- News and Events
- User Guides
Filters: First Letter Of Title is I [Clear All Filters]
"Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation", Electrical Engineering, vol. Ph.D., no. STAN-M-86, Stanford, CA, Stanford University, 1994.
"Introduction to Digital Filter Theory", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception", Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
"Instinct-Based Mating in Genetic Algorithms Applied to the Tuning of 1-NN Classifiers", IEEE Transactions on Knowledge and Data Engineering, vol. 22, issue 12, 12/2010.
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra", Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
"Interactive Network Media: A Dream Worth Dreaming?", Organised Sound, pp. 10(3)209-219, 2007.
"Impact of MIDI on Electroacoustic Art Music", Department of Music, vol. Ph.D., no. STAN-M-102, Stanford, CA, Stanford University, 06/1997.
"An Introduction to the Phase Vocoder", Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 02/1987, 1975.
Implementation of Single Reed Instruments with Arbitrary Bore Shapes Using Digital Waveguide Filters, , no. STAN-M-50: Stanford University Department of Music, 05/1988.
"Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing", Electrical Engineering, vol. Ph.D., no. STAN-M-68, Stanford, California, Stanford University, 12/1990.
The Influence of Nonharmonic Partials on Tone Perception, , vol. Ph.D., no. STAN-M-10: Stanford University, 1980.
Instrumental Timbre and Related Acoustical Phenomena in the Perception of Music, Final Report, , no. STAN-M-11, Stanford, California, Stanford University Department of Music, 08/1982.
Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report, , no. STAN-M-15: Stanford University Department of Music, 1984.
Intelligent Analysis of Composite Acoustic Signals, Final Report, , Stanford, California, Stanford University Department of Music, 05/1986.
"Interactive Refinement of Supervised and Semi-Supervised Sound Source Separation Estimates", IEEE International Conference on Acoustics, Speech, and Signal Processing, Vancouver, Canada, 05/2013.
"Impulse Response Measurements in the Presence of Clock Drift", 129th Audio Engineering Society Convention, San Francisco, California, Audio Engineering Society, 11/2010.
"ISSE: An Interactive Source Separation Editor", CHI Conference on Human Factors in Computing Systems, Toronto, Canada, ACM, 04/2014.
"Interactive Sound Source Separation", Music, vol. PhD, Stanford, Stanford University, pp. 165, 03/2014.
"Interactive User-Feedback for Sound Source Separation", International Conference on Intelligent User-Interfaces (IUI), Workshop on Interactive Machine Learning, Santa Monica, 03/2013.
"Inducing Unusual Dynamics in Acoustic Musical Instruments", Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
Impulse Response Measurement Toolbox, , 2008.