Publications
]
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
A Generalized Approach to Automatic Recognition of Music Scores,
, no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
"Compositional Tools for Adding Expression to Music",
International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
"DMIX- A Multi Faceted Environment for Composing and Performing Computer Music: Its Design, Philosophy, and Implementation",
Fourth Biennial Arts and Technology Symposium, Stanford, CA, CCRMA, 10/1993.
"Slappability: A New Metaphor for Human Computer Interaction",
World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA),
, Stanford, CA, Stanford University, CCRMA, 10/1993.
FIR Digital Filter Design,
, Winter, 1992.
"Physical Modeling Using Digital Waveguides",
Computer Music Journal, vol. 16, issue 4, 12/1992.
Absolute Memory for Musical Pitch: More Than The Melody Lingers On,
, Stanford, CA, Stanford University, CCRMA, 06/1992.
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"Event Formation and Separation in Musical Sound",
Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
Temporal Constraints on Apparent Motion in Auditory Space,
, Stanford, CA, Stanford University, CCRMA, 11/1991.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
"Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices",
Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.
"Common Music: A Music Composition Language in Common Lisp and CLOS",
Computer Music Journal, vol. 15, issue 2, 07/1991.
"Digital Waveguide Modeling and Simulation of Reed Woodwind Instruments",
Electrical Engineering, vol. Ph.D., no. STAN-M-72, Stanford, CA, Stanford University, 07/1991.
Recognition of Complex Auditory-Spatial Patterns,
, Stanford, CA, Stanford University, CCRMA, 06/1991.
"LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument",
International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
An Object-Oriented Real-Time Simulation of Music Performance Using Interactive Control,
, vol. Ph.D., no. STAN-M-78: California Institute of Technology, 1991.
"Psychoacoustics Factors in Musical Intonation: Beats, Interval Tuning, and Inharmonicity",
Department of Music, vol. Ph.D., no. STAN-M-70, Stanford, CA, Stanford University, 1991.
"Restoring a Clipped Signal",
Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.
Pulsed Noise and Microtransients in Physical Models of Musical Instruments,
, no. STAN-M-65: Stanford University Department of Music, sep, 1990.
"Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion",
Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing",
Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
"Modeling Music Notation: A Three-Dimensional Approach",
Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
A Real-Time System for Spatial Distribution of Sound,
, no. STAN-M-66: Stanford University Department of Music, 08/1990.
"Pulsed Noise in Self-Sustained Oscillations of Musical Instruments",
Proceddings of the International Conference on Acoustics, Speech, and Signal Processing, Albuquerque, no. STAN-M-61, New York, IEEE Press, 01/1990.
"Characterization of Aperiodicity in Nearly Periodic Signals",
International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti,
, no. STAN-M-64: Stanford University Department of Music, 1990.
"NUTATION: Structural Organization Versus Graphical Generality in a Common Music",
International Computer Music Conference, no. STAN-M-59, Columbus, Ohio, USA, 09/1989.
"DMIX: An Environment for Composition",
International Computer Music Conference, Columbus, Ohio, USA, CCRMA, 05/1989.
"Simulating Performance on a Bowed Instrument",
Current Directions in Computer Music: MIT Press, 05/1988, 1989.
"Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work",
International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
"Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract",
International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.
"A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition",
Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
The Conductor Program and Mechanical Baton,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
Designing Digital Instruments with Hierarchical Waveguide Networks,
, Stanford, California, Stanford University, 05/1988.
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
