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2008

Smallwood, S., D. Trueman, P. Cook, and G. Wang, "Composing for Laptop Orchestra", Computer Music Journal, pp. 32(1):9-25, 2008. Abstract

Wang, G., D. Trueman, S. Smallwood, and P. Cook, "The Laptop Orchestra as Classroom", Computer Music Journal, pp. 32(1):26-37, 2008. Abstract

Misra, A., G. Wang, and P. Cook, "Musical Tapestry: Re-composing Natural Sounds", Journal of New Music Research, pp. 36(4):241-250, 2008. Abstract

2007

Wang, G., R. Fiebrink, and P. Cook, "Combining Analysis and Synthesis in the ChucK Programming Language", International Computer Music Conference, Copenhagen, 2007. Abstract

Kapur, A., G. Wang, P. P. Davidson, and P. Cook, "Interactive Network Media: A Dream Worth Dreaming?", Organised Sound, pp. 10(3)209-219, 2007.

1995

Bauman, M. L., D. P. Berners, C. Chafe, P. Cook, D. A. Jaffe, T. Kunze, F. Lopez-Lezcano, G. P. Scavone, J. O. Smith III, T. Stilson, et al., "CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada", International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.

1994

Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.

1993

Chafe, C., P. Cook, Morrill, J. O. Smith III, and S. van Duyne, "CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan", International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.

1992

Cook, P., B. Gillespie, J. O. Smith III, Tanaka, and S. van Duyne, Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA, , no. STAN-M-80, oct, 1992.

1991

Cook, P., S. Hirschman, and J. O. Smith III, "CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada", International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.

Cook, P., "Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices", Twelfth International Congress of Phoenetic Sciences, no. STAN-M-75, 08/1991.

Cook, P., "LECTOR: An Ecclesiastical Latin Control Language for the SPASM/Singer Instrument", International Computer Music Conference, no. STAN-M-76, Montreal, Canada, 1991.

1990

Cook, P., "Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.

1989

Cook, P., "Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work", International Computer Music Conference, no. STAN-M-56, Columbus, Ohio, USA, 1989.

Cook, P., "Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract", International Computer Music Conference, no. STAN-M-57, Columbus, Ohio, USA, 1989.

1988

Cook, P., Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.

Cook, P., Reverberation Cancellation in Musical Signals Using Adaptive Filters, , no. STAN-M-51, Stanford, California, CCRMA, 05/1988.

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Music 15N The Aesthetics of Data
Music 101 Introduction to Creating Electronic Sounds
Music 153A Network Performance Practice
Music 154A (ARTSTUDI 131) Sound Art I
Music 192A Foundations of Sound Recording Technology
Music 201 CCRMA Colloquium
Music 203 Audiovisual Performance
Music 220A Foundations of Computer-Generated Sound
Music 220D Research Topics in Computer Music
Music 251 Psychophysics and Music Cognition
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 285 Intermedia Lab
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320A Introduction to Audio Signal Processing Part I: Spectrum Analysis
Music 351A Research Seminar in Music Perception and Cognition I
Music 451A Auditory EEG Research I

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