Recent News

  • The Father of the Digital Synthesizer

    Interesting article about our own John Chowining on Enjoy!
  • Holly Herndon - Wire Cover


    Congratulations to Holly on her cover of this month's Wire! "Holly Herndon - the US sound artist and laptop auteur spreads the faith of the liberating potential of technology."

    If you're a subscriber, read more here:
  • CCRMA is Hiring: Temporary Position Available

    CCRMA is the midst of some staffing changes, and we are looking for someone to fill a critical poisition while we conduct searches for permanent hires.

    Job Title: Audio Visual Engineer


  • Palette of sound: Triple CCRMAlite’s excursion through time

    The Triple CCRMAlite performance this past Sunday at Bing Concert Hall was a celebration of three important dates for the Center for Computer Research in Music and Acoustics (CCRMA): the 40th anniversary of CCRMA, the 50th anniversary of the first computer program for music on campus, and the 80th birthday of CCRMA founder John Chowning Ph.D. ’66. The program featured a science fair of student research in the lobby, as well as a concert showcasing works from Chowning, French composer Jean-Claude Risset, and former CCRMA Research Associate Bill Schottstaedt.
    Read more here...
  • The creativity of 'karma'

    Palo Alto Weekly writer Nick Veronin takes a look at recent work being done at CCRMA and profiles the upcoming "Designing Musical Games::Gaming Musical Design", "New Music Controllers" and "3D Printing for Acoustics" Summer Workshops.

    Read more here...
  • Review: Auditory Hallucinations, Composed

    Congratulations to Jonathan Berger for more great reviews of his "Visitations!"
  • How Music Hijacks Our Perception of Time

    Very interesting article by Dr. Jonathan Berger! "One evening, some 40 years ago, I got lost in time. I was at a performance of Schubert’s String Quintet in C major. During the second movement I had the unnerving feeling that time was literally grinding to a halt. The sensation was powerful, visceral, overwhelming. It was a life-changing moment, or, as it felt at the time, a life-changing eon.
    It has been my goal ever since to compose music that usurps the perceived flow of time and commandeers the sense of how time passes. Although I’ve learned to manipulate subjective time, I still stand in awe of Schubert’s unparalleled power.
Syndicate content