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AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling, , no. STAN-M-118: Stanford University, Department of Music, 2004.
"Active Damping of a Vibrating String", Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.
"Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology", Journal of New Music Research, vol. 39, issue 1, 05/2010.
Auditory Distance Perception Under Natural Sounding Conditions, Final Report, , no. STAN-M-12: Stanford University Department of Music, 1982.
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones", J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure", Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010.
Absolute Memory for Musical Pitch: More Than The Melody Lingers On, , Stanford, CA, Stanford University, CCRMA, 06/1992.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition", EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
The Aquisition of Musical Percepts with a New Scale, , Stanford, CA, Stanford University, CCRMA, 07/1987.
"Alias-free virtual analog oscillators using a feedback delay loop", the 12th Int. Conference on Digital Audio Effects, Como, Italy, 09/2009.
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design", Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
Automatic Species Counterpoint, , Stanford, CA, CCRMA, 05/1984.
"Audio FFT Filter Banks", Proc. 12th Int. Conf. Digital Audio Effects (DAFx-09), Como, Italy, September 1–4, 2009.
"An Allpass Approach to Digital Phasing and Flanging", International Computer Music Conference, Paris, 1984.