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Wright, M., J. Berger, C. Burns, F. Lopez-Lezcano, and J. O. Smith III, "CCRMA Studio Report", International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.

Wilkerson, C., "CCRMA Studio Report for ICMC 2009", International Computer Music Conference, 2009. Abstract

Wang, G., R. Fiebrink, and P. Cook, "Combining Analysis and Synthesis in the ChucK Programming Language", International Computer Music Conference, Copenhagen, 2007. Abstract

Wang, G., The ChucK Audio Programming Language, , vol. PhD: Princeton University, 2008. Abstract

Wang, G., P. R. Cook, and S. Salazar, "ChucK: A Strongly-timed Computer Music Language", Computer Music Journal, vol. 39, issue 4, 12/2015. Abstract

Taube, H., "Common Music: A Music Composition Language in Common Lisp and CLOS", Computer Music Journal, vol. 15, issue 2, 07/1991.

Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.

Smallwood, S., D. Trueman, P. Cook, and G. Wang, "Composing for Laptop Orchestra", Computer Music Journal, pp. 32(1):9-25, 2008. Abstract

Schumacher, R. T., and C. Chafe, "Characterization of Aperiodicity in Nearly Periodic Signals", International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.

Scavone, G. P., CCRMA Overview April 2003, , Stanford, CA, CCRMA, 04/2003.

Scavone, G. P., CCRMA Overview, January 1998, , Stanford, CA, Stanford University, 01/1998.

Scavone, G. P., CCRMA Overview, February 1999, , Stanford, CA, Stanford University, CCRMA, 02/1999.

Scavone, G. P., CCRMA Overview, April 2002, , Stanford, CA, Stanford University, CCRMA, 04/2002.

Scavone, G. P., CCRMA Publications, 1970-1995, , Stanford, CA, Stanford University, CCRMA, 01/1996.

Oppenheim, D. V., "Compositional Tools for Adding Expression to Music", International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.

Nichols, C., CCRMA Overview, July 2001, , Stanford, CA, Stanford University, CCRMA, 07/2001.

Mathews, M. V., and J. R. Pierce, "The Computer as a Musical Instrument", Scientific American, vol. 256, no. STAN-M-37, 1987.

Mathews, M. V., and D. Barr, The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.

Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.

Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.

Lopez-Lezcano, F., and C. Wilkerson, "CCRMA Studio Report", International Computer Music Conference, Copenhagen, Denmark, International Computer Music Association, 2007.

Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.

Lopez-Lezcano, F., "CCRMA Studio Report", International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.

Leistikow, R., and G. P. Scavone, CCRMA Overview, April 2000, , Stanford, CA, Stanford University, CCRMA, 04/2000.

Kornstaedt, A., "CCARH's Musical Databases on the Web: A Gold Mine for Musicologists", Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998. Abstract

Igoudin, A., and J. O. Smith III, CCRMA Report, May 1996, , Stanford, CA, Stanford University, CCRMA, 05/1996.

Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.

Chowning, J., J. M. Grey, L. Rush, and J. A. Moorer, Computer Simulation of Music Instrument Tones in Reverberant Environments, , no. STAN-M-1: Stanford University Department of Music, 1974.

Chaigne, A., Coupled Structural-Acoustic Systems. Application to Stringed Instruments, , no. STAN-M-119: Stanford University, Department of Music, 2004.

Chafe, C., P. Cook, Morrill, J. O. Smith III, and S. van Duyne, "CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.

Chafe, C., A. Igoudin, D. A. Jaffe, M. Karjalainen, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, N. Porcaro, W. Putnam, et al., "CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong", International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.

Bryan, N., P. Smaragdis, and G. Mysore, "Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation", IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012. Abstract

Berger, J., C. Chafe, A. Igoudin, D. A. Jaffe, T. Kunze, S. Levine, F. Lopez-Lezcano, S. O'Modhrain, P. Scandalis, G. P. Scavone, et al., "CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece", International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.

Bauman, M. L., D. P. Berners, C. Chafe, P. Cook, D. A. Jaffe, T. Kunze, F. Lopez-Lezcano, G. P. Scavone, J. O. Smith III, T. Stilson, et al., "CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada", International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.

Abel, J. S., N. Bryan, T. Skare, M. Kolar, P. Huang, D. Mostowfi, and J. O. Smith III, "A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements", 127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009. Abstract

Abe, M., and J. O. Smith III, CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks, , no. STAN-M-117: Stanford University, Department of Music, 2004.

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Winter Quarter 2021

1A Music, Mind, & Human Behavior
101 Introduction to Creating Electronic Sound
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
285 Intermedia Lab
320B Introduction to Audio Signal Processing Part II: Digital Filters
422 Perceptual Audio Coding
451A Basics in Auditory and Music Neuroscience

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Winter Quarter 2021