe, M. Wright, and G. Wang,
``NUANCE: Adding multi-touch force detection to the iPad'',
in Proc. 13th Sound and Music Computing Conference (SMC-2016), Hamburg, Germany, 2016.

287

C. Hohnerlein, M. Rest, and J. O. Smith,
``Continuous order polygonal waveform synthesis'',
in Proc. International Computer Music Conference 2016 (ICMC-2016), Utrecht, The Netherlands, 2016.

288

H.-S. Kim and J. Smith,
``Synthesis of sound textures with tonal components using summary statistics and all-pole residual modeling'',
in Proc. International Conference on Digital Audio Effects.(DAFx-16), Brno, CZ, Sep, 2016.

289

M. Rest, W. R. Dunkel, K. J. Werner, and J. O. Smith III,
``RT-WDF--a modular wave digital filter library with support for arbitrary topologies and multiple nonlinearities'',
in Proc. 19th International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 2016.

290

C. Doolittle, J. Smith, W. Chen, and E. Amborn,
``Development of digital filter methodology for Hopkinson bar dispersion correction'',
in Proc. 87th Shock & Vibration Symp., New Orleans, Oct. 17-20, 2016.

291

A. Meacham, L. Savioja, S. R. Martin, and J. O. Smith, III,
``Digital waveguide network reverberation in non-convex rectilinear spaces'',
in Audio Engineering Society Convention 141, Sep 2016.

292

S. R. Martín Román, U. P. Svensson, J. Šlechta, and J. O. Smith,
``A hybrid method combining the edge source integral equation and the boundary element method for scattering problems'',
The Journal of the Acoustical Society of America, vol. 139, no. 4, pp. 2202-2202, 2016.

293

H. Hacihabiboglu, E. De Sena, Z. Cvetkovic, J. Johnston, and J. O. S. III,
``Perceptual spatial audio recording, simulation, and rendering: An overview of spatial-audio techniques based on psychoacoustics'',
IEEE Signal Processing Magazine, vol. 34, no. 3, pp. 36-54, May 2017.

294

E. Maestre, G. P. Scavone, and J. O. Smith,
``Joint modeling of bridge admittance and body radiativity for efficient synthesis of string instrument sound by digital waveguides'',
IEEE/ACM Transactions on Audio, Speech, and Language Processing, vol. 25, no. 5, pp. 1128-1139, May 2017.

295

Z. Shi, K. Arul, and J. O. Smith,
``Modeling and digitizing reproducing piano rolls'',
in Proceedings of the International Symposium on Music Information Retrieval (ISMIR-17), Suzhou, China, Oct. 2017, pp. 197-203,
https://ismir2017.smcnus.org/wp-content/uploads/2017/10/25_Paper.pdf.

296

S. R. Martín Román, U. P. Svensson, J. Šlechta, M. Rau, and J. O. Smith,
``Physical model of a drum using an edge-diffraction approach'',
The Journal of the Acoustical Society of America, vol. 141, pp. 3961-3961, 05 2017.

297

E. Maestre, G. Scavone, and J. Smith,
``Experimental modeling of bridge admittance and body radiativity for efficient synthesis of string sound by digital waveguides'',
IEEE Tr. Speech & Language Processing (TASLP), 2017.

298

P. Verma and J. O. Smith,
``Neural style transfer for audio spectograms'',
in 31st Conference on Neural Information Processing Systems (NIPS-2017), Long Beach, CA, USA at the workshop for Machine Learning for Creativity and Design, 2017, p. (3),
https://arxiv.org/abs/1801.01589.

299

R. Michon, J. O. Smith, M. Wright, C. Chafe, J. Granzow, and G. Wang,
``Passively augmenting mobile devices towards hybrid musical instrument design'',
in Proceedings of the 2017 Conference on New Instruments for Musical Expression (NIME-17), May 15-19, Aalborg University Copenhagen, Denmark, 2017, pp. 19-24,
https://ccrma.stanford.edu/~rmichon/mobileSynth/misc/nimePaper.pdf.

