Publications
] Filters: First Letter Of Last Name is S [Clear All Filters]
CCRMA Overview, February 1999,
, Stanford, CA, Stanford University, CCRMA, 02/1999.
CCRMA Overview, January 1998,
, Stanford, CA, Stanford University, 01/1998.
"CCRMA Papers Presented at the 1997 International Computer Music Conference Thessaloniki, Greece",
International Computer Music Conference Thessaloniki, Greece, no. STAN-M-101, Stanford, CA, CCRMA, 08/1997.
"An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design",
Department of Music, vol. Ph.D., no. STAN-M-100, Stanford, CA, Stanford University, 03/1997.
"CCRMA Papers Presented at the 1996 International Computer Music Conference Hong Kong",
International Computer Music Conference Hong Kong, no. STAN-M-99, Hong Kong, CCRMA, 08/1996.
CCRMA Report, May 1996,
, Stanford, CA, Stanford University, CCRMA, 05/1996.
CCRMA Publications, 1970-1995,
, Stanford, CA, Stanford University, CCRMA, 01/1996.
"CCRMA Papers Presented at the 1995 International Computer Music Conference, Banff, Canada",
International Computer Music Conference, no. STAN-M-91, Banff, Canada, 09/1995.
"Proceedings of the 15th International Congress on Acoustics",
International Congress of Acoustics, Trondheim, Norway, CCRMA, 06/1995.
On Fast FIR Filters Implemented as Tail-Canceling IIR Filters,
, Stanford, CA, Stanford University, CCRMA, 11/1994.
"CCRMA Papers Presented at the 1993 International Computer Music Conference, Tokyo, Japan",
International Computer Music Conference, no. STAN-M-81, Tokyo, Japan, 12/1993.
FIR Digital Filter Design,
, Winter, 1992.
"Physical Modeling Using Digital Waveguides",
Computer Music Journal, vol. 16, issue 4, 12/1992.
"Analysis-by-Synthesis/Overlap-add Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones",
J. Audio Eng. Soc., vol. 40, no. 6, pp. 497–516, 1992.
"CCRMA Papers on Physical Modeling from the 1991 International Computer Music Conference, Montreal, Canada",
International Computer Music Conference, no. STAN-M-73, Montreal, Canada, 10/1991.
"Restoring a Clipped Signal",
Proc. Int. Conf. Acoustics, Speech, and Signal Processing, Toronto, New York, IEEE Press, 1991.
"Efficient Yet Accurate Models for Strings and Air Columns Using Sparse Lumping of Distributed Losses and Dispersion",
Colloquium on Physical Modeling, no. STAN-M-67, Grenoble, France, 12/1990.
"Characterization of Aperiodicity in Nearly Periodic Signals",
International Conference on Acoustics, Speech and Signal Processing, no. STAN-M-62, Albuquerque, IEEE Press, 1990.
"A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition",
Department of Music, vol. Ph.D., no. STAN-M-58, Stanford, CA, Stanford University, 1989.
An Environment for the Analysis, Transformation and Resynthesis of Musical Sounds,
, Stanford, CA, Stanford University, CCRMA, 05/1988.
OVERVIEW: Center for Computer Research in Music and Acoustics (Recent Work),
, Stanford, CA, Stanford University, CCRMA, 03/1988.
High Level Factors and the Musical Saliency of Auditory Phenomena,
, Stanford, CA, Stanford University, CCRMA, 07/1987.
Music Applications of Digital Waveguides,
: Stanford University, 1987.
"PARSHL: A Program for the Analysis/Synthesis of Inharmonic Sounds Based on a Sinusoidal Representation",
International Computer Music Conference, no. STAN-M-43, Champaign-Urbana, Illinois, 1987.
"Elimination of Limit Cycles and Overflow Oscillations in Time-Varying Lattive and Ladder Digital Filters",
IEEE Conference on Circuits and Systems, no. STAN-M-35, San Jose, CA, USA, 05/1986.
"A New Approach to Digital Reverberation Using Closed Waveguide Networks",
International Computer Music Conference, no. STAN-M-31, Burnaby, B.C., Canada, pp. 47-53, 1985.
"Modeling Musical Transitions",
Department of Music, vol. Ph.D., no. STAN-M-26: Stanford University, 06/1985.
"On the Automatic Transcription of Percussive Music - From Acoustic Signal to High-Level Analysis",
Department of Hearing and Speech, no. STAN-M-27, Stanford, CA, Stanford University, 05/1985.
"Introduction to Digital Filter Theory",
Digital Audio Signal Processing: An Anthology, Los Altos, CA, William Kaufmann, 04/1985.
"A Sine Generation Algorithm for VLSI Applications",
Proc. 1985 Int. Computer Music Conf., Vancouver: Computer Music Association, 1985.
"Techniques for Note Identification in Polyphonic Music",
Proceddings of the 1985 International Computer Music Conference, Burnaby, B.C., Canada, no. STAN-M-29: International Computer Music Association, 1985.
PLA - A Tutorial and Reference Manual,
, Stanford, CA, Stanford University, CCRMA, 12/1984.
Automatic Species Counterpoint,
, Stanford, CA, CCRMA, 05/1984.
"An Allpass Approach to Digital Phasing and Flanging",
International Computer Music Conference, Paris, 1984.
Intelligent Systems for the Analysis of Digitized Acoustic Signals, Final Report,
, no. STAN-M-15: Stanford University Department of Music, 1984.
"Techniques for Digital Filter Design and System Identification with Application to the Violin",
Electrical Engineering, vol. Ph.D., no. STAN-M-14: Stanford University, 06/1983.
Auditory Distance Perception Under Natural Sounding Conditions, Final Report,
, no. STAN-M-12: Stanford University Department of Music, 1982.
"An Investigation of the Effects of Direct and Reverberant Signal Interactions on Auditory Distance Perception",
Department of Hearing and Speech, vol. Ph.D., no. STAN-M-13: Stanford University, 1982.
