Publications
]
"Physical Modeling Using Digital Waveguides",
Computer Music Journal, vol. 16, issue 4, 12/1992.
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes",
NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Abstract
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit",
17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
Abstract
Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
PLA - A Tutorial and Reference Manual,
, Stanford, CA, Stanford University, CCRMA, 12/1984.
"The Planet CCRMA software collection",
International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
Abstract
"Playing the Network: the Use of Time Delays as Musical Devices",
International Computer Music Conference, pp. 244-250, 2008.
"Proceedings of the 15th International Congress on Acoustics",
International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
"Psychoacoustic Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity",
Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
Pulsed Noise and Microtransients in Physical Models of Musical Instruments,
, no. STAN-M-65: Stanford University Department of Music, sep, 1990.
"Pulsed Noise in Self-Sustained Oscillations of Musical Instruments",
Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
"q3osc: or How I Learned To Stop Worrying and Love The Game",
International Computer Music Conference, Belfast, Ireland, 2008.
Abstract
"The Quest for Noiseless Computers",
Linux Audio Conference, Parma, Italy, 04/2009.
Abstract
"Real Time Interactive Computer Music Synthesis",
Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
A Real-Time System for Spatial Distribution of Sound,
, no. STAN-M-66: Stanford University Department of Music, 08/1990.
Recognition of Complex Auditory-Spatial Patterns,
, Stanford, CA, Stanford University, CCRMA, 06/1991.
"Relative Pitch Estimation of Multiple Instruments",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009.
Abstract
"Resolving Grouped Nonlinearities in Wave Digital Filters using Iterative Techniques",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Resolving Wave Digital Filters with Multiple/Multiport Nonlinearities",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Restoring a Clipped Signal",
Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.
Reverberation Cancellation in Musical Signals Using Adaptive Filters,
, no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
"A Reverberator with Two-Stage Decay and Onset Time Controls",
129th Audio Engineering Society Convention, San Francisco, CA, USA, 11/2010.
Abstract
"Robust Design of Very High-Order Allpass Dispersion Filters",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"The Roland TR-808 and the Tale of the Marching Anteaters",
Sounding Board: Ethnomusicology Review, 2015.
Abstract
The Role of Psychoacoustics in Computer Music,
, Stanford, CA, CCRMA, 06/1987.
"RTWDF—A modular wave digital filter library with support for arbitrary topologies and multiple nonlinearities",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
The Science of Sound Recording,
, 1, Waltham, MA, Focal Press, pp. 256, 2012.
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis",
Computing in Musicology, vol. 10, pp. 122, 1996.
Abstract
"SCUBA: the Self-Contained Unified Bass Augmenter",
New Interfaces for Musical Expression, pp. 38–41, 2005.
Signal Processing in Faust and Pd,
, nov, 2007.
"A Simple, Accurate Wall Loss Filter for Acoustic Tubes",
Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.
"Simulating an Asymmetrically Saturated Nonlinearity Using an LNLNL Cascade",
133rd Audio Engineering Society Convention, San Francisco, CA, USA, 10/2012.
Abstract
"Simulating Performance on a Bowed Instrument",
Current Directions in Computer Music: MIT Press, 05/1988, 1989.
"The Simulation of Moving Sound Sources",
Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 19 (1), 2–6., 1971.
Abstract
Simulation of Music Instrument Tones in Reverberant Environments, Final Report,
: Stanford University Department of Music, 05/1978.
"Simulation of Recruiting Hearing Impairment Using a Tree-Structured Allpass-Complementary ERB-Band Filter Bank",
IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, pp. [TD1-8], oct, 2007.
"A Sine Generation Algorithm for VLSI Applications",
Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.
"Sinusoidal Parameter Estimation Using Quadratic Interpolation Around Power-Scaled Magnitude Spectrum Peaks",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"Skeleton: the Decayed Remnants of Time. An Investigation of Memory Through Sound.",
Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2009.
Abstract
"Slappability: A New Metaphor for Human Computer Interaction",
World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