300

E. Maestre, J. S. Abel, J. O. Smith, and G. P. Scavone,
``Constrained pole optimization for modal reverberation'',
in Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, Sep. 5-9, 2017, pp. 381-388,
http://www.dafx17.eca.ed.ac.uk/papers/DAFx17_paper_95.pdf.

301

R. Michon, J. Smith, and Y. Orlarey,
``New signal processing libraries for FAUST'',
in Proceedings of the 15th International Linux Audio Conference (LAC-17), May 18-20, St. Etienne, France, http://lac.linuxaudio.org/, 2017,
http://musinf.univ-st-etienne.fr/lac2017/pdfs/11_C_C_137486.pdf.

302

K. J. Werner, A. Bernardini, J. O. Smith, and A. Sarti,
``Modeling circuits with arbitrary topologies and active linear multiports using wave digital filters'',
IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 65, no. 12, pp. 4233-4246, Dec. 2018.

303

R. Michon, S. R. Martin, and J. O. Smith,
``mesh2faust: a modal physical model generator for the FAUST programming language--application to bell modeling'',
in Proceedings of the International Computer Music Conference (ICMC-17), China, 2017, p. (5),
https://ccrma.stanford.edu/~rmichon/publications/doc/ICMC17-mtf.pdf.

304

R. Michon, J. Smith, C. Chafe, S. Letz, and Y. Orlarey,
``faust2api: a comprehensive API generator for Android and iOS'',
in Proceedings of the 15th International Linux Audio Conference (LAC-17), May 18-20, St. Etienne, France, http://lac.linuxaudio.org/, 2017, p. (6),
https://ccrma.stanford.edu/~rmichon/publications/doc/LAC2017-faust2api.pdf.

305

R. Michon, J. O. Smith, M. Wright, C. Chafe, J. Granzow, and G. Wang,
``Mobile music, sensors, physical modeling, and digital fabrication: Articulating the augmented mobile instrument'',
Applied Sciences, vol. 7, no. 12, 2017.

306

R. Michon, J. Smith, C. Chafe, G. Wang, and M. Wright,
``The FAUST physical modeling library: A modular playground for the digital luthier'',
in Proceedings of the 1st International Faust Conference (IFC-18), July 17-18, Mainz, Germany, 2018, p. (6).

307

J. Zhang and J. O. Smith III,
``Real-time wave digital simulation of cascaded vacuum tube amplifiers using modified blockwise method'',
in Proceedings of the 21st International Conference on Digital Audio Effects (DAFx-18), Aveiro, Portugal, Sep. 4-8, 2018.

308

O. Das, J. O. Smith III, and C. Chafe,
``Real-time pitch tracking in audio signals with the extended complex Kalman filter'',
in Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, Sep. 5-9, 2017, pp. 118-124,
http://www.dafx17.eca.ed.ac.uk/papers/DAFx17_paper_21.pdf.

309

O. Das, J. O. Smith III, and C. Chafe,
``Fast MUSIC -– an efficient implementation of the MUSIC algorithm for frequency estimation of approximately periodic signals'',
in Proceedings of the 21st International Conference on Digital Audio Effects (DAFx-18), Aveiro, Portugal, Sep. 4-8, 2018.

310

M. Rau, J. O. Smith, and J. S. Abel,
``String synthesis using individually modeled termination scattering filters'',
The Journal of the Acoustical Society of America, vol. 144, no. 3, pp. 1752-1752, 2018.

311

M. Rau, J. S. Abel, and J. O. Smith III,
``Contact sensor processing for acoustic instrument recording using a modal architecture'',
in Proceedings of the 21st International Conference on Digital Audio Effects (DAFx-18), Aveiro, Portugal, Sep. 4-8, 2018, pp. 304-311.

312

S. R. Martin, U. P. Svensson, J. Slechta, and J. O. Smith,
``Modeling sound scattering using a combination of the edge source integral equation and the boundary element method'',
The Journal of the Acoustical Society of America, vol. 144, no. 1, pp. 131-141, 2018.

