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E
Smith III, J. O., "Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion", Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
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Berdahl, E., D. Harris, G. Niemeyer, and J. O. Smith III, "An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes", NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010. Abstract
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Borish, J., "Electronic Simulation of Auditorium Acoustics", Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
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Smith III, J. O., "Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters", IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
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Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
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Werner, K. J., and J. O. Smith III, "An Energetic Interpretation of Nonlinear Wave Digital Filter Lookup Table Error", IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015. Abstract
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Bilbao, S., and J. O. Smith III, "Energy-conserving Finite Difference Schemes for Nonlinear Strings", Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.
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Bilbao, S., and J. O. Smith III, "Energy-conserving Finite Difference Schemes for Nonlinear Strings", EURASIP Journal on Applied Signal Processing, vol. 4, 2004.
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Jaffe, D. A., "Ensemble Timing in Computer Music", International Computer Music Conference, no. STAN-M-23, Eastman School of Music, Rochester, N.Y., 1983.
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Serra, X., An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds, , Stanford, CA, Stanford University, CCRMA, 05/1988.
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Germain, F. G., G. J. Mysore, and T. Fujioka, "Equalization matching of speech recordings in real-world environments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Shanghai, China, IEEE, 03/2016. Abstract
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Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
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Oh, J., J. Herrera, N. Bryan, and G. Wang, "Evolving The Mobile Phone Orchestra", International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010. Abstract
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Grey, J. M., "An Exploration of Musical Timbre", Department of Psychology, vol. Ph.D., no. STAN-M-2, Stanford, California, Stanford University, 1975.
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F
Berdahl, E., G. Niemeyer, and J. O. Smith III, "Feedback Control of Acoustic Musical Instruments", STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
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Berdahl, E., J. O. Smith III, and G. Niemeyer, "Feedback control of acoustic musical instruments: Collocated control using physical analogs", The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012. Abstract
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Dunkel, R. W., M. Rest, K. J. Werner, M. J. Olsen, and J. O. Smith III, "The Fender Bassman 5F6-A Family of Preamplifier Circuits—A Wave Digital Filter Case Study", International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016. Abstract
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Bilbao, S., and J. O. Smith III, "Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion", IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
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Smith III, J. O., FIR Digital Filter Design, , Winter, 1992.
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Germain, F. G., "Fixed-rate Modeling of Audio Lumped Systems: A Comparison Between Trapezoidal and Implicit Midpoint Methods", 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017. Abstract
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Hamilton, R., and C. Nanou, "For Jean-Claude: [re]Presenting Duet for One Pianist", International Computer Music Conference, Montreal, Canada, 08/2009. Abstract
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Lopez-Lezcano, F., "From Jack to UDP packets to sound, and back", Linux Audio Conference 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
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G
Wang, G., "Game Design for Expressive Mobile Music", New Interfaces for Musical Expression, Brisbane, Australia, 07/2016. Abstract
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Werner, K. J., V. Nangia, J. O. Smith III, and J. S. Abel, "A General and Explicit Formulation for Wave Digital Filters with Multiple/Multiport Nonlinearities and Complicated Topologies", IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New Paltz, New York, October/2015. Abstract
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Carter, N., A Generalized Approach to Automatic Recognition of Music Scores, , no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
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Bernardini, A., K. J. Werner, J. O. Smith III, and A. Sarti, "Generalized Wave Digital Filter Realizations of Arbitrary Reciprocal Connection Networks", IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 66, issue 2, pp. 694–707, 09/2018, 2019. Abstract
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Werner, K. J., M. J. Olsen, M. Rest, and J. D. Parker, "Generalizing Root Variable Choice in Wave Digital Filters with Grouped Nonlinearities", 20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017. Abstract
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Sanganeria, M., and K. J. Werner, "Grain Proc: a Real-Time Granular Synthesis Interface for Live Performance", NIME, Daejeon, Korea, 05/2013. Abstract
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Berger, M., "The GRIP MAESTRO: Balancing Large- and Small-scale Aspects of Emotive Gestural Control for Live Electroacoustic Musical Performance", Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2010. Abstract
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H
Gillespie, B., "Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action", Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
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Cook, P., "Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.
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Pierce, J. R., and E. D. Schubert, High Level Factors and the Musical Saliency of Auditory Phenomena, , Stanford, CA, Stanford University, CCRMA, 07/1987.
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Keisler, D., History and Principles of Microtonal Keyboard Design, , Stanford, CA, Stanford University, CCRMA, 04/1988.
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Wang, G., "A History of Programming and Music", Cambridge Companion to Electronic Music: Cambridge University Press, 2008. Abstract
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I
Cook, P., "Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
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Igoudin, A., "Impact of MIDI on Electroacoustic Art Music", Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
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Cook, P., Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.
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Werner, K. J., V. Nangia, A. Bernardini, J. O. Smith III, and A. Sarti, "An Improved and Generalized Diode Clipper Model for Wave Digital Filters", 139th Convention of the Audio Engineering Society (AES), New York, New York, October/2015. Abstract
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Berdahl, E., and J. O. Smith III, Impulse Response Measurement Toolbox, , 2008.
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Bryan, N., M. Kolar, and J. S. Abel, "Impulse Response Measurements in the Presence of Clock Drift", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010. Abstract
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Fall Courses at CCRMA

Music 101 Introduction to Creating Electronic Sounds
Music 192A Foundations in Sound Recording Technology
Music 201 CCRMA Colloquium
Music 220A Foundations of Computer-Generated Sound
Music 223A Composing Electronic Sound Poetry
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320 Introduction to Audio Signal Processing
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Music 423 Graduate Research in Music Technology
Music 451A Auditory EEG Research I

 

 

 

   

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