Publications
]
"Combining Analysis and Synthesis in the ChucK Programming Language",
International Computer Music Conference, Copenhagen, 2007.
Abstract
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
Abstract
"ChucK: A Strongly-timed Computer Music Language",
Computer Music Journal, vol. 39, issue 4, 12/2015.
Abstract
The ChucK Audio Programming Language,
, vol. PhD: Princeton University, 2008.
Abstract
"Characterization of Aperiodicity in Nearly Periodic Signals",
International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
"CCRMA Studio Report for ICMC 2009",
International Computer Music Conference, 2009.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
"CCRMA Studio Report",
International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
"CCRMA Studio Report",
International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
"CCRMA Studio Report",
International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.
"CCRMA Studio Report",
International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.
"CCRMA Studio Report",
International Computer Music Conference, Copenhagen, Denmark, International Computer Music Association, 2007.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
CCRMA Overview, July 2001,
, Stanford, CA, Stanford University, CCRMA, 07/2001.
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
CCRMA Overview, April 2002,
, Stanford, CA, Stanford University, CCRMA, 04/2002.
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
CCRMA Overview April 2003,
, Stanford, CA, CCRMA, 04/2003.
"CCARH's Musical Databases on the Web: A Gold Mine for Musicologists",
Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998.
Abstract
"Building Interactive Networked Musical Environments Using q3osc",
AES 35th International Conference: Audio for Games, London, UK, 2009.
Abstract
Bowed String Synthesis and Its Control From a Physical Model,
, no. STAN-M-32, replaced by STAN-M-48: Stanford University Department of Music, 07/1985.
The Bounded-Q approach to time-varying spectral analysis,
, Stanford, CA, Stanford University, CCRMA, 1986.
"Bit Bending: an Introduction",
International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, 09/2013.
Abstract
"Back To The Sea: A Software Realization of Dexter Morrill's "Sea Songs"",
International Computer Music Conference, Copenhagen, Denmark, 08/30/2007, 2009.
Abstract
Automatic Species Counterpoint,
, Stanford, CA, CCRMA, 05/1984.
Auditory Distance Perception Under Natural Sounding Conditions, Final Report,
, no. STAN-M-12: Stanford University Department of Music, 1982.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
"Audio FFT Filter Banks",
Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
The Aquisition of Musical Percepts with a New Scale,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
"Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure",
Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010.
Abstract
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology",
Journal of New Music Research, vol. 39, issue 1, 05/2010.
