Winter Quarter 2014

32N Sculpting with Sounds, Images and Words (Stanford Introductory Seminar)
150 Musical Acoustics
154B Aesthetcs of Experimental Electronic Music, 1980 to Today
192B Advanced Sound-Recording Technology
220B Compositional Algorithms, Psychoacoustics, and Computational Music
256B Mobile Music
253 Musical Information and Symbolic Data Interchange
319 Research Seminar on Computational Models of Sound Perception
320B Introduction to Audio Signal Processing Part II: Digital Filters
422 Perceptual Audio Coding
451B Auditory EEG Research II: Advanced Research in Auditory and Music Neuroscience

Publications

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Smith III, J. O., D. Rochesso, S. van Duyne, D. P. Berners, G. P. Scavone, P. Cook, J. R. Pierce, B. Gillespie, F. Lopez-Lezcano, J. Chomyszyn, et al., CCRMA Papers Presented at the 1994 International Computer Music Conference, Arhus, Denmark, , 09/1994.

Gillespie, B., "Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action", Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.

Gillespie, B., and S. O'Modhrain, The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio, , Stanford, California, Stanford University, 10/1995.

Cook, P., B. Gillespie, J. O. Smith III, Tanaka, and S. van Duyne, Physical Modeling and Signal Processing: CCRMA Papers Presented at the 1992 International Computer Music Conference, San Jose, CA, , no. STAN-M-80, oct, 1992.

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