Publications
] Filters: First Letter Of Title is M [Clear All Filters]
"Musical Tapestry: Re-composing Natural Sounds",
Journal of New Music Research, pp. 36(4):241-250, 2008.
Abstract
"Musical Influence Network Analysis and Rank of Sampled-Based Music",
12th International Society for Music Information Retrieval Conference, Miami, Florida, 09/2011.
Abstract
Music From Machines: Perceptual Fusion and Auditory Perspective - for Ligeti,
, no. STAN-M-64: Stanford University Department of Music, 1990.
Music Applications of Digital Waveguides,
: Stanford University, 1987.
"Multi-Port NonLinearities in Wave Digital Structures",
IEEE International Symposium on Signals, Circuits, and Systems (ISSCS), Iași, Romania, July/2015.
Abstract
"MPEG Audio Compression Basics",
The MPEG Representation of Digital Media: Springer, 2012.
"More Cowbell: a Physically-Informed, Circuit-Bendable, Digital Model of the TR-808 Cowbell",
137th International Audio Engineering Society (AES) Conference, Los Angeles, CA, 10/2014.
Abstract
The Moose: A Haptic User Interface for Blind Persons with Application to the Digital Sound Studio,
, Stanford, California, Stanford University, 10/1995.
MoMu: A Mobile Music Toolkit,
, Sydney, Australia, 06/2010.
Abstract
"Modeling the Hammond Organ Vibrato/Chorus with Wave Digital Filters",
International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, 09/2016.
Abstract
"Modeling Nonlinear Wave Digital Elements using the Lambert Function",
IEEE Transactions on Circuits and Systems I: Regular Papers, vol. 63, issue 8, 08/2016.
Abstract
"Modeling Musical Transitions",
Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"Modeling Music Notation: A Three-Dimensional Approach",
Department of Music, vol. Ph.D., no. STAN-M-69, Stanford, California, Stanford University, 12/1990.
"Modeling High-Frequency Modes of Complex Resonators Using a Waveguide Mesh",
Proc. Int. Conf. Digital Audio Effects (DAFx-00), Verona, Italy, 2000.
"Modeling Circuits with Arbitrary Topologies and Active Linear Multiports using Wave Digital Filters",
IEEE Transactions on Circuits and Systems I: Regular Papers, In Press.
Abstract
"Modeling a Class of Multi-Port NonLinearities in Wave Digital Structures",
European Signal Processing Conference (EUSIPCO), Nice, France, August/2015.
Abstract
"Modal Processor Effects Inspired by Hammond Tonewheel Organs",
Applied Sciences, issue Special Issue: Audio Signal Processing, 2016.
Abstract
"Modal Audio Effect: A Carillon Case Study",
20th International Conference on Digital Audio Effects (DAFx-17), Edinburgh, UK, 09/2017.
Abstract
"Modal Analysis and Synthesis of the University of Michigan Lurie Carillon",
Resonance and Remembrance: An Interdisciplinary Bell Studies Symposium, University of Michigan, Ann Arbor, MI, 03/2017.
Abstract
"The Mobile Phone Orchestra",
Oxford Handbook of Mobile Music Studies: Oxford University Press, 2010.
Abstract
"Methods for Simulating String Collisions with Rigid Spatial Objects",
Proc. IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, New Paltz, NY, New York, IEEE Press, oct, 2003.
"Methods For Extending Room Impulse Responses Beyond Their Noise Floor",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"A Method for Estimating Interaural Time Difference for Binaural Synthesis",
the 125th Audio Engineering Society Convention, San Francisco, CA, USA, AES, 10/2008.
Abstract
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance",
International Computer Music Conference, Copenhagen, Denmark, 2007.
Abstract
"Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance",
Lecture Notes in Computer Science - Computer Music Modeling and Retrieval. Sense of Sounds, vol. Volume 4969/2008, pp. 478-486, 2008.
Abstract
