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"JackTrip/SoundWIRE Meets Server Farm", Computer Music Journal, vol. 34, no. 3, 2010.
"The JRing System for Computer-Assisted Musicological Analysis", 2nd Annual International Symposium on Music Information Retrieval, pp. 93-98, 2001.
"The Laptop Orchestra as Classroom", Computer Music Journal, pp. 32(1):26-37, 2008.
Learning About Harmony with Harmony Space: an Overview, , Stanford, CA, CCRMA, 09/1994.
"Learnng Sparse Feature Representations For Music Annotation And Retrieval", 13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012.
"LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
"Linux Audio Conference 2012 Proceedings", Linux Audio Conference 2012, 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"Loudness-Based Display and Analysis Applied to Artificial Reverberation", Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
"Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance", Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008.
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance", International Computer Music Conference, Copenhagen, Denmark, 2007.
"A Method for Estimating Interaural Time Difference for Binaural Synthesis", the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
"Methods For Extending Room Impulse Responses Beyond Their Noise Floor", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
"Methods for Simulating String Collisions with Rigid Spatial Objects", Proc. IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, New Paltz, NY, New York, IEEE Press, oct, 2003.
"The Mobile Phone Orchestra", Oxford Handbook of Mobile Music Studies: Oxford University Press, 2010.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh", Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"Modeling Music Notation: A Three-Dimensional Approach", Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
"Modeling Musical Transitions", Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
MoMu: A Mobile Music Toolkit, , Sydney, Australia, 06/2010.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio, , Stanford, California, Stanford University, 10/1995.
"MPEG Audio Compression Basics", The MPEG Representation of Digital Media: Springer, 2012.
Music Applications of Digital Waveguides, : Stanford University, 1987.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.
"Musical Influence Network Analysis and Rank of Sampled-Based Music", 12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
"Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008.
"A New Approach to Digital Reverberation Using Closed Waveguide Networks", International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
"Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices", Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
"A Non-negative Framework for Joint Modeling of Spectral Structure and Temporal Dynamics in Sound Mixtures", Music, vol. PhD: Stanford University, 06/2010.
"Non-negative Hidden Markov Modeling of Audio with Application to Source Separation", International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010.
"NUTATION: Structural Organization Versus Graphical Generality in a Common Music", International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control, , vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
"On Estimating Room Impulse Responses From Recorded Balloon Pops", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters, , Stanford, CA, Stanford University, CCRMA, 11/1994.
"On Finding Rythmic Patterns in Musical Lines", ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis", Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
"On the Minimum-phase Nature of Head-Related Transfer Functions", the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
"Openmixer: a routing mixer for multichannel studios", Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals", Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.