Center for Computer Research in Music and Acoustics
Upcoming Events
Speech coding with a deep generative model
Date:
Fri, 02/07/2020 - 10:30am - 12:00pm
Location:
CCRMA Seminar Room
Event Type:
Hearing Seminar 
This is work that was done in collaboration with Janusz Klejsa, Per Hedelin, and Lars Villemoes of the Dolby Sweden office.
Who: Roy Fejgin and Cong Zhou (Dolby)
FREE
Open to the Public
Running DSP algorithms on hardware using Faust and Elk Audio OS
Date:
Sat, 02/08/2020 - 2:00pm - 5:00pm
Location:
CCRMA Classroom
Event Type:
Other 
At the end of the workshop, participants should be able to easily write audio plugins for Elk using few lines of Faust code and control them via MIDI, knobs, buttons, encoders, small displays and control-voltage inputs.
FREE
Open to the Public
CCRMA's Online Classes
CCRMA currently offers several online courses:
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"
Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
IMSYS: Spectral Panning via Flocking Algorithms in a Multichannel Sound Environment
Date:
Tue, 11/19/2019 - 5:00pm - 6:30pm
Location:
CCRMA Stage [3rd Floor]
Event Type:
Guest Lecture 
FREE
Open to the Public
Jaehoon Choi: Brushing II Exhibition
Date:
Sat, 11/16/2019 - 9:00am - 6:00pm
Date:
Sun, 11/17/2019 - 9:00am - 6:00pm
Location:
CCRMA Stage
Event Type:
Other 
Brushing II is a sound installation piece created by Jaehoon Choi. This piece creates a medium for the audience to interact with the space through sound, movement, and drawing.
FREE
Open to the Public
Ellen Phan & Nisa Karnsomport
Date:
Thu, 11/14/2019 - 7:30pm - 8:30pm
Location:
CCRMA Stage
Event Type:
Concert 
FREE
Open to the Public
NowNet Arts Conference 2019
Date:
Thu, 11/07/2019 - 8:00am - Sun, 11/10/2019 - 9:30am
Location:
CCRMA Stage / Studio E
Event Type:
Concert 
Social Purpose in Contemporary Network Arts
November 7-10, 2019
Free for Stanford faculty/staff/students with registration | Registration fee for any non-Stanford affiliated person
Open to the Public
Recent News
CCRMA: Award-winning Faculty!
Please join us in contratulating Dr. Poppy Crum upon receiving two recent awards! Her work on tech industry standards, particularly focusing on improving hearing aid technology, and her leadership as a women in the tech world have been recognized by the Consumer Technology Association and the Advanced Imaging Society. Links to articles are below.
Way to go, Poppy!
CTA Honors Five for Outstanding Contributions to Tech Industry Initiatives and Standards
Way to go, Poppy!
CTA Honors Five for Outstanding Contributions to Tech Industry Initiatives and Standards
LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound
Science podcast featuring work by our fearless leader, Chris Chafe:
"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
File Attachment:
Jonathan Berger Première
Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
