Publications
FIR Digital Filter Design,
, Winter, 1992.
Signal Processing in Faust and Pd,
, nov, 2007.
"Introduction to Digital Filter Theory",
Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion",
Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation",
International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"Modeling Musical Transitions",
Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"Common Music: A Music Composition Language in Common Lisp and CLOS",
Computer Music Journal, vol. 15, issue 2, 07/1991.
"Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction",
Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
"Alias-suppressed oscillators based on differentiated polynomial waveforms",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
"Some Principles of Visual Design for Computer Music",
Leonardo Music Journal, vol. 26, 12/2016.
Abstract
"The Laptop Orchestra as Classroom",
Computer Music Journal, pp. 32(1):26-37, 2008.
Abstract
"Combining Analysis and Synthesis in the ChucK Programming Language",
International Computer Music Conference, Copenhagen, 2007.
Abstract
"Game Design for Expressive Mobile Music",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
Abstract
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
"World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music",
Journal of New Music Research, vol. 44, issue 2, 11/2014, 2015.
Abstract
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"The Mobile Phone Orchestra",
Oxford Handbook of Mobile Music Studies: Oxford University Press, 2010.
Abstract
The ChucK Audio Programming Language,
, vol. PhD: Princeton University, 2008.
Abstract
"On-the-fly Programming: Using Code as an Expressive Musical Instrument",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"ChucK: A Strongly-timed Computer Music Language",
Computer Music Journal, vol. 39, issue 4, 12/2015.
Abstract
"Stanford Laptop Orchestra (SLOrk)",
International Computer Music Conference, Montreal, 08/2009.
Abstract
"Designing Smule's iPhone Ocarina",
New Interfaces for Musical Expression, Pittsburgh, 2009.
Abstract
"Ocarina: Designing the iPhone's Magic Flute",
Computer Music Journal, vol. 38, issue 2, 05/2014.
Abstract
"A History of Programming and Music",
Cambridge Companion to Electronic Music: Cambridge University Press, 2008.
Abstract
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit",
17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
Abstract
"Generalizing Root Variable Choice in Wave Digital Filters with Grouped Nonlinearities",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"Resolving Wave Digital Filters with Multiple/Multiport Nonlinearities",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Modeling Circuits with Arbitrary Topologies and Active Linear Multiports using Wave Digital Filters",
IEEE Transactions on Circuits and Systems I: Regular Papers, 06/2018.
Abstract
"Bit Bending: an Introduction",
International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, 09/2013.
Abstract
"A General and Explicit Formulation for Wave Digital Filters with Multiple/Multiport Nonlinearities and Complicated Topologies",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, October/2015.
Abstract
"Wave Digital Filter Modeling of Circuits with Operational Amplifiers",
European Signal Processing Conference (EUSIPCO), Budapest, Hungary, 08/2016.
Abstract
"An Energetic Interpretation of Nonlinear Wave Digital Filter Lookup Table Error",
IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015.
Abstract
"The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model",
40th International Computer Music Conference (ICMC) / 11th Sound and Music Computing Conference (SMC), Athens, Greece, 09/2014.
Abstract
"Wave Digital Filter Adaptors for Arbitrary Topologies and Multiport Linear Elements",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"An Improved and Generalized Diode Clipper Model for Wave Digital Filters",
139th Convention of the Audio Engineering Society (AES), New York, New York, October/2015.
Abstract
"Modal Processor Effects Inspired by Hammond Tonewheel Organs",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"More Cowbell: a Physically-Informed, Circuit-Bendable, Digital Model of the TR-808 Cowbell",
137th International Audio Engineering Society (AES) Conference, Los Angeles, CA, 10/2014.
Abstract
"Virtual Analog Modeling of Audio Circuitry Using Wave Digital Filters",
CCRMA / Music, vol. Ph.D. in Computer-Based Music Theory and Acoustics, Stanford, Stanford University, pp. 261, 12/2016.
Abstract