Publications
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"Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"On-the-fly Programming: Using Code as an Expressive Musical Instrument",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"Simulating an Asymmetrically Saturated Nonlinearity Using an LNLNL Cascade",
133rd Audio Engineering Society Convention, San Francisco, CA, USA, 10/2012.
Abstract
"From Jack to UDP packets to sound, and back",
Linux Audio Conference 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"Linux Audio Conference 2012 Proceedings",
Linux Audio Conference 2012, 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"The Switched Convolution Reverberator",
The Journal of the Audio Engineering Society, vol. 60, issue 4, pp. 227-236, 04/2012.
Abstract
"Openmixer: a routing mixer for multichannel studios",
Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
Abstract
"A Reverberator with Two-Stage Decay and Onset Time Controls",
129th Audio Engineering Society Convention, San Francisco, CA, USA, 11/2010.
Abstract
"Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure",
Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010.
Abstract
"The Switched Convolution Reverberator",
127th Audio Engineering Society Convention , New York, NY, USA, 10/2009.
Abstract
"The Quest for Noiseless Computers",
Linux Audio Conference, Parma, Italy, 04/2009.
Abstract
"A dynamic spatial locator ugen for CLM",
Sound and Music Computing Conference, Berlin, Germany, 07/2008.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Copenhagen, Denmark, International Computer Music Association, 2007.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
"Surviving on Planet CCRMA, two years later and still alive",
International Computer Music Conference, Barcelona, Spain, 09/2005.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.
"The Planet CCRMA software collection",
International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
Abstract
"Toward a High-Quailty Singing Synthesizer with Vocal Texture Control",
Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
"CCRMA Studio Report",
International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
"CCRMA Studio Report",
International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
"CCRMA Studio Report",
International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
"CCRMA Studio Report",
International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"PadMaster: banging on algorithms with alternative controllers",
International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
"PadMaster: an improvisation environment for real time performance",
International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
Absolute Memory for Musical Pitch: More Than The Melody Lingers On,
, Stanford, CA, Stanford University, CCRMA, 06/1992.
Temporal Constraints on Apparent Motion in Auditory Space,
, Stanford, CA, Stanford University, CCRMA, 11/1991.
Recognition of Complex Auditory-Spatial Patterns,
, Stanford, CA, Stanford University, CCRMA, 06/1991.
"Towards a Theory of Timbre",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-42, Stanford, CA, Stanford University, 08/1987.
