Jonathan Berger receives National Endowment for the Arts commission for My Lai
Recent News
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
File Attachment:Jonathan Berger Première
Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
Mystery of 101-year-old master pianist who has dementia
Way to go, Dr. Selfridge-Field! Very interesting article about her work with master musicians suffering from dementia.
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...Jonathan Berger's "My Lai" In the News
All kinds of new buzz in being generated by our own Jonathan Berger's latest opera My Lai. Congratulations, Jonathan and the Kronos Quartet!
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
Issue 21 (Fall 2015) of the Csound Journal has been released! The journal can be read online here:
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
John Chowning Interview on RWM
#212 John Chowning 25.08.2015 (35' 26'')
Sonifying the world: How life's data becomes music
When Chris Chafe translates data into music, listeners sway to the beat of seizing brains, economic swings and smog.
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).
Twist the Gears of a Massive VR Music Engine with Carillon
Really nice article about a new VR instrument created by Rob Hamilton and Chris Platz. Enjoy!
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