Publications
]
"CCRMA Studio Report",
International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.
"CCRMA Studio Report for ICMC 2009",
International Computer Music Conference, 2009.
Abstract
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit",
17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
Abstract
"Resolving Wave Digital Filters with Multiple/Multiport Nonlinearities",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Generalizing Root Variable Choice in Wave Digital Filters with Grouped Nonlinearities",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"Modeling Circuits with Arbitrary Topologies and Active Linear Multiports using Wave Digital Filters",
IEEE Transactions on Circuits and Systems I: Regular Papers, 06/2018.
Abstract
"A General and Explicit Formulation for Wave Digital Filters with Multiple/Multiport Nonlinearities and Complicated Topologies",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, October/2015.
Abstract
"Bit Bending: an Introduction",
International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, 09/2013.
Abstract
"An Energetic Interpretation of Nonlinear Wave Digital Filter Lookup Table Error",
IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015.
Abstract
"Wave Digital Filter Modeling of Circuits with Operational Amplifiers",
European Signal Processing Conference (EUSIPCO), Budapest, Hungary, 08/2016.
Abstract
"The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model",
40th International Computer Music Conference (ICMC) / 11th Sound and Music Computing Conference (SMC), Athens, Greece, 09/2014.
Abstract
"Wave Digital Filter Adaptors for Arbitrary Topologies and Multiport Linear Elements",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"An Improved and Generalized Diode Clipper Model for Wave Digital Filters",
139th Convention of the Audio Engineering Society (AES), New York, New York, October/2015.
Abstract
"Modal Processor Effects Inspired by Hammond Tonewheel Organs",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"More Cowbell: a Physically-Informed, Circuit-Bendable, Digital Model of the TR-808 Cowbell",
137th International Audio Engineering Society (AES) Conference, Los Angeles, CA, 10/2014.
Abstract
"The Roland TR-808 and the Tale of the Marching Anteaters",
Sounding Board: Ethnomusicology Review, 2015.
Abstract
"Virtual Analog Modeling of Audio Circuitry Using Wave Digital Filters",
CCRMA / Music, vol. Ph.D. in Computer-Based Music Theory and Acoustics, Stanford, Stanford University, pp. 261, 12/2016.
Abstract
"The XQIFFT: Increasing the Accuracy of Quadratic Interpolation of Spectral Peaks via Exponential Magnitude Spectrum Weighting",
International Computer Music Conference (ICMC), Denton, Texas, September/2015.
Abstract
"Sinusoidal Parameter Estimation Using Quadratic Interpolation Around Power-Scaled Magnitude Spectrum Peaks",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"Modeling the Hammond Organ Vibrato/Chorus with Wave Digital Filters",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Some Principles of Visual Design for Computer Music",
Leonardo Music Journal, vol. 26, 12/2016.
Abstract
"The Laptop Orchestra as Classroom",
Computer Music Journal, pp. 32(1):26-37, 2008.
Abstract
"Combining Analysis and Synthesis in the ChucK Programming Language",
International Computer Music Conference, Copenhagen, 2007.
Abstract
"Game Design for Expressive Mobile Music",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
Abstract
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
"World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music",
Journal of New Music Research, vol. 44, issue 2, 11/2014, 2015.
Abstract
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"The Mobile Phone Orchestra",
Oxford Handbook of Mobile Music Studies: Oxford University Press, 2010.
Abstract
The ChucK Audio Programming Language,
, vol. PhD: Princeton University, 2008.
Abstract
"On-the-fly Programming: Using Code as an Expressive Musical Instrument",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"ChucK: A Strongly-timed Computer Music Language",
Computer Music Journal, vol. 39, issue 4, 12/2015.
Abstract
"Stanford Laptop Orchestra (SLOrk)",
International Computer Music Conference, Montreal, 08/2009.
Abstract
"Designing Smule's iPhone Ocarina",
New Interfaces for Musical Expression, Pittsburgh, 2009.
Abstract
"A History of Programming and Music",
Cambridge Companion to Electronic Music: Cambridge University Press, 2008.
Abstract
"Ocarina: Designing the iPhone's Magic Flute",
Computer Music Journal, vol. 38, issue 2, 05/2014.
Abstract
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
"Alias-suppressed oscillators based on differentiated polynomial waveforms",
IEEE Transactions on Audio, Speech and Language Processing, vol. 18, issue 4, 05/2010.
Abstract
"Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction",
Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
"Common Music: A Music Composition Language in Common Lisp and CLOS",
Computer Music Journal, vol. 15, issue 2, 07/1991.
"Modeling Musical Transitions",
Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
