"Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display",
International Society for Music Information Retrieval Conference, Curitiba, 11/2013.
Abstract
"Interactive Sound Source Separation",
Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
Abstract
"ISSE: An Interactive Source Separation Editor",
CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
Abstract
"Ocarina: Designing the iPhone's Magic Flute",
Computer Music Journal, vol. 38, issue 2, 05/2014.
Abstract
"A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum Circuit",
17th International Conference on Digital Audio Effects (DAFx-14), Erlangen, Germany, 09/2014.
Abstract
"The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model",
40th International Computer Music Conference (ICMC) / 11th Sound and Music Computing Conference (SMC), Athens, Greece, 09/2014.
Abstract
"More Cowbell: a Physically-Informed, Circuit-Bendable, Digital Model of the TR-808 Cowbell",
137th International Audio Engineering Society (AES) Conference, Los Angeles, CA, 10/2014.
Abstract
"The Roland TR-808 and the Tale of the Marching Anteaters",
Sounding Board: Ethnomusicology Review, 2015.
Abstract
"Speaker and Noise Independent Online Single Channel Speech Enhancement",
2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Brisbane, Australia, IEEE, 04/2015.
Abstract
"World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music",
Journal of New Music Research, vol. 44, issue 2, 11/2014, 2015.
Abstract
"ChucK: A Strongly-timed Computer Music Language",
Computer Music Journal, vol. 39, issue 4, 12/2015.
Abstract
"Modeling a Class of Multi-Port NonLinearities in Wave Digital Structures",
European Signal Processing Conference (EUSIPCO), Nice, France, August/2015.
Abstract
"An Energetic Interpretation of Nonlinear Wave Digital Filter Lookup Table Error",
IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015.
Abstract
"Multi-Port NonLinearities in Wave Digital Structures",
IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015.
Abstract
"Design Principles for Lumped Model Discretisation Using Möbius Transforms",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Digitizing the Ibanez Weeping Demon Wah Pedal",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Distortion and Pitch Processing Using a Modal Reverberator Architecture",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Resolving Wave Digital Filters with Multiple/Multiport Nonlinearities",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"Wave Digital Filter Adaptors for Arbitrary Topologies and Multiport Linear Elements",
International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, November/2015.
Abstract
"A General and Explicit Formulation for Wave Digital Filters with Multiple/Multiport Nonlinearities and Complicated Topologies",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, October/2015.
Abstract
"An Improved and Generalized Diode Clipper Model for Wave Digital Filters",
139th Convention of the Audio Engineering Society (AES), New York, New York, October/2015.
Abstract
"The XQIFFT: Increasing the Accuracy of Quadratic Interpolation of Spectral Peaks via Exponential Magnitude Spectrum Weighting",
International Computer Music Conference (ICMC), Denton, Texas, September/2015.
Abstract
"Modal Processor Effects Inspired by Hammond Tonewheel Organs",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"Sinusoidal Parameter Estimation Using Quadratic Interpolation Around Power-Scaled Magnitude Spectrum Peaks",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"Equalization matching of speech recordings in real-world environments",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Shanghai, China, IEEE, 03/2016.
Abstract
"Game Design for Expressive Mobile Music",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
Abstract
"The Laptop Accordion",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
Abstract
"Modeling Nonlinear Wave Digital Elements using the Lambert Function",
IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 63, issue 8, 08/2016.
Abstract
"Wave Digital Filter Modeling of Circuits with Operational Amplifiers",
European Signal Processing Conference (EUSIPCO), Budapest, Hungary, 08/2016.
Abstract
"The Fender Bassman 5F6-A Family of Preamplifier Circuits—A Wave Digital Filter Case Study",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Modeling the Hammond Organ Vibrato/Chorus with Wave Digital Filters",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Resolving Grouped Nonlinearities in Wave Digital Filters using Iterative Techniques",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"RTWDF—A modular wave digital filter library with support for arbitrary topologies and multiple nonlinearities",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Some Principles of Visual Design for Computer Music",
Leonardo Music Journal, vol. 26, 12/2016.
Abstract
"Virtual Analog Modeling of Audio Circuitry Using Wave Digital Filters",
CCRMA / Music, vol. Ph.D. in Computer-Based Music Theory and Acoustics, Stanford, Stanford University, pp. 261, 12/2016.
Abstract
"Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"Live Auralization of Cappella Romana at the Bing Concert Hall, Stanford University",
Aural Architecture in Byzantium: Music, Acoustics, and Ritual: Routledge, 2017.
Abstract
"On-the-fly Programming: Using Code as an Expressive Musical Instrument",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
Abstract
"Modal Analysis and Synthesis of the University of Michigan Lurie Carillon",
Resonance and Remembrance: An Interdisciplinary Bell Studies Symposium, University of Michigan, Ann Arbor, MI, 03/2017.
Abstract
"Joint Parameter Optimization of Differentiated Discretization Schemes for Audio Circuits",
142nd International Convention of the Audio Engineering Society, Berlin, Germany, 05/2017.
Abstract
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