Publications
] Filters: Author is Ge Wang [Clear All Filters]
"A History of Programming and Music",
Cambridge Companion to Electronic Music: Cambridge University Press, 2008.
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"The Mobile Phone Orchestra",
Oxford Handbook of Mobile Music Studies: Oxford University Press, 2010.
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"Game Design for Expressive Mobile Music",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
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The ChucK Audio Programming Language,
, vol. PhD: Princeton University, 2008.
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"Ocarina: Designing the iPhone's Magic Flute",
Computer Music Journal, vol. 38, issue 2, 05/2014.
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"Some Principles of Visual Design for Computer Music",
Leonardo Music Journal, vol. 26, 12/2016.
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"On-the-fly Programming: Using Code as an Expressive Musical Instrument",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
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"Stanford Laptop Orchestra (SLOrk)",
International Computer Music Conference, Montreal, 08/2009.
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"Designing Smule's iPhone Ocarina",
New Interfaces for Musical Expression, Pittsburgh, 2009.
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"World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music",
Journal of New Music Research, vol. 44, issue 2, 11/2014, 2015.
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"The Laptop Orchestra as Classroom",
Computer Music Journal, pp. 32(1):26-37, 2008.
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"Combining Analysis and Synthesis in the ChucK Programming Language",
International Computer Music Conference, Copenhagen, 2007.
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"ChucK: A Strongly-timed Computer Music Language",
Computer Music Journal, vol. 39, issue 4, 12/2015.
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"Composing for Laptop Orchestra",
Computer Music Journal, pp. 32(1):9-25, 2008.
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"Evolving The Mobile Phone Orchestra",
International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
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"Musical Tapestry: Re-composing Natural Sounds",
Journal of New Music Research, pp. 36(4):241-250, 2008.
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"The Laptop Accordion",
New Interfaces for Musical Expression, Brisbane, Australia, 07/2016.
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"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
"Social Composition: Musical Data Systems for Expressive Mobile Music",
Leonardo Music Journal, vol. 21, 12/2011.
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"Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control",
A NIME Reader: Fifteen Years of New Interfaces for Musical Expression: Springer, 2017.
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"To the Edge with China: Explorations in Network Performance",
ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
"ISSE: An Interactive Source Separation Editor",
CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
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"Musical Influence Network Analysis and Rank of Sampled-Based Music",
12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
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"User-Guided Variable-Rate Time-Stretching Via Stiffness Control",
15th International Conference on Digital Audio Effects, York, United Kingdom, 09/2012.
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MoMu: A Mobile Music Toolkit,
, Sydney, Australia, 06/2010.
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"Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano-Roll Display",
International Society for Music Information Retrieval Conference, Curitiba, 11/2013.
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"Two Turntables and a Mobile Phone",
International Conference on New Interfaces for Musical Expression, Oslo, Norway, 05/2011.
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