Courses
Following is a list of all courses that have been taught at CCRMA. For complete information on course offerings, please see the Stanford Bulletin (http://bulletin.stanford.edu) for the current academic year.
For information on which courses have been taught in recent quarters, please visit the Course History page.
All CCRMA Courses
| Music 223T Computer Music Improvisation and Algorithmic Performance |
| Music 101 Introduction to Creating Electronic Sounds |
| Music 120 Auditory Remapping of Bioinformatics |
| Music 128 Stanford Laptop Orchestra: Composition, Coding, and Performance |
| Music 150 Musical Acoustics |
| Music 151 Psychophysics and Cognitive Psychology for Musicians |
| Music 153 Online Musical Jamming |
| Music 154 Composition and Performance of Music with Electronics (aka History of Electronic Music) |
| Music 154 (ARTSTUDI 131) Sound Art I |
| Music 155/255, Artstudio 139 Intermedia Workshop |
| Music 158 SoundWIRE Ensemble |
| Music 158/258D Musical Acoustics |
| Music 15N The Aesthetics of Data |
| Music 192A Foundations of Sound-Recording Technology |
| Music 192B Advanced Sound Recording Technology |
| Music 192C Session Recording |
| Music 1A Music, Mind, and Human Behavior |
| Music 201 CCRMA Colloquium |
| Music 203 Audiovisual Performance |
| Music 220A Fundamentals of Computer-Generated Sound |
| Music 220B Compositional Algorithms, Psychoacoustics, and Spatial Processing |
| Music 220C Research Seminar in Computer-Generated Music |
| Music 222 Sound in Space |
| Music 223 Composition for Electronic Musicians |
| Music 223B Sonic Experiments in Composition |
| Music 223D Sound Practice: Embodiment and the Social |
| Music 236 Future Media : Media Archaeology |
| Music 250A Physical Interaction Design for Music |
| Music 250B Interactive Sound Art |
| Music 250C Interaction - Intermedia - Immersion |
| Music 251 Psychophysics and Music Cognition |
| Music 253 Musical Information - An Introduction |
| Music 254 Applications of Musical Information: Query, Analysis, and Style Simulation |
| Music 255 Orchestration and Timbre Analysis |
| Music 256A Music, Computing, and Design: Artful Design of Computer Music |
| Music 256B Music, Computing, and Design II: Advanced Topics in Design |
| Music 257 Neuroplasticity and Musical Gaming |
| Music 264 Musical Engagement |
| Music 285 Intermedia Lab |
| Music 318 Advanced Acoustics |
| Music 319 Research Seminar on Computational Models of Sound Perception |
| Music 320 Introduction to Digital Audio Signal Processing |
| Music 320A Introduction to Audio Signal Processing Part I: Spectrum Analysis |
| Music 320B Introduction to Audio Signal Processing Part II: Digital Filters |
| Music 320C Audio DSP Projects in Faust and C++ |
| Music 32N Sculpting with Sounds, Images, and Words |
| Music 351 Seminar In Music Perception and Cognition |
| Music 356 Music and AI |
| Music 39A Music, Health, and Medicine |
| Music 420A Signal Processing Models in Musical Acoustics |
| Music 420B Software for Sound Synthesis and Audio Effects |
| Music 421A Time-Frequency Audio Signal Processing |
| Music 421b Projects in Spectral Audio Signal Processing |
| Music 422 Perceptual Audio Coding |
| Music 423 Graduate Seminar in Signal Processing Research |
| Music 424 Signal Processing Techniques for Digital Audio Effects |
| Music 451A Basics in Auditory and Music Neuroscience |
