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Designing Physical Interactions for Music

Workshop Date: 
Mon, 06/24/2019 - Fri, 06/28/2019
 


Instructors:

Sasha Leitman

Roger Linn


Course Website: http://sashaleitman.com/dpi4m_2019

 

In this hands-on, practice-based workshop you’ll build new tools for music creation and explore new methods of physically interacting with computers to make music.

Participants will design and build working prototypes with the aim of developing these for performance and exhibits. Further issues to be explored will include modes and mappings in computer music, exercises in invention, and applications of sensors and electronics to real-time music. The workshop will be augmented by a survey of existing controllers and pieces of interactive music.

This workshop is intended for: Musicians or composers interested in exploring new possibilities in interactive music in a hands on and technical way; Anyone looking to gain valuable skills in basic analog and digital electronics, with a focus on invention; OR Makers, engineers, computer scientists, or product designers interested in exploring artistic outlets for their talents and collaborating with performers and composers.

Alongside physical interaction design, the workshop integrates programming, electronics, audio, and interactive music. Participants will learn how to use some of the basic tools of Maker community, including the Arduino platform, sensor technologies, communication with MIDI and Open Sound Control (OSC), and physical interface design.

The workshop will cover industry-standard resistive, force-sensitive, capacitative, optical, ultrasound, magnetic, and acceleration sensors. We will also teach participants how to make their own sensors with custom geometries constructed out of materials such as conductive fabric, copper tape, piezoelectrics and everyday objects.

Gender Diversity in Computer Music Scholarship


The Gender Diversity in Computer Music Scholarship application has closed.


We try to make these workshops as affordable as possible as a means of ensuring as many people as possible can take this workshop.
 





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Fall Courses at CCRMA

Music 192A Foundations of Sound Recording Technology
Music 201 CCRMA Colloquium
Music 203 Audiovisual Performance
Music 220A Foundations of Computer-Generated Sound
Music 220D Research Topic
s in Computer Music
Music 256A Music, Computing, and Design I: Software Paradigms for Computer Music
Music 319 Research Seminar on Computational Models of Sound Perception
Music 320 Introduction to Digital Audio Signal Processing
Music 351A Research Seminar in Music Perception and Cognition I
Music 451A Auditory EEG Research I

 

 

 

   

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Department of Music
Stanford University
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