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1971
Chowning, J., "The Simulation of Moving Sound Sources", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971. Abstract
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1973
Chowning, J., "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 21 (7), 526-534., 1973. Abstract
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1974
Chowning, J., J. M. Grey, L. Rush, and J. A. Moorer, Computer Simulation of Music Instrument Tones in Reverberant Environments, , no. STAN-M-1: Stanford University Department of Music, 1974.
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1975
Grey, J. M., "An Exploration of Musical Timbre", Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
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Moorer, J. A., On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
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Moorer, J. A., "On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
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Gordon, J. W., and J. Strawn, "An Introduction to the Phase Vocoder", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
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1976
Moorer, J. A., "The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
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1977
Moore, F. R., "Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
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1978
Chowning, J., J. M. Grey, L. Rush, J. A. Moorer, and L. Smith, Simulation of Music Instrument Tones in Reverberant Environments, Final Report, : Stanford University Department of Music, 05/1978.
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1980
Cohen, E. A., The Influence of Nonharmonic Partials on Tone Perception, , vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
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1982
Chowning, J., and C. Sheeline, Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.
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Sheeline, C., "An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
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Chowning, J., J. M. Grey, J. A. Moorer, and L. Rush, Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report, , no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
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1983
Jaffe, D. A., "Ensemble Timing in Computer Music", International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
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Smith III, J. O., "Techniques for Digital Filter Design and System Identification with Application to the Violin", Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
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1984
Smith III, J. O., "An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.
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Borish, J., "Electronic Simulation of Auditorium Acoustics", Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
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Chowning, J., L. Rush, B. Mont-Reynaud, C. Chafe, W. A. Schloss, and J. O. Smith III, Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report, , no. STAN-M-15: Stanford University Department of Music, 1984.
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Gordon, J. W., "Perception of Attack Transients in Musical Tones", Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.
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Schottstaedt, B., Automatic Species Counterpoint, , Stanford, CA, CCRMA, 05/1984.
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McAdams, S., "Spectral Fusion, Spectral Parsing and the Formation of Auditory Images", Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
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Schottstaedt, B., PLA - A Tutorial and Reference Manual, , Stanford, CA, Stanford University, CCRMA, 12/1984.
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1985
Gordon, J. W., and J. O. Smith III, "A Sine Generation Algorithm for VLSI Applications", Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.
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Chafe, C., D. A. Jaffe, K. Kashima, B. Mont-Reynaud, and J. O. Smith III, "Techniques for Note Identification in Polyphonic Music", Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
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Smith III, J. O., "Introduction to Digital Filter Theory", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
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Schloss, W. A., "On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis", Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
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Strawn, J., "Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
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Chafe, C., Bowed String Synthesis and Its Control From a Physical Model, , no. STAN-M-32, replaced by STAN-M-48: Stanford University Department of Music, 07/1985.
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Mont-Reynaud, B., and M. Goldstein, "On Finding Rythmic Patterns in Musical Lines", ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
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Smith III, J. O., "A New Approach to Digital Reverberation Using Closed Waveguide Networks", International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
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1986
Mont-Reynaud, B., The Bounded-Q approach to time-varying spectral analysis, , Stanford, CA, Stanford University, CCRMA, 1986.
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Chafe, C., and D. A. Jaffe, "Source Separation and Note Identification in Polyphonic Music", Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tokyo, no. STAN-M-34, New York, IEEE Press, 1986.
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Smith III, J. O., "Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters", IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
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Chowning, J., and B. Mont-Reynaud, Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.
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1987
Mathews, M. V., and J. R. Pierce, "The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.
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Smith III, J. O., Music Applications of Digital Waveguides, : Stanford University, 1987.
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Smith III, J. O., and X. Serra, "PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation", International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
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Jaffe, D. A., "Spectrum Analysis Tutorial - Parts I and II", Computer Music Journal, vol. 11, issue 2-3, no. STAN-M-33, 1987.
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Gordon, J. W., The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.
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Winter Quarter 2023

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
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