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"A Sine Generation Algorithm for VLSI Applications", Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.
"Skeleton: the Decayed Remnants of Time. An Investigation of Memory Through Sound.", Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2009.
"Slappability: A New Metaphor for Human Computer Interaction", World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
"Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction", Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
"Some Physical Audio Effects", Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"Source Separation and Note Identification in Polyphonic Music", Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Tokyo, no. STAN-M-34, New York, IEEE Press, 1986.
"Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display", International Society for Music Information Retrieval Conference, Curitiba, 11/2013.
"Spectral Fusion, Spectral Parsing and the Formation of Auditory Images", Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
"Spectrum Analysis Tutorial - Parts I and II", Computer Music Journal, vol. 11, issue 2-3, no. STAN-M-33, 1987.
"Stanford Laptop Orchestra (SLOrk)", International Computer Music Conference, Montreal, 08/2009.
"Surviving on Planet CCRMA, two years later and still alive", International Computer Music Conference, Barcelona, Spain, 09/2005.
"The Switched Convolution Reverberator", 127th Audio Engineering Society Convention , New York, NY, USA, 10/2009.
"The Switched Convolution Reverberator", The Journal of the Audio Engineering Society, vol. 60, issue 4, pp. 227-236, 04/2012.
"Synchronization and acoustics in network performance.", The Journal of the Acoustical Society of America, vol. 124, no. 4, pp. 2489, 2008.
"The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
"The Synthesis of Complex Audio Spectra by Means of Frequency Modulation", Journal of the Audio Engineering Society, pp. J. Audio Eng. Soc. 21 (7), 526-534., 1973.
"Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract", International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
"A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition", Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
"A Tangible Virtual String", Proc. 2008 Conf. on New Instruments for Musical Expression (NIME-08), Geneva, Italy, 2008.
"Techniques for Digital Filter Design and System Identification with Application to the Violin", Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
"Techniques for Note Identification in Polyphonic Music", Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
Temporal Constraints on Apparent Motion in Auditory Space, , Stanford, CA, Stanford University, CCRMA, 11/1991.
"Temporal Separation in a Rhythmic Task", Perception, 2010.
"Themefinder: A Web-based Melodic Search Tool", Computing in Musicology , vol. 11, pp. 231-236, 1998.
"To the Edge with China: Explorations in Network Performance", ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
"Toward a High-Quailty Singing Synthesizer with Vocal Texture Control", Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA), , Stanford, CA, Stanford University, CCRMA, 10/1993.
"Towards a Theory of Timbre", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
"The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model", 40th International Computer Music Conference (ICMC) / 11th Sound and Music Computing Conference (SMC), Athens, Greece, 09/2014.
TTREES: An Active Data Structure for Computer Music, , Stanford, California, Stanford University, 05/1988.
"TweetDreams: Making music with the audience and the world using real-time Twitter data", International Conference on New Interfaces For Musical Expression, Oslo, Norway, 05/2011.
"Two Turntables and a Mobile Phone", International Conference on New Interfaces for Musical Expression, Oslo, Norway, 05/2011.
"User-Guided Variable-Rate Time-Stretching Via Stiffness Control", 15th International Conference on Digital Audio Effects, York, United Kingdom, 09/2012.
"Variable Fractional Delay Filters in Bandlimited Oscillator Algorithms for Music Synthesis", the 2010 International Conference on Green Circuits and Systems (ICGCS2010), Shanghai, China, 06/2010.
"Virtual Electric Guitars and Effects Using Faust and Octave", Proc. 6th Int. Linux Audio Conf. (LAC2008), http://lac.linuxaudio.org/, vol. 33, no. 3, Toronto, Canada, Systems Control Tech., pp. 1–10, Winter, 2008.
"Wave and Scattering Methods for the Numerical Integration of Partial Differential Equation", Electrical Engineering, vol. Ph.D., no. STAN-M-108, Stanford, California, Department of Electrical Engineering, Stanford University, 05/2001.
"A Waveguide Mesh Model of High-Frequency Violin Body Resonances", Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
"Waveguide Mesh Reverberator with Internal Decay and Diffusion Structures", Proceedings of the 123rd Convention of the Audio Engineering Society, New York, preprint 7194, 2007.
"JackTrip: Under the Hood of an Engine for Network Audio", Proceedings of International Computer Music Conference, San Francisco, California, International Computer Music Association, pp. 509–512, 2009.