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Music 424

Course Title: 
Signal Processing Techniques for Digital Audio Effects
Instructor: 
Jonathan S. Abel, David P. Berners
Course URL: 
http://ccrma.stanford.edu/courses/424/
Course Description: 

Cross listed as EE 367D. Techniques for dynamic range compression, reverberation, equalization and filtering, panning and spatialization, digital emulation of analog processors, and implementation of time-varying effects. Single-band and multiband compressors, limiters, noise gates, de-essers, convolutional reverberators, parametric and linear-phase equalizers, wah-wah and envelope-following filters, and the Leslie. Students develop effects algorithms of their own design in labs. Prerequisites: digital signal processing, sampling theorem, digital filtering, and the Fourier transform at the level of MUSIC 320 or EE 261; Matlab and modest C programming experience.

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Fall Courses at CCRMA

Music 101 Introduction to Creating Electronic Sounds
Music 192A Foundations in Sound Recording Technology
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 223A Composing Electronic Sound Poetry
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320 Introduction to Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 423 Graduate Research in Music Technology
Music 451A Auditory EEG Research I

 

 

 

   

CCRMA
Department of Music
Stanford University
Stanford, CA 94305-8180 USA
tel: (650) 723-4971
fax: (650) 723-8468
info@ccrma.stanford.edu

 
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