Mike Gao's Elaborate Musical Inventions: The Creators Project
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Flo Menezes Concert
![](https://ccrma.stanford.edu/sites/default/files/imagecache/thumbnail/user/matt/2019_08_31_flo_menezes_e_convidados_tsp_cheloisa_bortz_250_web_0.jpg)
Flo Menezes' concert brings to the public the North American premiere of four of his acousmatic works, covering a period from 2008 to the present. His music is characterised by spectral, structural and spatial research, resulting in an immersive poetics that the composer defines as maximalist. In a broad panorama that ranges from the posthumous homage to Stockhausen shortly after his death – for whom Flo Menezes was Teaching Assistant on the Kürten Courses and about whom the composer is publishing a trilogy of almost 1000 pages of analyses by the publisher Routledge – to the recent composition made at the EMS in Stockholm, which mixes analogue sounds made on a historic Buchla with granular synthesis, we have a fairly faithful portrait of the diversity of his music.
Harmonicity and Inharmonicity in Instruments of the Percussion/Resonance Family in Interaction with Electronics
![](https://ccrma.stanford.edu/sites/default/files/imagecache/thumbnail/user/matt/2019_08_31_flo_menezes_e_convidados_tsp_cheloisa_bortz_250_web.jpg)
Dynamical mechanisms of how an RNN keeps a beat, uncovered with a low-dimensional reduced model
![](https://ccrma.stanford.edu/sites/default/files/imagecache/thumbnail/user/iran/img_0080.jpeg)
SoundSignature: What Type of Music Do You Like?
![](https://ccrma.stanford.edu/sites/default/files/imagecache/thumbnail/user/iran/brandon.png)