Filters: First Letter Of Last Name is B [Clear All Filters]
"Electronic Simulation of Auditorium Acoustics",
Electrical Engineering, vol. Ph.D., no. STAN-M-18, Stanford, California, Elec. Eng. Dept., Stanford University, 1984.
The Conductor Program and Mechanical Baton,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
A Real-Time System for Spatial Distribution of Sound,
, no. STAN-M-66: Stanford University Department of Music, 08/1990.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"Wave and Scattering Methods for the Numerical Integration of Partial Differential Equation",
Electrical Engineering, vol. Ph.D., no. STAN-M-108, Stanford, California, Department of Electrical Engineering, Stanford University, 05/2001.
"Finite difference schemes and digital waveguide networks for the wave equation: stability, passivity, and numerical dispersion",
IEEE Trans. Speech and Audio Processing, vol. 11, no. 3, pp. 255–266, may, 2001.
"Doppler Simulation and the Leslie",
Proc. COST-G6 Conf. Digital Audio Effects (DAFx-02), Hamburg, Germany, vol. 20, no. 2, New York, CCRMA, Stanford University, pp. 13–20, September 26, 2002.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
EURASIP Journal on Applied Signal Processing, vol. 4, 2004.
"CCRMA Studio Report",
International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.
"Some Physical Audio Effects",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"Active Damping of a Vibrating String",
Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.
"Inducing Unusual Dynamics in Acoustic Musical Instruments",
Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
Impulse Response Measurement Toolbox,
, 2008.
"A Tangible Virtual String",
Proc. 2008 Conf. on New Instruments for Musical Expression (NIME-08), Geneva, Italy, 2008.
"Feedback Control of Acoustic Musical Instruments",
STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
"Virtual Electric Guitars and Effects Using Faust and Octave",
Proc. 6th Int. Linux Audio Conf. (LAC2008), http://lac.linuxaudio.org/, vol. 33, no. 3, Toronto, Canada, Systems Control Tech., pp. 1–10, Winter, 2008.
"Skeleton: the Decayed Remnants of Time. An Investigation of Memory Through Sound.",
Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2009.
Abstract
"Stanford Laptop Orchestra (SLOrk)",
International Computer Music Conference, Montreal, 08/2009.
Abstract
"A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements",
127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009.
Abstract
"The Switched Convolution Reverberator",
127th Audio Engineering Society Convention , New York, NY, USA, 10/2009.
Abstract
"The GRIP MAESTRO: Balancing Large- and Small-scale Aspects of Emotive Gestural Control for Live Electroacoustic Musical Performance",
Hawaii International Conference on the Arts and Humanities, Honolulu, Hawaii, USA, 2010.
Abstract
"An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes",
NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Abstract
"A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes",
NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD, 04/2010.
Abstract
"Analysis of pitch perception of iharmonicity in pipa strings using response surface methodology",
Journal of New Music Research, vol. 39, issue 1, 05/2010.
"Evolving The Mobile Phone Orchestra",
International Conference on New Interfaces for Musical Expression, Sydney, Australia, 06/2010.
Abstract
MoMu: A Mobile Music Toolkit,
, Sydney, Australia, 06/2010.
Abstract
"Approximating Measured Reverberation Using A Hybrid Fixed/Switched Convolution Structure",
Proc. 13th Int. Conf. Digital Audio Effects (DAFx-10), Graz, Austria, 09/2010.
Abstract
"Impulse Response Measurements in the Presence of Clock Drift",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"Methods For Extending Room Impulse Responses Beyond Their Noise Floor",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"On Estimating Room Impulse Responses From Recorded Balloon Pops",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society , 11/2010.
Abstract
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers",
IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
Abstract
"Two Turntables and a Mobile Phone",
International Conference on New Interfaces for Musical Expression, Oslo, Norway, 05/2011.
Abstract
"Musical Influence Network Analysis and Rank of Sampled-Based Music",
12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
Abstract
"Feedback control of acoustic musical instruments: Collocated control using physical analogs",
The Journal of the Acoustical Society of America, vol. 131, pp. 963, 2012.
Abstract
"MPEG Audio Compression Basics",
The MPEG Representation of Digital Media: Springer, 2012.
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
Abstract
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Winter Quarter 2023
101 Introduction to Creating Electronic Sound
158/258D Musical Acoustics
220B Compositional Algorithms, Psychoacoustics, and Computational Music
222 Sound in Space
250C Interaction - Intermedia - Immersion
251 Psychophysics and Music Cognition
253 Symbolic Musical Information
264 Musical Engagement
285 Intermedia Lab
319 Research Seminar on Computational Models of Sound
320B Introduction to Audio Signal Processing Part II: Digital Filters
356 Music and AI
422 Perceptual Audio Coding
451B Neuroscience of Auditory Perception and Music Cognition II: Neural Oscillations