Publications
] Filters: First Letter Of Title is I [Clear All Filters]
"An Improved and Generalized Diode Clipper Model for Wave Digital Filters",
139th Convention of the Audio Engineering Society (AES), New York, New York, October/2015.
Abstract
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation",
Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"Introduction to Digital Filter Theory",
Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers",
IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
Abstract
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra",
Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
"Impact of MIDI on Electroacoustic Art Music",
Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
"An Introduction to the Phase Vocoder",
Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters,
, no. STAN-M-50: Stanford University Department of Music, 05/1988.
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing",
Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
The Influence of Nonharmonic Partials on Tone Perception,
, vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report,
, no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report,
, no. STAN-M-15: Stanford University Department of Music, 1984.
Intelligent Analysis of Composite Acoustic Signals, Final Report,
, Stanford, California, Stanford University Department of Music, 05/1986.
"Interactive Sound Source Separation",
Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
Abstract
"Interactive User-Feedback for Sound Source Separation",
International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013.
Abstract
"Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates",
IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013.
Abstract
"Impulse Response Measurements in the Presence of Clock Drift",
129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
Abstract
"ISSE: An Interactive Source Separation Editor",
CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
Abstract
"Inducing Unusual Dynamics in Acoustic Musical Instruments",
Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
Impulse Response Measurement Toolbox,
, 2008.
