Publications
] Filters: Author is Leland Smith [Clear All Filters]
Simulation of Music Instrument Tones in Reverberant Environments, Final Report,
: Stanford University Department of Music, 05/1978.
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2019 Spring Quarter Courses
Music 101 Introduction to Creating Electronic Sounds
Music 128 Composing, Coding, and Performance with SLOrk
Music 150 Musical Acoustics
Music 150P The Changing World of Popular Music
Music 192C Session Recording
Music 220C Research Seminar in Computer-Generated Music
Music 223B Sonic Experiments in Composition
Music 251 Psychophysics and Music Cognition
Music 254 Music Query, Analysis, and Style Simulation (CS275B)
Music 257 Neuroplasticity and Musical Gaming
Music 319 Research Seminar on Computational Models of Sound Perception
Music 421A Time-Frequency Audio Processing
Music 424 Signal Processing Techniques for Digital Audio Effects
Music 128 Composing, Coding, and Performance with SLOrk
Music 150 Musical Acoustics
Music 150P The Changing World of Popular Music
Music 192C Session Recording
Music 220C Research Seminar in Computer-Generated Music
Music 223B Sonic Experiments in Composition
Music 251 Psychophysics and Music Cognition
Music 254 Music Query, Analysis, and Style Simulation (CS275B)
Music 257 Neuroplasticity and Musical Gaming
Music 319 Research Seminar on Computational Models of Sound Perception
Music 421A Time-Frequency Audio Processing
Music 424 Signal Processing Techniques for Digital Audio Effects
