Center for Computer Research in Music and Acoustics
CCRMA Open House 2019
Upcoming Events
CCRMA Open House 2019
Marco Fusi performs works by Stanford composers
Marco Fusi is a violinist/violist, and a passionate advocate for the music of our time.
Among many collaborations with emerging and established composers, he has premiered works by Billone, Sciarrino, Eötvös, Cendo and Ferneyhough. Marco has performed with Pierre Boulez, Lorin Maazel, Alan Gilbert, Beat Furrer, David Robertson, and frequently plays with leading contemporary ensembles including Klangforum Wien, MusikFabrik, Meitar Ensemble, Mivos Quartet, Ensemble Linea, Interface (Frankfurt), Phoenix (Basel) and Handwerk (Köln).
Thomas Buckner: Songs Without Words
Thomas Buckner presents Songs Without Words, for voice (no text) and electronics. These works were written for, and dedicated to him by some of the most pioneering composers in experimental music: Alvin Lucier, Robert Ashley, Annea Lockwood, and Phill Niblock.
CCRMA's Online Classes
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Lauren Fink (UCDavis) on modeling pupillary entrainment to music and absorptive music listening experiences
What can our eyes tell us about how we hear music? Lauren Fink from UC Davis will talk about how the pupils of our eyes respond to music. Her work shows that the pupil diameter reflects the musical rhythm and whether we are engaged with the music. This is cool, not only because it shows our eyes "listen" to music, but also ties into recent work investigating the connection between auditory salience and eye responses. The eyes have it!
Abstract
Colin Tucker and Charlie Sdraulig: this title refers to a counterproductive piece of private property
fff
Narayan Sankaran on Decoding Music & Speech from M/EEG activity
I’m happy to introduce Narayan Sankaran, new to the Bay Area, who has been doing a lot of work on measuring how our brains respond to speech and music. Most importantly he is looking at how the brain distinguishes different tones and phonemes. This has been done with single-unit recordings and perhaps ECoG, but it is novel to do this with EEG. And then how do these signals get turned into meaning? Very cool work.
Who: Narayan Sankaran(UCSF)
What: Decoding Music & Speech from M/EEG activity
Recent News
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
Jonathan Berger Première
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
Mystery of 101-year-old master pianist who has dementia
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...