313

E. Maestre, G. Scavone, and J. O. Smith,
``Efficient rendering of saxophone sound by modal synthesis and wave scattering'',
The Journal of the Acoustical Society of America, vol. 144, no. 3, pp. 1752-1752, 2018.

314

A. Bernardini, K. J. Werner, J. O. Smith, and A. Sarti,
``Generalized wave digital filter realizations of arbitrary reciprocal connection networks'',
IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 66, no. 2, pp. 694-707, Feb 2019.

315

J. Liski, B. Bank, J. O. Smith, and V. Välimäki,
``Converting series biquad filters into delayed parallel form'',
IEEE Transactions on Signal Processing; Volume 67, issue 14, pp. 11; 3785-3795, 2019-07-15.

316

E. Maestre, G. P. Scavone, and J. O. Smith,
``Virtual acoustic rendering by state wave synthesis'',
in EAA Spatial Audio Signal Processing Symposium, Paris, France, Sept. 2019, pp. 31-36.

317

M. Rau and J. Smith,
``Measurement and modeling of a resonator guitar'',
in Proceedings of the International Symposium on Musical Acoustics (ISMA-19), Detmold, Germany, Sept. 13-16 2019.

318

Z. Shi, C. S. Sapp, K. Arul, J. McBride, and J. O. Smith III,
``Supra: Digitizing the stanford university piano roll archive'',
in Proceedings of the International Symposium on Music Information Retrieval (ISMIR-17), Delft, Netherlands, Nov. 4-8 2019, pp. 517-523,
http://archives.ismir.net/ismir2019/paper/000062.pdf.

319

T. Skare, J. S. Abel, and J. O. Smith, III,
``Modal representations for audio deep learning'',
in Audio Engineering Society Convention 147, Oct 2019.

320

M. Rau and J. O. Smith,
``A comparison of nonlinear modal synthesis using a time varying linear approximation and direct computation'',
The Journal of the Acoustical Society of America, vol. 146, no. 4, 2019.

321

O. Das, J. O. Smith III, and C. Chafe,
``Improved real-time monophonic pitch tracking with the extended complex Kalman filter'',
J. Audio Eng. Soc, vol. 68, no. 1/2, pp. 78-86, 2020.

322

J. O. Smith III,
``A spatial sampling approach to wave field synthesis: PBAP and Huygens arrays'', 2019-11-18,
https://ccrma.stanford.edu/~jos/huygens/.

323

P. Verma and J. O. Smith III,
``A framework for contrastive and generative learning of audio representations'',
CoRR, vol. abs/2010.11459, 2020,
https://arxiv.org/abs/2010.11459.

324

M. Rau, J. S. Abel, D. James, and J. O. Smith,
``Electric-to-acoustic pickup processing for string instruments: An experimental study of the guitar with a hexaphonic pickup'',
The Journal of the Acoustical Society of America, vol. 150, no. 1, pp. 385-397, 2021.

325

M. Rau, R. Hoover, R. Barto, and J. O. Smith III,
``A self-contained and automated tonewood measurement device'',
in Vienna Talk on Musical Acoustics, University of Music and Performing Arts, Vienna, Sept. 11-14 2022.

326

J. O. Smith,
Mathematics of the Discrete Fourier Transform (DFT), with Audio Applications, Second Edition,
https://ccrma.stanford.edu/~jos/mdft/, Apr. 2007,
online book.

327

J. O. Smith,
Introduction to Digital Filters with Audio Applications,
https://ccrma.stanford.edu/~jos/filters/, Sept. 2007,
online book.

328

J. O. Smith,
Physical Audio Signal Processing,
https://ccrma.stanford.edu/~jos/pasp/, Dec. 2010,
online book.

329

J. O. Smith,
Spectral Audio Signal Processing,
https://ccrma.stanford.edu/~jos/sasp/, Dec. 2011,
online book.

There are additional publications and course materials in my Google Scholar profile:
https://scholar.google.com/citations?user=Dx1EblMAAAAJ
This is the most complete list, but due to its automation I need to manually correct it from time to time.