On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis

• Home
• News and Events
  • All Events
    • CCRMA Concerts
    • Colloquium Series
    • DSP Seminars
    • Hearing Seminars
    • Guest Lectures
  • Event Calendar
  • Events Mailing List
  • Recent News
• Academics
  • Courses
  • Current Year Course Schedule
  • Undergraduate
  • Masters
  • PhD Program
  • Visiting Scholar
  • Visiting Student Researcher
  • Workshops 2022
• Research
  • Publications
    • Authors
    • Keywords
    • STAN-M
    • Max Mathews Portrait
  • Research Groups
  • Software
• People
  • Faculty and Staff
  • Students
  • Alumni
  • All Users
• User Guides
  • New Documentation
  • Booking Events
  • Common Areas
  • Rooms
  • System
• Resources
  • Planet CCRMA
  • MARL
• Blogs
• Opportunities
  • CFPs
• About
  • The Knoll
    • Renovation
  • Directions
  • Contact

101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations