Publications

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Schottstaedt, B., PLA - A Tutorial and Reference Manual, , Stanford, CA, Stanford University, CCRMA, 12/1984.
Schloss, W. A., "On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis", Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
Scavone, G. P., CCRMA Overview, February 1999, , Stanford, CA, Stanford University, CCRMA, 02/1999.
Scavone, G. P., CCRMA Publications, 1970-1995, , Stanford, CA, Stanford University, CCRMA, 01/1996.
Scavone, G. P., CCRMA Overview, April 2002, , Stanford, CA, Stanford University, CCRMA, 04/2002.
Scavone, G. P., "An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
Scavone, G. P., CCRMA Overview, January 1998, , Stanford, CA, Stanford University, 01/1998.
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Quirino, T., M. Kubat, and N. Bryan, "Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers", IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010. Abstract
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Oppenheim, D. V., "Compositional Tools for Adding Expression to Music", International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
Oppenheim, D. V., "DMIX: An Environment for Composition", International Computer Music Conference, Columbus, Ohio, USA, CCRMA, 05/1989.
Oppenheim, D. V., "Slappability: A New Metaphor for Human Computer Interaction", World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
Oh, J., J. Herrera, N. Bryan, and G. Wang, "Evolving The Mobile Phone Orchestra", International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010. Abstract
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Nichols, C., CCRMA Overview, July 2001, , Stanford, CA, Stanford University, CCRMA, 07/2001.
Nam, J., J. S. Abel, and J. O. Smith III, "A Method for Estimating Interaural Time Difference for Binaural Synthesis", the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008. Abstract
Nam, J., J. Herrera, M. Slaney, and J. Smith, "Learnng Sparse Feature Representations For Music Annotation And Retrieval", 13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012. Abstract
Nam, J., M. Kolar, and J. S. Abel, "On the Minimum-phase Nature of Head-Related Transfer Functions", the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008. Abstract
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Mysore, G. J., P. Smaragdis, and B. Raj, "Non-negative Hidden Markov Modeling of Audio with Application to Source Separation", International Conference on Latent Variable Analysis and Signal Separation (LVA / ICA), St. Malo, France, 09/2010. Abstract
Mysore, G. J., and P. Smaragdis, "Relative Pitch Estimation of Multiple Instruments", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), 2009. Abstract
Moreno, E., "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach", Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
Moorer, J. A., "On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer", Department of Computer Science, vol. Ph.D., no. STAN-M-3, Stanford, CA, Stanford University, 1975.
Moorer, J. A., On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
Moorer, J. A., "The Synthesis of Complex Audio Spectra by Means of Discrete Summation Formulae", Journal of the Audio Engineering Society, vol. 24, no. STAN-M-5, 1976.
Moore, F. R., "Real Time Interactive Computer Music Synthesis", Electrical Engineering, vol. Ph.D., Stanford, CA, Stanford University, 1977.
Misra, A., G. Wang, and P. Cook, "Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008. Abstract
Mellinger, D. K., "Event Formation and Separation in Musical Sound", Department of Computer Science, vol. Ph.D., no. STAN-M-77, Stanford, CA, Stanford University, 12/1991.
McAdams, S., "Spectral Fusion, Spectral Parsing and the Formation of Auditory Images", Department of Hearing and Speech, vol. Ph.D., Stanford, California, Stanford University, 05/1984.
Mathews, M V., and J. R. Pierce, "The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.