Jump to Navigation

Main menu

  • Login
Home

Secondary menu

  • [Room Booking]
  • [Wiki]
  • [Webmail]

Music 250A

Course Title: 
Physical Interaction Design for Music
Instructor: 
Romain Pierre Denis Michon
Course URL: 
courses/250a/
Course Description: 

This lab and project-based course explores how we can physically interact with real-time electronic sound in the prospect of making musical interfaces and instruments. Students learn to use sensors, circuits, embedded computers, communication protocols, sound processing, and digital fabrication. Advanced topics include real-time media, embedded systems for audio, haptics, sound synthesis using physical model analogs, and Human-Computer Interaction (HCI) theory and practice. Course culminates in musical performance with or exhibition of completed design projects.

Topics include:

  • Sound synthesis (i.e., waveshape, additive, subtractive, AM, FM, sample-based, granular, physical modeling, etc.)
  • Sound processing/audio effects (i.e., modulation, flanging, phasing, chorus, echo, reverb, pitch shift, vocoder, wah/filtering, etc.)
  • The Faust programming language
  • Microcontrollers programming
  • Embedded systems for real-time audio DSP (i.e., bare-metal audio systems for ultra-low latency, etc.)
  • Fundamentals of electronics, sensors, and prototyping
  • Computer Assisted Design (CAD) and digital fabrication (3D printing and laser cutting)
  • Digital lutherie and musical interface design
  • Haptics
  • Printer-friendly version
  • Home
  • News and Events
    • All Events
      • CCRMA Concerts
      • Colloquium Series
      • DSP Seminars
      • Hearing Seminars
      • Guest Lectures
    • Event Calendar
    • Events Mailing List
    • Recent News
  • Academics
    • Courses
    • Current Year Course Schedule
    • Undergraduate
    • Masters
    • PhD Program
    • Visiting Scholar
    • Visiting Student Researcher
    • Workshops 2022
  • Research
    • Publications
      • Authors
      • Keywords
      • STAN-M
      • Max Mathews Portrait
    • Research Groups
    • Software
  • People
    • Faculty and Staff
    • Students
    • Alumni
    • All Users
  • User Guides
    • New Documentation
    • Booking Events
    • Common Areas
    • Rooms
    • System
  • Resources
    • Planet CCRMA
    • MARL
  • Blogs
  • Opportunities
    • CFPs
  • About
    • The Knoll
      • Renovation
    • Directions
    • Contact

Search this site:

Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations

 

 

 

   

CCRMA
Department of Music
Stanford University
Stanford, CA 94305-8180 USA
tel: (650) 723-4971
fax: (650) 723-8468
info@ccrma.stanford.edu

 
Web Issues: webteam@ccrma

site copyright © 2009 
Stanford University

site design: 
Linnea A. Williams