Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control

• Home
• News and Events
  • All Events
    • CCRMA Concerts
    • Colloquium Series
    • DSP Seminars
    • Hearing Seminars
    • Guest Lectures
  • Event Calendar
  • Events Mailing List
  • Recent News
• Academics
  • Courses
  • Current Year Course Schedule
  • Undergraduate
  • Masters
  • PhD Program
  • Visiting Scholar
  • Visiting Student Researcher
  • Workshops 2018
• Research
  • Publications
    • Authors
    • Keywords
    • STAN-M
    • Max Mathews Portrait
  • Research Groups
  • Software
• People
  • Faculty and Staff
  • Students
  • Alumni
  • All Users
• User Guides
  • Booking Events
  • Rooms
  • System
  • Common Areas
• Resources
  • Planet CCRMA
  • MARL
• Blogs
• Opportunities
  • CFPs
• About
  • The Knoll
    • Renovation
  • Directions
  • Contact

Search this site:

Music 15N The Aesthetics of Data
Music 101 Introduction to Creating Electronic Sounds
Music 152A Careers in Music Technology
Music 153 Online Jamming
Music 192A Foundations of Sound Recording Technology
Music 192C Session Recording
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 220D Research Topics in Computer Music
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 258A Computational Music Theory
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320 Introduction to Digital Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 451A Auditory EEG Research I