Center for Computer Research in Music and Acoustics
CCRMA Summer Workshops
Summer 2024 Workshops: CCRMA Summer Workshops Announced! There are a wide variety of offerings, some in person, some on line, and some hybrid. Have a look! More will be announced as they're organized, so check back with us frequently!
[Check out the schedule] [Register for workshops]
There will be opportunities for financial assistance for some workshops - check specific pages for more details.
Upcoming Events
Purnima Kamath on Generative Models for Sound Design
Jin Woo Lee on "Differentiable Physical Modeling for Sound Synthesis: From Design to Inverse Problems"
Abstract:
Recent Events
Lobe Concert: Goodbye Sam & Nolan!
Lobe is Ethan Buck, Sam Silverstein, Nolan Miranda, Daiki Nakajima, Michael Hayes, and Mark Rau in spirit
Tech: Sami Wurm
FREE and Open to the Public | In Person + Livestream
Demo of Personalized 3d Sound System
Leslie Famularo on Differentiating and Optimizing an Auditory Model
New software paradigms such as JAX and PyTorch allow one to specify arbitrary computations in a way that can be differentiated. And if we can differentiate a function we can optimize it. Hurray. How can we express an auditory model in a differentiable fashion?
4D Audio-Visual Learning: A Visual Perspective of Sound Propagation and Production
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Past Live Streamed Events
Recent News
Emerging Talents: Michael Wilson, Keyboard Magazine
Emerging Talents: Michael Wilson
August 29th, 2012, Gina Collecchia, Keyboard Magazine
What’s on in the mind of someone with years of experience on the keyboard and a computer science degree from CalTech under his belt? Musical software, of course! We had the opportunity to sit down with Michael Wilson, a graduate student at Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA) and learn about his creative process...
Mansion of Music, The Stanford Daily
Mansion of Music
May 1st, 2012, Raymond Luong, The Stanford Daily
It has been described by Stanford students as everything from a Spanish mansion to a Gothic fortress and even a haunted castle, but these misconceptions strike far from the truth. Perched on top of a hill behind Florence Moore Hall, this mysterious Stanford landmark is none other than the Knoll, currently home to Stanford’s Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”).