Center for Computer Research in Music and Acoustics
CCRMA WAVE (Wall for AudioVisual Expression) presents
Upcoming Online Events
There are no events currently scheduled. Please check again soon.
CCRMA's Online Classes
CCRMA currently offers several online courses to the general public:
Chris Chafe "ONLINE JAMMING AND CONCERT TECHNOLOGY"Perry Cook and Julius Smith "PHYSICS-BASED SOUND SYNTHESIS FOR GAMES AND INTERACTIVE SYSTEMS"
Jay LeBoeuf "CAREERS IN MEDIA TECHNOLOGY"
Xavier Serra and Julius Smith "AUDIO SIGNAL PROCESSING FOR MUSIC APPLICATIONS"
Matt Wright (with David Zicarelli) "PROGRAMMING MAX: STRUCTURING INTERACTIVE SOFTWARE FOR DIGITAL ARTS"
Recent Events
Mivos Quartet | Virtual Salon
Date:
Sat, 11/14/2020 - 5:00pm - 6:30pm
Location:
Zoom / CCRMA Live
Event Type:
Concert 
CCRMA Live presents a virtual salon with Mivos Quartet performing a string trio with electronics by Rocco di Pietro and string quartets by Stanford composers Mark Applebaum, Utku Asuroglu, Jarosław Kapuściński, and Julie Zhu. The event will include readings of the works—including two premieres—and a discussion between the Mivos musicians and the composers.
Please join us in Zoom by registering here. The event will also be live streamed on our CCRMA Live page.
FREE
Open to the Public
Quarantine Sessions #27
Date:
Sun, 11/08/2020 - 1:00pm - 2:00pm
Location:
CCRMA Live
Event Type:
Concert 
Quarantine Sessions #27
A Distributed Electroacoustic Network Improvisation
Sun Nov 8 @1pm PST
Livestream: ccrma.stanford.edu/live
Recording: https://vimeo.com/476750860Sun Nov 8 @1pm PST
Livestream: ccrma.stanford.edu/live
FREE
Open to the Public
Quarantine Sessions #26
Date:
Sun, 11/01/2020 - 2:00pm - 3:00pm
Location:
CCRMA Live
Event Type:
Concert 
Quarantine Sessions #26
A Distributed Electroacoustic Network Improvisation
Sun Nov 1 @2pm PDT
Livestream: ccrma.stanford.edu/live
Recording: https://vimeo.com/474412683Sun Nov 1 @2pm PDT
Livestream: ccrma.stanford.edu/live
FREE
Open to the Public
Quarantine Sessions #25
Date:
Sun, 10/25/2020 - 2:00pm - 3:00pm
Location:
CCRMA Live
Event Type:
Concert Quarantine Sessions #25
A Distributed Electroacoustic Network Improvisation
Sun Oct 25 @2pm PDT
Livestream: ccrma.stanford.edu/live
Recording: https://vimeo.com/471967598Sun Oct 25 @2pm PDT
Livestream: ccrma.stanford.edu/live
FREE
Open to the Public
Recent News
CCRMA's SLOrk Featured in Wired Magazine
The Aural Magic of Stanford's Laptop Orchestra
CCRMA: Award-winning Faculty!
Please join us in contratulating Dr. Poppy Crum upon receiving two recent awards! Her work on tech industry standards, particularly focusing on improving hearing aid technology, and her leadership as a women in the tech world have been recognized by the Consumer Technology Association and the Advanced Imaging Society. Links to articles are below.
Way to go, Poppy!
CTA Honors Five for Outstanding Contributions to Tech Industry Initiatives and Standards
Way to go, Poppy!
CTA Honors Five for Outstanding Contributions to Tech Industry Initiatives and Standards
LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound
Science podcast featuring work by our fearless leader, Chris Chafe:
"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
File Attachment:
Jonathan Berger Première
Congratulations to our very own Jonathan Berger for a terrific write-up of the première of a new piece!
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
