Publications
]
"Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters",
IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
"Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach",
Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
"An Energetic Interpretation of Nonlinear Wave Digital Filter Lookup Table Error",
IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015.
Abstract
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
EURASIP Journal on Applied Signal Processing, vol. 4, 2004.
"Ensemble Timing in Computer Music",
International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
"Event Formation and Separation in Musical Sound",
Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
"Evolving The Mobile Phone Orchestra",
International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
Abstract
"An Exploration of Musical Timbre",
Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
"Feedback Control of Acoustic Musical Instruments",
STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
"Feedback control of acoustic musical instruments: Collocated control using physical analogs",
The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012.
Abstract
"The Fender Bassman 5F6-A Family of Preamplifier Circuits—A Wave Digital Filter Case Study",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion",
IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
FIR Digital Filter Design,
, Winter, 1992.
"For Jean-Claude: [re]Presenting Duet for One Pianist",
International Computer Music Conference, Montreal, Canada, 08/2009.
Abstract
"From Jack to UDP packets to sound, and back",
Linux Audio Conference 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"A General and Explicit Formulation for Wave Digital Filters with Multiple/Multiport Nonlinearities and Complicated Topologies",
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, October/2015.
Abstract
A Generalized Approach to Automatic Recognition of Music Scores,
, no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
"Generalizing Root Variable Choice in Wave Digital Filters with Grouped Nonlinearities",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"Grain Proc: a Real-Time Granular Synthesis Interface for Live Performance",
NIME, Daejeon, Korea, 05/2013.
Abstract
"The GRIP MAESTRO: Balancing Large- and Small-scale Aspects of Emotive Gestural Control for Live Electroacoustic Musical Performance",
Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2010.
Abstract
"Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action",
Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
"Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work",
International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
High Level Factors and the Musical Saliency of Auditory Phenomena,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
History and Principles of Microtonal Keyboard Design,
, Stanford, CA, Stanford University, CCRMA, 04/1988.
"A History of Programming and Music",
Cambridge Companion to Electronic Music: Cambridge University Press, 2008.
Abstract
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing",
Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters,
, no. STAN-M-50: Stanford University Department of Music, 05/1988.
"An Improved and Generalized Diode Clipper Model for Wave Digital Filters",
139th Convention of the Audio Engineering Society (AES), New York, New York, October/2015.
Abstract
Impulse Response Measurement Toolbox,
, 2008.
"Impulse Response Measurements in the Presence of Clock Drift",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"Inducing Unusual Dynamics in Acoustic Musical Instruments",
Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra",
Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
The Influence of Nonharmonic Partials on Tone Perception,
, vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers",
IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
Abstract
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report,
, no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Intelligent Analysis of Composite Acoustic Signals, Final Report,
, Stanford, California, Stanford University Department of Music, 05/1986.
