Course Information

Class: M+W 12:30-2:20pm
Location: CCRMA Classroom (the Knoll)
Required Textbook: Ge Wang. Artful Design: Technology in Search of the Sublime. Stanford University Press, 2018. (Available in the Stanford Bookstore)
Prerequisite: prior programming experience

Course Summary

This lab and project-based course explores how we can physically interact with real-time electronic sound. Students learn to use and design sensors, circuits, embedded computers, communication protocols and sound synthesis. Advanced topics include real-time media, haptics, sound synthesis using physical model analogs, and Human-Computer Interaction (HCI) theory and practice. Course culminates in musical performance with or exhibition of completed design projects.

Topics include:

Assignments

There will be assignments every week until week 5 after which students will be able to focus on final projects. Assignments are due the following week on Wednesday before class. Late days are not allowed.

Grading

Schedule

Week 1

Jan. 7: Intro + Overview of the Field of New Interfaces for Musical Expression

Jan. 9: Sound Synthesis Basics in Faust

Lab/Assignment: Faust Basics


Week 2

Jan. 14: Guest Lecture by Ge Wang: Bodies Matter: The Art of Interface Design

Jan. 16: Electronic Basics + Sensors + Mapping + MIDI Control in Faust

Lab/Assignment: Sensors Control in Faust


Week 3

Jan. 21: Advanced Sound Synthesis in Faust

Jan. 23: History of Music Controllers

Lab/Assignment: "Hybrid" Instruments


Week 4

Jan. 28: Digital Fabrication I

Jan. 30: Digital Fabrication II

Lab/Assignment: Prototyping, Manufacturing, and Digital Fabrication


Week 5

Feb. 4: Embedded and Mobile Systems

Feb. 6: Haptics

Lab/Assignment: Haptics


Week 6

Feb. 11: Guest Lecture by Roger Linn


Week 7

Feb. 18: Guest Lecture by Jordan Rudess

Support/Resources