Publications

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Leistikow, R., and G. P. Scavone, CCRMA Overview, April 2000, , Stanford, CA, Stanford University, CCRMA, 04/2000.
Scavone, G. P., CCRMA Overview, April 2002, , Stanford, CA, Stanford University, CCRMA, 04/2002.
Scavone, G. P., CCRMA Overview, February 1999, , Stanford, CA, Stanford University, CCRMA, 02/1999.
Scavone, G. P., CCRMA Overview, January 1998, , Stanford, CA, Stanford University, 01/1998.
Nichols, C., CCRMA Overview, July 2001, , Stanford, CA, Stanford University, CCRMA, 07/2001.
Scavone, G. P., CCRMA Publications, 1970-1995, , Stanford, CA, Stanford University, CCRMA, 01/1996.
Igoudin, A., and J. O. Smith III, CCRMA Report, May 1996, , Stanford, CA, Stanford University, CCRMA, 05/1996.
Chowning, J., J. M. Grey, L. Rush, and J. A. Moorer, Computer Simulation of Music Instrument Tones in Reverberant Environments, , no. STAN-M-1: Stanford University Department of Music, 1974.
Mathews, M V., and D. Barr, The Conductor Program and Mechanical Baton, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Chaigne, A., Coupled Structural-Acoustic Systems. Application to Stringed Instruments, , no. STAN-M-119: Stanford University, Department of Music, 2004.
Abe, M., and J. O. Smith III, CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks, , no. STAN-M-117: Stanford University, Department of Music, 2004.
Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (I): Bias due to Interpolation, , no. STAN-M-114: Stanford University, Department of Music, 2004.
Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (II): Bias due to Interfering Components, , no. STAN-M-115: Stanford University, Department of Music, 2004.
Abe, M., and J. O. Smith III, Design Criteria for the Quadratically Interpolated FFT Method (III): Bias due to Amplitude and Frequency Modulation, , no. STAN-M-116: Stanford University, Department of Music, 2004.
Diener, G., Designing Digital Instruments with Hierarchical Waveguide Networks, , Stanford, California, Stanford University, 05/1988.
Serra, X., An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Berdahl, E., G. Niemeyer, and J. O. Smith III, "Feedback Control of Acoustic Musical Instruments", STAN-M, no. 120, Stanford, CA, Stanford University, 06/2008.
Carter, N., A Generalized Approach to Automatic Recognition of Music Scores, , no. STAN-M-87, Stanford, California, Stanford University Department of Music, 12/1993.
Pierce, J. R., and E. D. Schubert, High Level Factors and the Musical Saliency of Auditory Phenomena, , Stanford, CA, Stanford University, CCRMA, 07/1987.
Keisler, D., History and Principles of Microtonal Keyboard Design, , Stanford, CA, Stanford University, CCRMA, 04/1988.
Cook, P., Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.
Chowning, J., J. M. Grey, J. A. Moorer, and L. Rush, Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report, , no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Chowning, J., and B. Mont-Reynaud, Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.
Chowning, J., L. Rush, B. Mont-Reynaud, C. Chafe, W. A. Schloss, and J. O. Smith III, Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report, , no. STAN-M-15: Stanford University Department of Music, 1984.
Holland, S., Learning About Harmony with Harmony Space: an Overview, , Stanford, CA, CCRMA, 09/1994.
Gillespie, B., and S. O'Modhrain, The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio, , Stanford, California, Stanford University, 10/1995.
Smith III, J. O., Music Applications of Digital Waveguides, : Stanford University, 1987.
Chowning, J., Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti, , no. STAN-M-64: Stanford University Department of Music, 1990.
Wang, A L-C., and J. O. Smith III, On Fast FIR Filters Implemented as Tail-Canceling IIR Filters, , Stanford, CA, Stanford University, CCRMA, 11/1994.
Moorer, J. A., On the Loudness of Complex, Time-Variant Tones, , Stanford, CA, Stanford University, CCRMA, 1975.
Van Duyne, S. A., and P. Wood, Overview, September 1994, , Stanford, CA, Stanford University, CCRMA, 09/1994.
Serra, X., and P. Wood, OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work), , Stanford, CA, Stanford University, CCRMA, 03/1988.
Mathews, M V., Pickups for the Vibrations of Violin and Guitar Strings Using Piezoelectric Bimorphic Bender Elements, , Stanford, CA, Stanford University, CCRMA, 05/1988.
Schottstaedt, B., PLA - A Tutorial and Reference Manual, , Stanford, CA, Stanford University, CCRMA, 12/1984.
Chafe, C., Pulsed Noise and Microtransients in Physical Models of Musical Instruments, , no. STAN-M-65: Stanford University Department of Music, sep, 1990.
Bosi, M., A Real-Time System for Spatial Distribution of Sound, , no. STAN-M-66: Stanford University Department of Music, 08/1990.
Lakatos, S., Recognition of Complex Auditory-Spatial Patterns, , Stanford, CA, Stanford University, CCRMA, 06/1991.
Cook, P., Reverberation Cancellation in Musical Signals Using Adaptive Filters, , no. STAN-M-51, Stanford, California, CCRMA, 05/1988.
Gordon, J. W., The Role of Psychoacoustics in Computer Music, , Stanford, CA, CCRMA, 06/1987.
Chowning, J., J. M. Grey, L. Rush, J. A. Moorer, and L. Smith, Simulation of Music Instrument Tones in Reverberant Environments, Final Report, : Stanford University Department of Music, 05/1978.