Filters: First Letter Of Title is L [Clear All Filters]
"Loudness-Based Display and Analysis Applied to Artificial Reverberation",
Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
"Live Auralization of Cappella Romana at the Bing Concert Hall, Stanford University",
Aural Architecture in Byzantium: Music, Acoustics, and Ritual: Routledge, 2017.
Abstract
"Linux Audio Conference 2012 Proceedings",
Linux Audio Conference 2012, 2012, CCRMA, Stanford University, CCRMA, Stanford University, 04/2012.
"LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument",
International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.
"Learnng Sparse Feature Representations For Music Annotation And Retrieval",
13th International Society for Music Information Retrieval Conference, Porto, Portugal, 10/2012.
Abstract
Learning About Harmony with Harmony Space: an Overview,
, Stanford, CA, CCRMA, 09/1994.
"The Laptop Orchestra as Classroom",
Computer Music Journal, pp. 32(1):26-37, 2008.
Abstract
"The Laptop Accordion",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
Abstract
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Winter Quarter 2024
101 Introduction to Creating Electronic Sound
106 Concert Production
153D Ensemble Sonification of Temporal Data
220B Compositional Algorithms, Psychoacoustics, and Computational Music
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223Q Queer Electronic Music Composition
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
319 Research Seminar on Computational Models of Sound
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations