Publications
]
"Doppler Simulation and the Leslie",
Proc. COST-G6 Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, vol. 20, no. 2, New York, CCRMA, Stanford University, pp. 13–20, September 26, 2002.
"The Planet CCRMA software collection",
International Computer Music Conference, Göteborg, Sweden, International Computer Music Association, 2002.
Abstract
"Toward a High-Quailty Singing Synthesizer with Vocal Texture Control",
Electrical Engineering, vol. Ph.D., no. STAN-M-111, Stanford, CA, Stanford University, 07/2002.
CCRMA Overview, April 2002,
, Stanford, CA, Stanford University, CCRMA, 04/2002.
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion",
IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
"CCRMA Studio Report",
International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.
CCRMA Overview, July 2001,
, Stanford, CA, Stanford University, CCRMA, 07/2001.
"Wave and Scattering Methods for the Numerical Integration of Partial Differential Equation",
Electrical Engineering, vol. Ph.D., no. STAN-M-108, Stanford, California, Department of Electrical Engineering, Stanford University, 05/2001.
" A Flexible Slide-In System for Computer-Assisted Musicological Analysis",
5th World Multiconference on Systemics, Cybernetics and Informatics, vol. 10, pp. 51-56, 2001.
Abstract
"The JRing System for Computer-Assisted Musicological Analysis",
2nd Annual International Symposium on Music Information Retrieval, pp. 93-98, 2001.
Abstract
"A Waveguide Mesh Model of High-Frequency Violin Body Resonances",
Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh",
Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"CCRMA Studio Report",
International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
"CCRMA Studio Report",
International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
"CCARH's Musical Databases on the Web: A Gold Mine for Musicologists",
Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998.
Abstract
"Themefinder: A Web-based Melodic Search Tool",
Computing in Musicology , vol. 11, pp. 231-236, 1998.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
"PadMaster: banging on algorithms with alternative controllers",
International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
"Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action",
Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis",
Computing in Musicology, vol. 10, pp. 122, 1996.
Abstract
"PadMaster: an improvisation environment for real time performance",
International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
"Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach",
Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
"Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction",
Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio,
, Stanford, California, Stanford University, 10/1995.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
Distance of Sound in Reverberant Fields,
, vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
"Proceedings of the 15th International Congress on Acoustics",
International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
Learning About Harmony with Harmony Space: an Overview,
, Stanford, CA, CCRMA, 09/1994.
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
