Publications
]
FIR Digital Filter Design,
, Winter, 1992.
"Compositional Tools for Adding Expression to Music",
International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
"DMIX- A Multi Faceted Environment for Composing and Performing Computer Music: Its Design, Philosophy, and Implementation",
Fourth Biennial Arts and Technology Symposium, Stanford, CA, CCRMA, 10/1993.
"Slappability: A New Metaphor for Human Computer Interaction",
World Conference on Artificial Intelligence, Stanford, CA, CCRMA, 10/1993.
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA),
, Stanford, CA, Stanford University, CCRMA, 10/1993.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
A Generalized Approach to Automatic Recognition of Music Scores,
, no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
Learning About Harmony with Harmony Space: an Overview,
, Stanford, CA, CCRMA, 09/1994.
Overview, September 1994,
, Stanford, CA, Stanford University, CCRMA, 09/1994.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
"Proceedings of the 15th International Congress on Acoustics",
International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
Distance of Sound in Reverberant Fields,
, vol. Ph.D., no. STAN-M-94: Department of Music, Stanford University, 08/1995.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio,
, Stanford, California, Stanford University, 10/1995.
"Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach",
Department of Music, vol. Ph.D., no. STAN-M-93, Stanford, CA, Stanford University, 12/1995.
"Some Aspects of Applying Psychoacoustic Principles to Soundfield Reconstruction",
Department of Music, vol. Ph.D., no. STAN-M-96: Stanford University, 12/1995.
"PadMaster: an improvisation environment for real time performance",
International Computer Music Conference, Banff Centre for the Arts, Canada, International Computer Music Association, 1995.
"SCORE-to-Humdrum: A Graphical Environment for Musicological Analysis",
Computing in Musicology, vol. 10, pp. 122, 1996.
Abstract
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
"Haptic Displays of Systems with Changing Kinematic Constraints: The Virtual Piano Action",
Department of Mechanical Engineering, vol. Ph.D., no. STAN-M-92, Stanford, California, Stanford University, 01/1996.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
"PadMaster: banging on algorithms with alternative controllers",
International Computer Music Conference, Hong Kong University of Science and Technology, China, International Computer Music Association, 1996.
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"CCRMA Studio Report",
International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
"CCARH's Musical Databases on the Web: A Gold Mine for Musicologists",
Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998.
Abstract
"Themefinder: A Web-based Melodic Search Tool",
Computing in Musicology , vol. 11, pp. 231-236, 1998.
Abstract
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
"CCRMA Studio Report",
International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
"CCRMA Studio Report",
International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh",
Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
"A Waveguide Mesh Model of High-Frequency Violin Body Resonances",
Proc. 2000 Int. Computer Music Conf., Berlin, aug, 2000.
" A Flexible Slide-In System for Computer-Assisted Musicological Analysis",
5th World Multiconference on Systemics, Cybernetics and Informatics, vol. 10, pp. 51-56, 2001.
Abstract
