Filters: Keyword is design [Clear All Filters]
"Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"The Laptop Accordion",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
Abstract
"ChucK: A Strongly-timed Computer Music Language",
Computer Music Journal, vol. 39, issue 4, 12/2015.
Abstract
"Ocarina: Designing the iPhone's Magic Flute",
Computer Music Journal, vol. 38, issue 2, 05/2014.
Abstract
"Designing Smule's iPhone Ocarina",
New Interfaces for Musical Expression, Pittsburgh, 2009.
Abstract
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
"DMIX- A Multi Faceted Environment for Composing and Performing Computer Music: Its Design, Philosophy, and Implementation",
Fourth Biennial Arts and Technology Symposium, Stanford, CA, CCRMA, 10/1993.
Designing Digital Instruments with Hierarchical Waveguide Networks,
, Stanford, California, Stanford University, 05/1988.
History and Principles of Microtonal Keyboard Design,
, Stanford, CA, Stanford University, CCRMA, 04/1988.
"Techniques for Digital Filter Design and System Identification with Application to the Violin",
Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
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Winter Quarter 2023
101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations