Filters: First Letter Of Title is O [Clear All Filters]
"Optimizing Differentiated Discretization for Audio Circuits Beyond Driving Point Transfer Functions",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, 10/2017.
Abstract
"On-the-fly Programming: Using Code as an Expressive Musical Instrument",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"Ocarina: Designing the iPhone's Magic Flute",
Computer Music Journal, vol. 38, issue 2, 05/2014.
Abstract
"Openmixer: a routing mixer for multichannel studios",
Linux Audio Conference 2010, Utrech, The Netherlands, 5/2010.
Abstract
"On Estimating Room Impulse Responses From Recorded Balloon Pops",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
Abstract
"On the Minimum-phase Nature of Head-Related Transfer Functions",
the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
Abstract
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals",
Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control,
, vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work),
, Stanford, CA, Stanford University, CCRMA, 03/1988.
"On Finding Rythmic Patterns in Musical Lines",
ICMC '85, no. STAN-M-30: CCRMA, 07/1985.
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis",
Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
On the Loudness of Complex, Time-Variant Tones,
, Stanford, CA, Stanford University, CCRMA, 1975.
"On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer",
Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
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Winter Quarter 2023
101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations