Publications
] Filters: First Letter Of Title is C [Clear All Filters]
"ChucK: A Strongly-timed Computer Music Language",
Computer Music Journal, vol. 39, issue 4, 12/2015.
Abstract
"Clustering and Synchronizing Multi-Camera Video via Landmark Cross-Correlation",
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Kyoto, Japan, IEEE, 03/2012.
Abstract
"A Configurable Microphone Array with Acoustically Transparent Omnidirectional Elements",
127th Audio Engineering Society Convention, New York City, New York, Audio Engineering Society, 09/2009.
Abstract
"CCRMA Studio Report for ICMC 2009",
International Computer Music Conference, 2009.
Abstract
The ChucK Audio Programming Language,
, vol. PhD: Princeton University, 2008.
Abstract
"Composing for Laptop Orchestra",
Computer Music Journal, pp. 32(1):9-25, 2008.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Copenhagen, Denmark, International Computer Music Association, 2007.
"Combining Analysis and Synthesis in the ChucK Programming Language",
International Computer Music Conference, Copenhagen, 2007.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.
Coupled Structural-Acoustic Systems. Application to Stringed Instruments,
, no. STAN-M-119: Stanford University, Department of Music, 2004.
CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks,
, no. STAN-M-117: Stanford University, Department of Music, 2004.
CCRMA Overview April 2003,
, Stanford, CA, CCRMA, 04/2003.
CCRMA Overview, April 2002,
, Stanford, CA, Stanford University, CCRMA, 04/2002.
"CCRMA Studio Report",
International Computer Music Conference, La Habana, Cuba, International Computer Music Association, 2001.
CCRMA Overview, July 2001,
, Stanford, CA, Stanford University, CCRMA, 07/2001.
CCRMA Overview, April 2000,
, Stanford, CA, Stanford University, CCRMA, 04/2000.
"CCRMA Studio Report",
International Computer Music Conference, Beijing, China, International Computer Music Association, 1999.
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
"CCRMA Studio Report",
International Computer Music Conference, University of Michigan, Ann Arbor, USA, International Computer Music Association, 1998.
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
"CCARH's Musical Databases on the Web: A Gold Mine for Musicologists",
Proceedings of the XII Colloquium on Musical Informatics, pp. 280-281, 1998.
Abstract
"CCRMA Studio Report",
International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association, 1997.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
"Compositional Tools for Adding Expression to Music",
International Computer Music Conference, no. STAN-M-82, San Jose, CA, USA, CCRMA, 10/1993.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
"Common Music: A Music Composition Language in Common Lisp and CLOS",
Computer Music Journal, vol. 15, issue 2, 07/1991.
"Characterization of Aperiodicity in Nearly Periodic Signals",
International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
The Conductor Program and Mechanical Baton,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
"The Computer as a Musical Instrument",
Scientific American, vol. 256, no. STAN-M-37, 1987.
Computer Simulation of Music Instrument Tones in Reverberant Environments,
, no. STAN-M-1: Stanford University Department of Music, 1974.
