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Music 251

Course Title: 
Psychophysics and Music Cognition
Instructor: 
Takako Fujioka
Course Description: 

This course aims to introduce students to basic concepts and fundamentals of the fields of auditory perception, as well as music perception and cognition through lectures, readings, lab exercises, and class discussion. The discussed topics include pitch/harmony/timbre perception, sound localization, and emotion, as well as related topics in auditory perception, such as loudness, masking, stream segregation, and the basics of the auditory system. The primary emphasis is placed upon experiencing all the processes of discovery-oriented human behavioural research and core issues in methodology as well as scientific discourse with colleagues. Thus, active preparation and participation in lab exercises and in-class discussion is essential. In the final project, students will come up with their own inquiry, design and execute the experiment, share and discuss the results and interpretation, and write the report.

Quarter Offered: 
Autumn
Winter
Course Time: 
Tue, Thu 12:30-1:50
Room: 
Knoll 217
‹ Jonathan Berger receives National Endowment for the Arts commission for My Lai up
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Winter Quarter 2021

1A Music, Mind, & Human Behavior
101
 
Introduction to Creating Electronic Sound
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
285 Intermedia Lab
320B Introduction to Audio Signal Processing Part II: Digital Filters
422 Perceptual Audio Coding
451A Basics in Auditory and Music Neuroscience
 

 

 

 

   

CCRMA
Department of Music
Stanford University
Stanford, CA 94305-8180 USA
tel: (650) 723-4971
fax: (650) 723-8468
info@ccrma.stanford.edu

 
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Stanford University

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