On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis

• Home
• News and Events
  • All Events
    • CCRMA Concerts
    • Colloquium Series
    • DSP Seminars
    • Hearing Seminars
    • Guest Lectures
  • Event Calendar
  • Events Mailing List
  • Recent News
• Academics
  • Courses
  • Current Year Course Schedule
  • Undergraduate
  • Masters
  • PhD Program
  • Visiting Scholar
  • Visiting Student Researcher
  • Workshops 2019
• Research
  • Publications
    • Authors
    • Keywords
    • STAN-M
    • Max Mathews Portrait
  • Research Groups
  • Software
• People
  • Faculty and Staff
  • Students
  • Alumni
  • All Users
• User Guides
  • Booking Events
  • Rooms
  • System
  • Common Areas
• Resources
  • Planet CCRMA
  • MARL
• Blogs
• Opportunities
  • CFPs
• About
  • The Knoll
    • Renovation
  • Directions
  • Contact

101 Introduction to Creating Electronic Sound
192B Advanced Sound-Recording Technology
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250A Physical Interaction Design for Music
250C Interaction - Intermedia - Immersion
253 Symbolic Musical Information
319 Research Seminar on Computational Models of Sound Perception
320B Introduction to Audio Signal Processing Part II: Digital Filters
420A Signal Processing Models in Musical Acoustics
422 Perceptual Audio Coding
451C Auditory EEG Research III: Coordinated Actions and Hyper-scanning