Publications
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"The 2003 CCRMA Open House",
CCRMA Overview, April 2003, 2003.
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
"Active Damping of a Vibrating String",
Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.
"Alias-free virtual analog oscillators using a feedback delay loop",
the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009.
Abstract
"Alias-suppressed oscillators based on differentiated polynomial waveforms",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"An Allpass Approach to Digital Phasing and Flanging",
International Computer Music Conference, Paris, 1984.
AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling,
, no. STAN-M-118: Stanford University, Department of Music, 2004.
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"Audio FFT Filter Banks",
Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
Auditory Distance Perception Under Natural Sounding Conditions, Final Report,
, no. STAN-M-12: Stanford University Department of Music, 1982.
Automatic Species Counterpoint,
, Stanford, CA, CCRMA, 05/1984.
"Bit Bending: an Introduction",
International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, 09/2013.
Abstract
CCRMA Overview April 2003,
, Stanford, CA, CCRMA, 04/2003.
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
CCRMA Overview, April 2002,
, Stanford, CA, Stanford University, CCRMA, 04/2002.
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
"CCRMA Studio Report",
International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.
"Characterization of Aperiodicity in Nearly Periodic Signals",
International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
Abstract
"Composing for Laptop Orchestra",
Computer Music Journal, pp. 32(1):9-25, 2008.
Abstract
"A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements",
127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009.
Abstract
CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks,
, no. STAN-M-117: Stanford University, Department of Music, 2004.
"The Dagstuhl Core",
Knowledge representation for intelligent music processing, no. 09051, Dagstuhl, Germany, Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany, 2009.
Abstract
"Design Criteria for Simple Sinusoidal Parameter Estimation based on Quadratic Interpolation of FFT Magnitude Peaks",
Audio Engineering Society Convention, San Francisco, New York, Audio Engineering Society, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (I): Bias due to Interpolation,
, no. STAN-M-114: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (II): Bias due to Interfering Components,
, no. STAN-M-115: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (III): Bias due to Amplitude and Frequency Modulation,
, no. STAN-M-116: Stanford University, Department of Music, 2004.
"Doppler Simulation and the Leslie",
Proc. COST-G6 Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, vol. 20, no. 2, New York, CCRMA, Stanford University, pp. 13–20, September 26, 2002.
"Efficient antialiasing oscillator algorithms using low-order fractional delay filters",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"Efficient Time-Varying Loudness Estimation via the Hopping Goertzel DFT",
Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), 2007.
