Publications
] Filters: Author is E. B. George [Clear All Filters]
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
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Fall Courses at CCRMA
Music 15N The Aesthetics of Data
Music 101 Introduction to Creating Electronic Sounds
Music 153A Network Performance Practice
Music 154A (ARTSTUDI 131) Sound Art I
Music 192A Foundations of Sound Recording Technology
Music 201 CCRMA Colloquium
Music 203 Audiovisual Performance
Music 220A Foundations of Computer-Generated Sound
Music 220D Research Topics in Computer Music
Music 251 Psychophysics and Music Cognition
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 285 Intermedia Lab
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320A Introduction to Audio Signal Processing Part I: Spectrum Analysis
Music 351A Research Seminar in Music Perception and Cognition I
Music 451A Auditory EEG Research I
Music 101 Introduction to Creating Electronic Sounds
Music 153A Network Performance Practice
Music 154A (ARTSTUDI 131) Sound Art I
Music 192A Foundations of Sound Recording Technology
Music 201 CCRMA Colloquium
Music 203 Audiovisual Performance
Music 220A Foundations of Computer-Generated Sound
Music 220D Research Topics in Computer Music
Music 251 Psychophysics and Music Cognition
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 285 Intermedia Lab
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320A Introduction to Audio Signal Processing Part I: Spectrum Analysis
Music 351A Research Seminar in Music Perception and Cognition I
Music 451A Auditory EEG Research I
