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George, E. B., and M. J. T. Smith, "Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones", J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.

Germain, F. G., and G. J. Mysore, "Speaker and Noise Independent Online Single Channel Speech Enhancement", 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Brisbane, Australia, IEEE, 04/2015. Abstract

Germain, F. G., "Fixed-rate Modeling of Audio Lumped Systems: A Comparison Between Trapezoidal and Implicit Midpoint Methods", 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017. Abstract

Germain, F. G., and K. J. Werner, "Joint Parameter Optimization of Differentiated Discretization Schemes for Audio Circuits", 142nd International Convention of the Audio Engineering Society, Berlin, Germany, 05/2017. Abstract

Germain, F. G., J. S. Abel, P. Depalle, and M. M. Wanderley, "Uniform Noise Sequences for Nonlinear System Identification", 15th International Conference on Digital Audio Effects (DAFx-12), York, UK, 09/2012. Abstract

Germain, F. G., and K. J. Werner, "Optimizing Differentiated Discretization for Audio Circuits Beyond Driving Point Transfer Functions", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, 10/2017. Abstract

Germain, F. G., G. J. Mysore, and T. Fujioka, "Equalization matching of speech recordings in real-world environments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Shanghai, China, IEEE, 03/2016. Abstract

Germain, F. G., Q. Chen, and V. Koltun, "Speech Denoising with Deep Feature Losses", arXiv:1806.10522, 06/2018. Abstract

Germain, F. G., and K. J. Werner, "Design Principles for Lumped Model Discretisation Using Möbius Transforms", International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015. Abstract

Gillespie, B., "Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action", Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.

Gillespie, B., and S. O'Modhrain, The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio, , Stanford, California, Stanford University, 10/1995.

Gnegy, C., and K. J. Werner, "Digitizing the Ibanez Weeping Demon Wah Pedal", International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015. Abstract

Gordon, J. W., and J. O. Smith III, "A Sine Generation Algorithm for VLSI Applications", Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.

Gordon, J. W., "Perception of Attack Transients in Musical Tones", Department of Music, vol. Ph.D., no. STAN-M-17, Stanford, California, Stanford University, 1984.

Gordon, J. W., The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.

Gordon, J. W., and J. Strawn, "An Introduction to the Phase Vocoder", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.

Grey, J. M., "An Exploration of Musical Timbre", Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.

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