Center for Computer Research in Music and Acoustics
COVID Policies
See CCRMA's COVID policies for 2023.
Upcoming Events
Lloyd May on Audio Processing Strategies to Enhance Cochlear Implant Users' Music Enjoyment
Who: Lloyd May (CCRMA)
What: Designing Audio Processing Strategies to Enhance Cochlear Implant Users' Music Enjoyment
When: Fri, 05/10/2024 - 10:30am - 12:00pm
Where: CCRMA Seminar Room, Top Floor of The Knoll at Stanford
Why: How do we stimulate our brains with electricity.
Open House Concert
FREE and Open to the Public | In Person + Livestream
Caroline Davis: Liberative Joy
FREE and Open to the Public | In Person + Livestream
John Chowning & Friends
FREE and Open to the Public | In Person + Livestream
Stanford Graduate Composers Present: Manuela Freua & The TANK
FREE and Open to the Public | In Person
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Recent Events
Shannon Hayden: Electric Strings
FREE and Open to the Public | In Person + Livestream
sound | Display
Ludmila Yurina: Other Visions
FREE and Open to the Public | In Person + Livestream
A Bayesian model of auditory performance
Past Live Streamed Events
Recent News
Jonathan Berger's "My Lai" In the News
"In My Lai, a monodrama for tenor, string quartet, and Vietnamese instruments, composer Jonathan Berger had countless tragic elements at his disposal... In this immersive performance, we had the sense that, rather than defaulting to the story's obvious tragic details, Berger illuminate a single, more subtle element - the outraged bewilderment we often feel in the face of unimaginable horror."
Issue 21 of the Csound Journal Released
http://csoundjournal.com/issue21/index.html
This issue of the Csound Journal features an article written by MST student Paul Batchelor, which can be found here:
http://csoundjournal.com/issue21/chuck_sound.html
John Chowning Interview on RWM
Sonifying the world: How life's data becomes music
"Unlike sex or hunger, music doesn’t seem absolutely necessary to everyday survival – yet our musical self was forged deep in human history, in the crucible of evolution by the adaptive pressure of the natural world. That’s an insight that has inspired Chris Chafe, Director of Stanford University’s Center for Computer Research in Music and Acoustics (or CCRMA, stylishly pronounced karma).